It takes a lot to get me into a movie theater. The expense combined with the smell and relentless chomping of popcorn are big turnoffs, but maybe two or three times a year I'll make a trip to the big screen. This Fall there are eight films that I'm keeping an eye on - a couple that I'll definitely leave the house for, the remainder I'll wait for on Netflix, or maybe spring for on pay-per-view - or, better still, put myself on the waitlist at our local library which carries a veritable cornucopia of film delights.
If you don't share my tastes or you just love, love, love the movies and like to know about everything new - keep reading to the end for an additional 9 movies based on books which hold less appeal for me but maybe just up your alley!
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Growing up in an extremely cramped one-bedroom apartment on the bottom floor of a multi-rise building in Mumbai, I was looking for one thing -- escape. And while India had been independent for just around 25-odd years at that time, the vestiges of colonialism remained. Try as we might, my friends and I could never bring ourselves to call Mumbai's fantastic train station Chhatrapati Shivaji Terminus. It would always be Victoria Terminus to us -- in fact, even the name Mumbai took a while to sink in. Growing up, it had always been Bombay.
These colonial aftereffects showed themselves most readily in the English fiction my friends and I read. We grew up on a steady diet of Enid Blyton books in elementary school. The images of endless feasts with scones and crumpets and clotted cream were enough to get us through the dreary Mumbai monsoons. I was introduced to the world of P. G. Wodehouse when I was in eighth grade, and these books completely took over my every waking moment. I devoured every Wodehouse book I could get my hands on, including many from the Bertie and Jeeves series. Most of Wodehouse's work is set around or before World War I, and portrays a deeply class-based British society. In Jeeves and Wooster's world, the worst that can happen is Wooster getting himself into a comedy of errors with a person of the opposite sex. There is no war. No unhappiness permeates this idyllic landscape.