Critics' Opinion:
Readers' Opinion:
First Published:
Feb 2009, 464 pages
Paperback:
Apr 2011, 528 pages
Book Reviewed by:
Sarah Sacha Dollacker
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Kathyrn Stockett's compelling debut novel The Help investigates the relationship between black and white women in 1960s Mississippi. At the center of the novel are Skeeter, Aibileen, and Minny, three women who have grown dissatisfied with the way things are. Each woman's life has been difficult in its own way, but all three see the stratified, racist society of Jackson, Mississippi as partly responsible. They band together to effect change, but their efforts result in something far different than what they originally expected. They soon realize that the ties that bind in this hierarchical society are not straightforward or clear-cut.
With vibrant language, memorable characters, and excellent pacing, The Help contemplates what it means to live in the trenches of injustice. Though Stockett's insightful novel primarily meditates on the domestic relationships between blacks and whites, it also implicitly analyzes the impact of a discriminatory society on all involved. As Skeeter, Aibileen, and Minny inherently understand, it is not just the black women who are kept from Jackson's inner circle. In a society where hierarchy is ardently defended, injustice is felt by people from all walks of life.
Skeeter -- tall, awkward, single -- returns home from Ole Miss to realize that the woman who raised her, the family's black maid Constantine, is gone. As she spends time with her childhood friends, married women with children and black maids of their own, Skeeter begins to observe the contradictions that surround her. Black women are expected to watch and raise the white children, the prizes of white parents, but they are unable to use the same cutlery or bathroom as the whites. As her hurt from Constantine's absence grows, she remembers what this special woman meant to her. She also realizes that many white families have "Constantines," and many of them are not treated well. She makes the decision to reach out to these black maids and discover their stories.
When Skeeter asks Aibileen to record her experiences working in white homes, Aibileen is afraid. This is 1960s Mississippi, and it is illegal for blacks and whites to discuss racial issues. Aibileen, however, has had sadness of her own. Her beloved son Treelore died a few years ago, and the white child Mae Mobley that Aibileen watches everyday is learning racist ideas at school. Aibileen has followed the rules all her life, but when her white mistress begins to talk over her bridge table about the diseases whites can get from blacks, Aibileen realizes she wants to fight back.
Aibileen asks Minny, her close friend, to join the project. Minny has worked in a number of white households, only to find herself at wit's end once she is shunned by Hilly Holbrook, a violent racist who makes it her mission to keep Minny out of work. Good luck and a few lies soon find her in the employ of Celia Foote, a woman on the fringe of high society. As Celia struggles to find a way into Jackson's upper crust, Minny realizes that discrimination happens regardless of color.
Against the backdrop of the Civil Rights movement and racial injustices perpetrated by the Klu Klux Klan, The Help penetrates the façade of polite society during an era of awesome change. For generations black women have helped white women raise children and clean house, yet the machine of society is moving. Skeeter, Minny, and Aibileen must negotiate this change in the historical pattern of life, a pattern, they learn, that is not easily wiped away.
The Help is a beautiful novel, and Kathryn Stockett is a natural storyteller with her finger on the pulse of the human condition. This unique glimpse into domestic life during integration will be one of the best reads this year. Her characters, their stories, and the complex questions they raise will linger deep in your mind long after you're done reading. Drop everything you're doing and read this book!
This review was originally published in February 2009, and has been updated for the
April 2011 paperback release.
Click here to go to this issue.
As Skeeter, Aibileen, and Minny begin their project, the Civil Rights Movement is boiling to high heat. It is 1963 and President Kennedy has just spoken out in support of Civil Rights; however, the message has yet to penetrate Mississippi where Medgar Evers was just brutally murdered by segregationist whites. This example of racial violence gives Aibileen and Minny pause as they consider the repercussions of what they are doing with Skeeter, but they decide to forge ahead because things need to change.
Medgar Evers's murder resounded across the country and was seen as an example of racial injustice and violence in the Deep South. Evers had been a civil rights activist for much of his life. After fighting in World War II, he was honorably discharged as a sergeant and returned home to Mississippi in 1945. While registering to vote in a local election, intimidation by whites prevented him from casting his ballot. The experience inspired him to become an activist, and he would go on to become a key figure in the Civil Rights Movement: "I made up my mind then that it would not be like that again - at least not for me. I was committed, in a way, to changing things."
As president of the Regional Council of Negro Leadership (RCNL), Evers helped organize a boycott of service stations that denied African-Americans use of their restrooms. Until his assassination in 1963, he was involved in multiple boycotts and played an integral role in the desegregation of the University of Mississippi. In the final weeks before his death, Evers was the target of multiple threats, not surprising considering the heat of the controversy over civil rights.
On June 12, 1963, Evers returned home from a meeting with NAACP lawyers. After he emerged from his car carrying a t-shirt that read "Jim Crow Must Go," he was shot in the back and killed. Medgar Evers was buried in Arlington Cemetery on June 19 and was mourned across the country. That two juries composed entirely of whites failed to convict the man accused of Evers' murder, white supremacist Byron De La Beckwith, caused even greater outrage. Bob Dylan, Eudora Welty, Nina Simone and a variety of other artists wrote songs and stories about the man who died in the struggle for civil rights.
In 1994, Byron De La Beckwith was finally convicted for the murder of Medgar Evers. He died in prison in 2001 after failing to win his appeals.
This review was originally published in February 2009, and has been updated for the
April 2011 paperback release.
Click here to go to this issue.
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