Excerpt of Don't Sleep, There Are Snakes by Daniel L. Everett
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"Look! There he is, Xigagaí, the spirit."
"Yes, I can see him. He is threatening us."
"Everybody, come see Xigagaí. Quickly! He is on the beach!"
I roused from my deep sleep, not sure if I was dreaming or hearing this conversation. It was 6:30 on a Saturday morning in August, the dry season of 1980. The sun was shining, but not yet too hot. A breeze was blowing up from the Maici River in front of my modest hut in a clearing on the bank. I opened my eyes and saw the palm thatch above me, its original yellow graying from years of dust and soot. My dwelling was flanked by two smaller Pirahã huts of similar construction, where lived Xahoábisi, Kóhoibiíihíai, and their families.
Mornings among the Pirahãs, so many mornings, I picked up the faint smell of smoke drifting from their cook fires, and the warmth of the Brazilian sun on my face, its rays softened by my mosquito net. Children were usually laughing, chasing one another, or noisily crying to nurse, the sounds reverberating through the village. Dogs were barking. Often when I first opened my eyes, groggily coming out of a dream, a Pirahã child or sometimes even an adult would be staring at me from between the paxiuba palm slats that served as siding for my large hut. This morning was different.
I was now completely conscious, awakened by the noise and shouts of Pirahãs. I sat up and looked around. A crowd was gathering about twenty feet from my bed on the high bank of the Maici, and all were energetically gesticulating and yelling. Everyone was focused on the beach just across the river from my house. I got out of bed to get a better lookand because there was no way to sleep through the noise.
I picked my gym shorts off the floor and checked to make sure that there were no tarantulas, scorpions, centipedes, or other undesirables in them. Pulling them on, I slipped into my flip- flops and headed out the door. The Pirahãs were loosely bunched on the riverbank just to the right of my house. Their excitement was growing. I could see mothers running down the path, their infants trying to hold breasts in their mouths.
The women wore the same sleeveless, collarless, midlength dresses they worked and slept in, stained a dark brown from dirt and smoke. The men wore gym shorts or loincloths. None of the men were carrying their bows and arrows. That was a relief. Prepubescent children were naked, their skin leathery from exposure to the elements. The babies bottoms were calloused from scooting across the ground, a mode of locomotion that for some reason they prefer to crawling. Everyone was streaked from ashes and dust accumulated by sleeping and sitting on the ground near the fire.
It was still around seventy-two degrees, though humid, far below the hundred-degree-plus heat of midday. I was rubbing the sleep from my eyes. I turned to Kóhoi, my principal language teacher, and asked, "Whats up?" He was standing to my right, his strong, brown, lean body tensed from what he was looking at.
"Dont you see him over there?" he asked impatiently. "Xigagaí, one of the beings that lives above the clouds, is standing on the beach yelling at us, telling us he will kill us if we go to the jungle."
"Where?" I asked. "I dont see him."
"Right there!" Kóhoi snapped, looking intently toward the middle of the apparently empty beach.
"In the jungle behind the beach?"
"No! There on the beach. Look!" he replied with exasperation.
In the jungle with the Pirahãs I regularly failed to see wildlife they saw. My inexperienced eyes just werent able to see as theirs did.
But this was different. Even I could tell that there was nothing on that white, sandy beach no more than one hundred yards away. And yet as certain as I was about this, the Pirahãs were equally certain that there was something there. Maybe there had been something there that I just missed seeing, but they insisted that what they were seeing, Xigagaí, was still there.
Excerpted from Don't Sleep, There Are Snakes by Daniel L. Everett Copyright © 2008 by Daniel L. Everett. Excerpted by permission of Pantheon, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.