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Read free book excerpt from Balzac and the Little Chinese Seamstress by Dai Sijie, plus multiple reviews, author biography & more

Balzac and the Little Chinese Seamstress

Balzac and the Little Chinese Seamstress
by Dai Sijie
Hardcover: Sep 2001,
208 pages.
Paperback: Oct 2002,
208 pages.

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First book/First Novel


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Excerpt of Balzac and the Little Chinese Seamstress by Dai Sijie
(Page 4 of 4)

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At that moment, without saying a word, Luo punched me. I was so taken aback that I nearly lost my balance.

In 1971 there was little to distinguish us two--one the son of a pulmonary specialist, the other the son of a notorious class enemy who had enjoyed the privilege of touching Mao's teeth--from the other hundred-odd "young intellectuals" who were banished to the mountain known as the Phoenix of the Sky. The name was a poetic way of suggesting its terrifying altitude; the poor sparrows and common birds of the plain could never soar to its peak, for that was the reserve of winged creatures allied to the sky: mighty, mythical and profoundly solitary.

There was no road to the mountain, only a narrow pathway threading steeply through great walls of craggy rock. For a glimpse of a car, the sound of a horn, a whiff of restaurant food, indeed for any sign of civilisation, you had to tramp across rugged mountain terrain for two days. A hundred kilometres later you would reach the banks of the River Ya and the small town of Yong Jing. The only Westerner ever to have set foot here was a French missionary, Father Michel, who tried to find a new route to Tibet in the 1940s.

"The district of Yong Jing is not lacking in interest," the Jesuit commented in his notebook. "One of the mountains, locally known as 'the Phoenix of the Sky,' is especially noteworthy. Famed for its copper, employed by the ancients for minting coins, the mountain is said to have been offered by an emperor of the Han dynasty as a gift to his favourite, who was one of the chief eunuchs in his palace. Looking up at the vertiginous slopes all around me, I could just make out a footpath rising from the shadowy fissures in the cliff towards the sky, where it seemed to melt into the misty air. I noted a small band of coolies making their way down this path, laden like beasts of burden with great panniers of copper tied to their backs. I am told that the production of copper has been in decline for many years, primarily due to the difficulty of transport. At present, the peculiar geographic conditions of the mountain have led the local population to grow opium. I have been advised against climbing it, as all the opium growers are armed. After harvesting their crop, they spend their time attacking anyone who happens to pass by. So I content myself with observing from afar this wild and lonely place, so thickly screened by giant trees, tangled creepers and lush vegetation as to make one expect to see a bandit leaping from the shadows at any moment."

The Phoenix of the Sky comprised some twenty villages scattered along the single serpentine footpath or hidden in the depths of gloomy valleys. Usually each village took in five or six young people from the city. But our village, perched on the summit and the poorest of them all, could only afford two: Luo and me. We were assigned quarters in the very house on stilts where the village headman had inspected my violin. This building was village property, and had not been constructed with habitation in mind. Underneath, in the space between the wooden props supporting the floor, was a pigsty occupied by a large, plump sow-likewise common property. The structure itself was made of rough wooden planks, the walls were unpainted and the beams exposed; it was more like a barn for the storage of maize, rice and tools in need of repair. It was also a perfect trysting place for adulterous lovers.

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Excerpted from Balzac and the Little Chinese Seamstress by Dai Sijie Copyright 2001 by Dai Sijie. Excerpted by permission of Knopf, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.


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