During the interminable school holidays that followed, she woke up one morning to find that she had blood on her legs and was convinced she was going to die. She decided to leave a letter for the boy, telling him that he had been the great love of her life, and then she would go off into the bush and doubtless be killed by one of the two monsters that terrorized the country people roundabout: the werewolf and the mula-sem-cabeça (said to be a priest's mistress transformed into a mule and doomed to wander the night). That way, her parents wouldn't suffer too much over her death, for, although constantly beset by tragedies, the poor are always hopeful, and her parents would persuade themselves that she had been kidnapped by a wealthy, childless family, but would return one day, rich and famous, while the current (and eternal) love of her life would never forget her, torturing himself each day for not having spoken to her again.
She never did write that letter because her mother came into the room, saw the bloodstained sheets, smiled and said:
"Now you're a young woman."
Maria wondered what the connection was between the blood on her legs and her becoming a young woman, but her mother wasn't able to give her a satisfactory explanation: she just said that it was normal, and that, from now on, for four or five days a month, she would have to wear something like a doll's pillow between her legs. Maria asked if men used some kind of tube to stop the blood going all over their trousers, and was told that this was something that only happened to women.
Maria complained to God, but, in the end, she got used to menstruating. She could not, however, get used to the boy's absence, and kept blaming herself for her own stupidity in running away from the very thing she most wanted. The day before the new term began, she went to the only church in town and vowed to the image of St. Anthony that she would take the initiative and speak to the boy.
The following day, she put on her smartest dress, one that her mother had made specially for the occasion, and set off to school, thanking God that the holidays had finally ended. But the boy did not appear. And so another agonizing week passed, until she found out, through some schoolfriends, that he had left town.
"He's gone somewhere far away," someone said.
At that moment, Maria learned that certain things are lost forever. She learned too that there was a place called "somewhere far away," that the world was vast and her own town very small, and that, in the end, the most interesting people always leave. She too would like to leave, but she was still very young. Nevertheless, looking at the dusty streets of the town where she lived, she decided that one day she would follow in the boy's footsteps. On the nine Fridays that followed, she took communion, as was the custom in her religion, and asked the Virgin Mary to take her away from there. She grieved for a while too and tried vainly to find out where the boy had gone, but no one knew where his parents had moved to. It began to seem to Maria that the world was too large, that love was something very dangerous and that the Virgin was a saint who inhabited a distant heaven and didn't listen to the prayers of children.
From Eleven Minutes by Paulo Coelho. HarperCollins Publishers. Used by permission. Translated from the Portuguese (Brazil) by Montse Ballesteros.
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The Angel of Losses
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