Luther Fox, a loner, haunted by his past, makes his living as an illegal fisherman -- a shamateur. Before everyone in his family was killed in a freak rollover, he grew melons and played guitar in the family band. Robbed of all that, he has turned his back on music. There's too much emotion in it, too much memory and pain.
One morning Fox is observed poaching by Georgie Jutland. Chance, or a kind of willed recklessness, has brought Georgie into the life and home of Jim Buckridge, the most prosperous fisherman in the area and a man who loathes poachers, Fox above all. But she's never fully settled into Jim's grand house on the water or into the inbred community with its history of violent secrets. After Georgie encounters Fox, her tentative hold on conventional life is severed. Neither of them would call it love, but they can't stay away from each other no matter how dangerous it is -- and out on White Point it is very dangerous.
Set in the dramatic landscape of Western Australia, Dirt Music is a love story about people stifled by grief and regret; a novel about the odds of breaking with the past and about the lure of music. Dirt music, Fox tells Georgie, is "anything you can play on a verandah or porch, without electricity." Even in the wild, Luther cannot escape it. There is, he discovers, no silence in nature.
Ambitious, perfectly calibrated, Dirt Music resonates with suspense and supercharged emotion -- and it confirms Tim Winton's status as the preeminent Australian novelist of his generation.
from Part One
One night in November, another that had somehow become morning while she sat there, Georgie Jutland looked up to see her pale and furious face reflected in the window. Only a moment before she'd been perusing the blueprints for a thirty-two-foot Pain Clark from 1913 which a sailing enthusiast from Manila had posted on his website, but she was bumped by the server and was overtaken by such a silly rush of anger that she had to wonder what was happening to her. Neither the boat nor the bloke in Manila meant a damn thing to her; they were of as little consequence as every other site she'd visited in the last six hours. In fact, she had to struggle to remember how she'd spent the time. She had traipsed through the Uffizi without any more attention than a footsore tourist. She'd stared at a live camera image of a mall in the city of Perth, been to the Frank Zappa fan club of Brazil, seen Francis Drake's chamberpot in the Tower of London and stumbled ...
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