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"One of the most harrowing, powerful, and imaginative books of the year" (Anthony Doerr) about twin sisters fighting to survive the evils of World War II.
Pearl is in charge of: the sad, the good, the past.
Stasha must care for: the funny, the future, the bad.
It's 1944 when the twin sisters arrive at Auschwitz with their mother and grandfather. In their benighted new world, Pearl and Stasha Zagorski take refuge in their identical natures, comforting themselves with the private language and shared games of their childhood.
As part of the experimental population of twins known as Mengele's Zoo, the girls experience privileges and horrors unknown to others, and they find themselves changed, stripped of the personalities they once shared, their identities altered by the burdens of guilt and pain.
That winter, at a concert orchestrated by Mengele, Pearl disappears. Stasha grieves for her twin, but clings to the possibility that Pearl remains alive. When the camp is liberated by the Red Army, she and her companion Feliks--a boy bent on vengeance for his own lost twin--travel through Poland's devastation. Undeterred by injury, starvation, or the chaos around them, motivated by equal parts danger and hope, they encounter hostile villagers, Jewish resistance fighters, and fellow refugees, their quest enabled by the notion that Mengele may be captured and brought to justice within the ruins of the Warsaw Zoo. As the young survivors discover what has become of the world, they must try to imagine a future within it.
A superbly crafted story, told in a voice as exquisite as it is boundlessly original, Mischling defies every expectation, traversing one of the darkest moments in human history to show us the way toward ethereal beauty, moral reckoning, and soaring hope.
PART ONE
CHAPTER ONE
World After World
We were made, once. My twin, Pearl, and me. Or, to be precise, Pearl was formed and I split from her. She embossed herself on the womb; I copied her signature. For eight months we were afloat in amniotic snowfall, two rosy mittens resting on the lining of our mother. I couldn't imagine anything grander than the womb we shared, but after the scaffolds of our brains were ivoried and our spleens were complete, Pearl wanted to see the world beyond us. And so, with newborn pluck, she spat herself out of our mother. Though premature, Pearl was a sophisticated prankster. I assured myself that it was just one of her tricks; she'd be back to laugh at me. But when Pearl failed to return, I lost my breath. Have you ever had to live with the best part of yourself adrift, stationed at some unknowable distance? If so, I am sure you are aware of the dangers of this condition. After my breath left me, my heart followed suit, and my brain ran with an ...
It is hard to describe the alchemy that Konar performs to make this story so uplifting. In a way, she has created a kinder, gentler twin experiment of her own: how will Sasha and Pearl, "two parts," so alike, but so different in disposition, face and overcome their traumas, with rage or with kindness, vengeance, or forgiveness. The results of this experiment, unlike those conducted at Auschwitz, actually has value for humanity...continued
Full Review
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(Reviewed by Lisa Butts).
The twins in Mischling are loosely based on Romanian sisters Eva and Miriam Mozes, survivors of "Angel of Death" Josef Mengele's sadistic experiments at Auschwitz. Having studied twins in a legitimate capacity earlier in his career, Mengele took advantage of his position as a doctor at Auschwitz to perform unwarranted operations, mutilations, deadly blood transfusions, and other atrocities on the hundreds of sets of twins forced into the labor camp. Mengele reportedly injected his subjects' eyes with chemicals in an attempt to change their color (Stasha suffers this treatment in Mischling) and if one twin died the other was swiftly murdered so Mengele could perform a comparative post-mortem (or, as likely in many cases, because a single...
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