Detroit City Is the Place to Be: Summary and book reviews of Detroit City Is the Place to Be by Mark Binelli, plus links to an excerpt from Detroit City Is the Place to Be and a biography of Mark Binelli.
Detroit City Is the Place to Be The Afterlife of an American Metropolis
by Mark Binelli
Hardcover: Nov 2012,
336 pages.
Paperback: 29 Oct 2013,
336 pages.
Once America's capitalist dream town, Detroit is our country's greatest urban failure, having fallen the longest and the farthest. But the city's worst crisis yet (and that's saying something) has managed to do the unthinkable: turn the end of days into a laboratory for the future. Urban planners, land speculators, neo-pastoral agriculturalists, and utopian environmentalists - all have been drawn to Detroit's baroquely decaying, nothing-left-to-lose frontier.
With an eye for both the darkly absurd and the radically new, Detroit-area native and Rolling Stone writer Mark Binelli has chronicled this convergence. Throughout the city's "museum of neglect" - its swaths of abandoned buildings, its miles of urban prairie - he tracks the signs of blight repurposed, from the school for pregnant teenagers to the killer ex-con turned street patroller, from the organic farming on empty lots to GM's wager on the Volt electric car and the mayor's realignment plan (the most ambitious on record) to move residents of half-empty neighborhoods into a viable, new urban center.
Sharp and impassioned, Detroit City Is the Place to Be is alive with the sense of possibility that comes when a city hits rock bottom. Beyond the usual portrait of crime, poverty, and ruin, we glimpse a future Detroit that is smaller, less segregated, greener, economically diverse, and better functioning - what might just be the first post-industrial city of our new century.
When Mark Binelli, a native of Detroit, and general assignment reporter, began work on a book about the city, one of his interview subjects asked him if the book was going to be fiction or non-fiction. “Non,” Binelli replied. Binelli writes about the guy’s reaction: "He snorted and said, ‘No one’s gonna believe it.'”
A large portion of Binelli’s engaging book, Detroit City is the Place to Be, covers the stuff that “no one’s gonna believe.” (Reviewed by Poornima Apte).
The Wall Street Journal
Binelli is excellent writer and a sensitive and careful reporter.… He does a great job of presenting the arc of Detroit’s 20th century: its rise as automotive capital of the world, its economic apex in the 1950s and its thudding diminishment.
Slate
Binelli went to Detroit and lived there. Does that sound boring? It’s not.… Binelli is a good storyteller, an entertaining historian, and an insightful commenter.
The Christian Science Monitor
A sharply observed, insightful work of love and fury.
San Francisco Chronicle
The single best thing to read if you want to understand what Detroit feels like today.
The New York Times
Magnificent… A crackling rebuttal to ruin porn, those glossy coffee table books that fetishize Detroit’s decay… A clear-eyed look at promising recent developments, without any saccharine optimism.
Kirkus Reviews
Binelli is a charming writer, and his periodic humorous asides and innate good nature are a welcome contrast to the darker sections.… An informative, often-heartbreaking portrait of a once-great American metropolis gone to hell.
Publishers Weekly
Starred Review. A wildly compelling biography of a city as well as a profound commentary on postindustrial America.
Bookforum
Excellent… A stylish, clear-eyed, subtly absurdist panorama... Binelli's engrossing book captures the beauty and nobility of Detroit, and the warmth of its communal life amid hardship and chaos. Binelli also takes full measure of the bizarreness of Detroit's predicament—which is also the bizarreness of a whole nation contemptuously disregarding its achievements.
Elmore Leonard
I like Mark Binelli's book a lot. He covers the shrinking of Detroit, its downfall from the lofty peak as Arsenal of Democracy, with clear, expository prose and no axe to grind. A firefighter asks the author, 'You going fiction or non-fiction?' Binelli answers, 'Non.' And the reply comes back, 'No one's going to believe it.'?
Wells Tower, author of Everything Ravaged, Everything Burned
With the acuity of Joan Didion and the controlled hilarity of Ian Frazier, Mark Binelli investigates the portents and absurdities of America's most infamous urban calamity. Exhilarating in scope, irresistible for its intricate, scrupulous portraiture, Detroit City Is the Place to Be is the masterful performance of one of our generation's most humane and brilliant writers.
Kevin Boyle, author of Arc of Justice: A Saga of Race, Civil Rights and Murder in the Jazz Age
Let's face it. Detroit City is not the place to be. But if you care about America you have to see it, to walk its desolate streets, to talk to the people who make it their home, to hear what it means to live on the wrong side of the post-industrial divide. And you're not going to find a smarter, tougher, more entertaining guide than Mark Binelli. If you give a damn you've got to read this book.
Even as Detroit City might be having a rejuvenation of sorts by attracting increasing numbers of artists, it is worth looking back to the Great Depression when a Mexican mural artist, Diego Rivera, created the city's most iconic art: the set of murals known as Detroit Industry.
Back in the early '30s Edsel Ford (son of Henry Ford) was an ardent supporter of the arts. When W.R. Valentiner, director of the Detroit Institute of Arts, suggested he commission some art for the museum, Ford decided he would like to capture the spirit of the city's industry through a series of murals for the museum's garden court. Diego Rivera, a renowned Mexican muralist (and known Marxist) was commissioned to create murals for just two segments of the court but eventually the series grew to be a number of arresting murals created over the span of two years.
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(1145 words).
The Wall Street Journal
Elmore Leonard
Even as Detroit City might be having a rejuvenation of sorts by attracting increasing numbers of artists, it is worth looking back to the Great Depression when a Mexican mural artist, Diego Rivera, created the city's most iconic art: the set of murals known as Detroit Industry.
