A bit like the author, Wesley Stace, this book is a compilation of parts. Musical history, early twentieth century political and social history, and a history of a murder, the whole is indeed better than the description of its parts. Stace is the alter ego of composer and
…more musician John Wesley Harding, a name itself created from that of a 19th century gunslinger. (John Wesley Hardin is perhaps better known to us in Texas.) Although there were some slow stretches, the period speech and detail are terrific and form the ribbon which wraps this witty and very clever tale. I shall have to avail myself of Hardings music along side Hardins legends after this roundabout. (less)