Excerpt of The Namesake by Jhumpa Lahiri
(Page 3 of 10)
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In Cambridge it is eleven in the morning, already lunchtime in the hospitals accelerated day. A tray holding warm apple juice, Jell-O, ice cream, and cold baked chicken is brought to her side. Patty, the friendly nurse with the diamond engagement ring and a fringe of reddish hair beneath her cap, tells Ashima to consume only the Jell-O and the apple juice. Its just as well. Ashima would not have touched the chicken, even if permitted; Americans eat their chicken in its skin, though Ashima has recently found a kind butcher on Prospect Street willing to pull it off for her. Patty comes to fluff the pillows, tidy the bed. Dr. Ashley pokes in his head from time to time. "No need to worry," he chirps, putting a stethoscope to Ashimas belly, patting her hand, admiring her various bracelets. "Everything is looking perfectly normal. We are expecting a perfectly normal delivery, Mrs. Ganguli."
But nothing feels normal to Ashima. For the past eighteen months, ever since shes arrived in Cambridge, nothing has felt normal at all. Its not so much the pain, which she knows, somehow, she will survive. Its the consequence: motherhood in a foreign land. For it was one thing to be pregnant, to suffer the queasy mornings in bed, the sleepless nights, the dull throbbing in her back, the countless visits to the bathroom.
Throughout the experience, in spite of her growing discomfort, shed been astonished by her bodys ability to make life, exactly as her mother and grandmother and all her great-grandmothers had done. That it was happening so far from home, unmonitored and unobserved by those she loved, had made it more miraculous still. But she is terrified to raise a child in a country where she is related to no one, where she knows so little, where life seems so tentative and spare.
"How about a little walk? It might do you good," Patty asks when she comes to clear the lunch tray.
Ashima looks up from a tattered copy of Desh magazine that shed brought to read on her plane ride to Boston and still cannot bring herself to throw away. The printed pages of Bengali type, slightly rough to the touch, are a perpetual comfort to her. Shes read each of the short stories and poems and articles a dozen times. There is a pen-and-ink drawing on page eleven by her father, an illustrator for the magazine: a view of the North Calcutta skyline sketched from the roof of their flat one foggy January morning. She had stood behind her father as hed drawn it, watching as he crouched over his easel, a cigarette dangling from his lips, his shoulders wrapped in a black Kashmiri shawl.
"Yes, all right," Ashima says.
Patty helps Ashima out of bed, tucks her feet one by one into slippers, drapes a second nightgown around her shoulders. "Just think," Patty says as Ashima struggles to stand. "In a day or two youll be half the size." She takes Ashimas arm as they step out of the room, into the hallway. After a few feet Ashima stops, her legs trembling as another wave of pain surges through her body. She shakes her head, her eyes filling with tears. "I cannot."
"You can. Squeeze my hand. Squeeze as tight as you like."
After a minute they continue on, toward the nurses station. "Hoping for a boy or a girl?" Patty asks.
"As long as there are ten finger and ten toe," Ashima replies. For these anatomical details, these particular signs of life, are the ones she has the most difficulty picturing when she imagines the baby in her arms.
Patty smiles, a little too widely, and suddenly Ashima realizes her error, knows she should have said "fingers" and "toes." This error pains her almost as much as her last contraction. English had been her subject. In Calcutta, before she was married, she was working toward a college degree. She used to tutor neighborhood schoolchildren in their homes, on their verandas and beds, helping them to memorize Tennyson and Wordsworth, to pronounce words like sign and cough, to understand the difference between Aristotelian and Shakespearean tragedy. But in Bengali, a finger can also mean fingers, a toe toes.
Copyright © 2003 by Jhumpa Lahiri. Reprinted by permission of Houghton Mifflin Company.