If Steig Larsson was one of your essential beach reads a few summers ago, you have the guys at Quercus Publishing to thank. Since exploring what's new in books is one of our favorite things to do at BookBrowse, our ears perked up when we discovered that this nimble UK publishing company is now making waves stateside.
At BookBrowse, we don't just review books, we go 'beyond the book' to explore interesting aspects relating to each book we feature. Here is a recent "Beyond the Book" feature for The World of The End by Ofir Touché Gafla
Mythic expression is humanity's first language. These myths, or to use a more contemporary synonym, metanarratives, are the stories that give purpose and meaning to a people, a way of understanding the seemingly random occurrences in the lives of individuals and communities. Whether these are expressed in clay statues, paintings on cave walls, or mutually intelligible symbols such as words, each is a vision of the world and of the place of humanity within it.
Chechnya has been much in the news this past week due to the two alleged Boston bombers being ethnic Chechens. On the assumption that many of us will be a little rusty with the goings on of this small country in the Caucuses, below is BookBrowse's "beyond the book" article written for Masha Gessen's The Man Without A Face: The Unlikely Rise of Vladimir Putin (2012).
Though it seems that the Tsarnaev brothers had not lived in Chechnya, although the older brother is thought to have visited last year, an understanding of the history of Chechnya is relevant as it explains why hundreds of thousands of ethnic Chechens currently live in countries such as Kyrgyzstan and Dagestan, as did the Tsarnaev family before coming to the USA.
Metafiction is an elastic concept covering a wide range of fiction but in essence boils down to stories in which the book blurs the line between reality and fiction by drawing attention to itself in some shape or form. To boil it down even further, you could say that it is fiction about fiction.
William H. Gass is attributed with establishing the term metafiction in a 1970 essay titled "Philosophy and the Form of Fiction". Commenting on American fiction of the 1960s, he pointed out that a new description was needed for the emerging genre of experimental texts that openly broke with the tradition of literary realism still dominant in post-WWII American literature.