A short, sleek novel of encounters set in Tokyo during the witching hours between midnight and dawn. At its center are two sisters—Eri, a fashion model slumbering her way into oblivion, and Mari, a young student soon led from solitary reading at an anonymous Denny’s toward people whose lives are radically alien to her own: a jazz trombonist who claims they’ve met before, a burly female “love hotel” manager and her maid staff, and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Eri’s slumber—mysteriously tied to the businessman plagued by the mark of his crime—will either restore or annihilate her.
BOOK REVIEWS
Media Reviews
"[P]robing, wonderfully improvisational dialogues...sustain the book until the ambiguous, mostly upbeat dénouement." - PW.
"Murakami's genius, on both large and small canvases, is to create worlds both utterly alien and disconcertingly familiar. - Booklist.
"A seductive and gratifying intellectual and romantic adventure" - Kirkus.
"After Dark is a short book, hypnotically eerie, full of noirish foreboding, sometimes even funny, but, most of all, it's one that keeps ratcheting up the suspense. At times, the novel recalls those unsettling films of Jean-Luc Godard or Michelangelo Antonioni where something dire seems always about to happen, even as attractive young people, full of anomie and confusion, meander aimlessly through an ominous urban landscape." - The Washington Post.
"It’s when his technique is inconspicuous and not when he's waving his wand above the hat that Murakami's spell is most persuasive. Moving outward from obscure Mari through her shifting circle of friends, Murakami takes in widening perimeters of a nocturnal urban habitat. We get a strong sense, though we’re not quite certain how, of the city’s fugitive social ecology, of the bargains and compacts among its tribes and classes. Women are prey for the most part and band together, particularly the poor and the unmarried. Men venture forth more boldly, lone marauders, though sometimes they leverage their power by forming gangs." - The New York Times.
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