'To Emma, in case of my sudden death.
I have just finished this sketch
of my species theory. If true, as I believe,
it will be a considerable step
in science. My most solemn last request
is that you devote 400 pounds
to its publication.'
'There is grandeur, if you look
at every organic being
as the lineal successor of some other form,
now buried under thousands of feet of rock.
Or else as a co-descendant, with that buried form,
from some other inhabitant of this world
more ancient still, now lost.
Out of famine, death and struggle for existence,
comes the most exalted end
we're capable of conceiving: creation
of the higher animals!
Our first impulse is to disbelieve -
how could any secondary law
produce organic beings, infinitely numerous,
characterized by most exquisite
workmanship and adaptation?
Easier to say, a Creator designed each.
But there is a simple grandeur in this view -
that life, with its power to grow, to reach, feel,
reproduce, diverge, was breathed
into matter in a few forms first
and maybe only one. To say that while this planet
has gone cycling on
according to fixed laws of gravity,
from so simple an origin, through selection
of infinitesimal varieties, endless forms
most beautiful and wonderful
have been, and are being, evolved.'
Salting the Seeds
(from Chapter Five: The coat of fur (1851-1882))
'Comparing seeds. Trying experiments
in salting them to see if they'd survive
floating across an ocean.'
To, for instance, the Galapagos.
'Have begun, at last, my species book. Shall call it
Natural Selection.' His secret step in argument.
Twenty years of evidence. Orchids, barnacles
and pigeons. The heart dances in its cave.
He meets the holes of his eyes in darkling glass
against the winter garden. No one awake.
Slow embers in the grate. The dog, a warm
white ammonite, curled
in her basket by his feet. Dawn fog dissolves
among the medlars into a wraith
you see, then lose, in the shape
of a running girl.
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