Excerpt of Fobbit by David Abrams
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They were Fobbits because, at the core, they were nothing but marshmallow. Crack open their chests and in the space where their hearts should be beating with a warrior's courage and selfless regard, you'd find a pale, gooey center. They cowered like rabbits in their cubicles, busied themselves with PowerPoint briefings to avoid the hazard of Baghdad's bombs, and steadfastly clung white-knuckled to their desks at Forward Operating Base Triumph. If the FOB was a mother's skirt, then these soldiers were pressed hard against the pleats, too scared to venture beyond her grasp.
Like the shy, hairy-footed hobbits of Tolkien's world, they were reluctant to go beyond their shire, bristling with rolls of concertina wire at the borders of the FOB. After all, there were goblins in turbans out there! Or so they convinced themselves.
Supply clerks, motor pool mechanics, cooks, mail sorters, lawyers, trombone players, logisticians: Fobbits, one and all. They didn't give a shit about appearances. They were all about making it out of Iraq in one piece.
Of all the Fobbits in the U.S. military task force headquarters at the western edge of Baghdad, Staff Sergeant Chance Gooding Jr. was the Fobbitiest. With his neat-pressed uniform, his lavender-vanilla body wash, and the dust collected around the barrel of his M16 rifle, he was the poster child for the stay-back-stay-safe soldier. The smell of something sweet radiated off his skinas if he bathed in gingerbread.
Gooding worked in the public affairs office of the Seventh Armored Division, headquartered in one of Saddam Hussein's marbled palaces. His PAO days were filled with sifting through reports of Significant Activities and then writing press releases about what he had found. His job was to turn the bomb attacks, the sniper kills, the sucking chest wounds, and the dismemberments into something palatableideally, something patrioticthat the American public could stomach as they browsed the morning newspaper with their toast and eggs. No one wanted to read: "A soldier was vaporized when his patrol hit an Improvised Explosive Device, his flesh thrown into a nearby tree where it draped like Spanish moss." But the generals and colonels of the Seventh Armored Division all agreed that the folks back home would appreciate hearing: "A soldier paid the ultimate sacrifice while carrying out his duties in Operation Iraqi Freedom." Gooding's weapons were words, his sentences were missiles.
As a Fobbit, Chance Gooding Jr. saw the war through a telescope, the bloody snarl of combat remained at a safe, sanitized distance from his air-conditioned cubicle. And yet, here he was on a FOB at the edge of Baghdad, geographically central to gunfire. To paraphrase the New Testament, he was in the war but he was not of the war.
On the day a soldier was roasted in the fire of an IED in al-Karkh and then, in a separate attack, a suicide bomber rammed into the back of an Abrams tank, Gooding's deployment clock was at 183 days with another 182 days to go (plus or minus 60 days, depending on extension orders, which could come from the Pentagon at any minute, triggering an increase in suicide attempts, raids on the stash of contraband vodka concealed behind the false wall of a certain NCO's wall locker, and furious bouts of masturbation). Halfway there. The tipping point. The downhill slide.
Staff Sergeant Gooding was a career soldier with ten-plus years in Uncle Sam's Army, but this was the first time he'd set foot on the soil of a combat zone. Like the majority of Fobbits, this filled him with equal parts dread and annoyancefear of being killed at any moment, yes; but also irritation at the fact that he was now on what felt like a yearlong camping trip with all the comforts of home (flush toilets, cable TV, sand-free bedsheets) stripped away. Going to war could be a real pain in the ass.
Excerpted from Fobbit
by David Abrams. Copyright © 2012 by David Abrams.
Excerpted by permission of Grove Press. All rights
reserved. No part of this excerpt may be reproduced or reprinted
without permission in writing from the publisher.