Michelle Moran: mo-RAN
Michelle Moran was born in the San Fernando Valley, CA. She took an interest in writing from an early age, purchasing Writer's Market and submitting her stories and novellas to publishers from the time she was twelve. When she was accepted into Pomona College she took as many classes as possible in British Literature, particularly Milton, Chaucer, and the Bard. Not surprisingly, she majored in English while she was there. Following a summer in Israel where she worked as a volunteer archaeologist, she earned an MA from the Claremont Graduate University.
Michelle has traveled around the world, from Zimbabwe to India, and her experiences at archaeological sites were what inspired her to write historical fiction. She is the international bestselling author of Nefertiti, The Heretic Queen, and Cleopatra's Daughter. Her fourth novel, Madame Tussaud, will be released on February 15, 2011.
This biography was last updated on 01/23/2011.
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This page includes two interviews with author Michelle Moran; in the first, she discusses the real Madame Tussaud, and in the second she explains the inspiration for her first novel, Neferititi, and the historical details on which it's based.
Michelle Moran on the Real Madame Tussaud
What drew you to the story of Marie Tussaud?
My interest in Marie Tussaud began on my very first trip to London. Like thousands of tourists before me, I had decided that I wanted to visit the famous wax museum, Madame Tussauds. At the time, I knew almost nothing about the woman behind the name, but as I passed through the exhibition, I began to piece together what would ultimately prove to be a fascinating story. In the first wax tableau I came across, Marie Tussaud had modeled Queen Marie Antoinette with her husband and children. They looked young and happy, dressed in lavish court gowns and silk culottes. In another tableau, the mistress of King Louis XV lay sprawled on a couch, her blonde hair tumbling down her shoulders. Clearly, Marie Tussaud had been interested in modeling the celebrities of her day. Some she would have sculpted from memory, while many she would have met and modeled in person. Marie's art had obviously gained her ...
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