Excerpt of Sunset Park by Paul Auster
(Page 4 of 5)
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She was the one who proposed moving in with him. It never would have occurred to him to suggest such an audacious plan himself, but Pilar was determined, at once driven by a desire to escape and enthralled by the prospect of sleeping with him every night, and after she begged him to go to Angela, the major breadwinner of the clan and therefore the one with the final word on all family decisions, he met with the oldest Sanchez girl and managed to talk her into it. She was reluctant at first, claiming that Pilar was too young and inexperienced to consider such a momentous step. Yes, she knew her sister was in love with him, but she didn't approve of that love because of the difference in their ages, which meant that sooner or later he would grow bored with his adolescent plaything and leave her with a broken heart. He answered that it would probably end up being the reverse, that he would be the one left with a broken heart. Then, brushing aside all further talk of hearts and feelings, he presented his case in purely practical terms. Pilar didn't have a job, he said, she was a drag on the family finances, and he was in a position to support her and take that burden off their hands. It wasn't as if he would be abducting her to China, after all. Their house was only a fifteen-minute walk from his apartment, and they could see her as often as they liked. To clinch the bargain, he offered them presents, any number of things they craved but were too strapped to buy for themselves. Much to the shock and jeering amusement of the three clowns at work, he temporarily reversed his stance on the do's and don'ts of trash-out etiquette, and over the next week he calmly filched an all-but-brand-new flat-screen TV, a top-of-the-line electric coffeemaker, a red tricycle, thirty-six films (including a boxed collector's set of the Godfather movies), a professional-quality makeup mirror, and a set of crystal wineglasses, which he duly presented to Angela and her sisters as an expression of his gratitude. In other words, Pilar now lives with him because he bribed the family. He bought her.
Yes, she is in love with him, and yes, in spite of his qualms and inner hesitations, he loves her back, however improbable that might seem to him. Note here for the record that he is not someone with a special fixation on young girls. Until now, all the women in his life have been more or less his own age. Pilar therefore does not represent an embodiment of some ideal female type for him - she is merely herself, a small piece of luck he stumbled across one afternoon in a public park, an exception to every rule. Nor can he explain to himself why he is attracted to her. He admires her intelligence, yes, but that is finally of scant importance, since he has admired the intelligence of other women before her without feeling the least bit attracted to them. He finds her pretty, but not exceptionally pretty, not beautiful in any objective way (although it could also be argued that every seventeen-year-old girl is beautiful, for the simple reason that all youth is beautiful). But no matter. He has not fallen for her because of her body or because of her mind. What is it, then? What holds him here when everything tells him he should leave? Because of the way she looks at him, perhaps, the ferocity of her gaze, the rapt intensity in her eyes when she listens to him talk, a feeling that she is entirely present when they are together, that he is the only person who exists for her on the face of the earth.
Sometimes, when he takes out his camera and shows her his pictures of the abandoned things, her eyes fill up with tears. There is a soft, sentimental side to her that is almost comic, he feels, and yet he is moved by that softness in her, that vulnerability to the aches of others, and because she can also be so tough, so talkative and full of laughter, he can never predict what part of her will surge forth at any given moment. It can be trying in the short run, but in the long run he feels it is all to the good. He who has denied himself so much for so many years, who has been so stolid in his abnegations, who has taught himself to rein in his temper and drift through the world with cool, stubborn detachment has slowly come back to life in the face of her emotional excesses, her combustibility, her mawkish tears when confronted by the image of an abandoned teddy bear, a broken bicycle, or a vase of wilted flowers.
Excerpted from Sunset Park
by Paul Auster. Copyright © 2010 by Paul Auster.
Excerpted by permission of Henry Holt and Company. All rights
reserved. No part of this excerpt may be reproduced or reprinted
without permission in writing from the publisher.