The rediscovery of a masterpiece of Central European literature originally published in Budapest in 1942 and unknown to modern readers until last year. An extraordinary novel about a triangular relationship, about love, friendship, and fidelity, about betrayal, pride, and true nobility.
In a castle at the foot of the Carpathian Mountains, an old aristocrat waits to greet the friend he has not seen for forty-one years. In the course of this one night, from dinner until dawn, the two men will fight a duel of words and silences, of stories, of accusations and evasions, that will encompass their entire lives and that of a third person, missing from the candlelit dining hall---the now dead chatelaine of the castle. The last time the three of them sat together was in this room, after a stag hunt in the forest. The year was 1900. No game was shot that day, but the reverberations were cataclysmic. And the time of reckoning has finally arrived.
Already a great international best-seller, Embers is a magnificent addition to world literature in the English language.
Publishers Weekly Embers has already been published to much acclaim in Europe 250,000 copies sold in Italy and 230,000 copies in Germany and is licensed in 18 countries around the world. Feature coverage is to be expected, and though sales may be less explosive on these shores, Knopf's plan to translate future works by Marai should encourage a reappraisal of the writer's place in literary history.
The General's performance is either the height of romantic nobility or proof positive that the aristocracy was too full of itself to survive modernity.
Though the novel inevitably has an old-fashioned feel, the questions it raises are timeless. Highly recommended.
Starred Review. The first English translation of a brooding, densely atmospheric, forgotten 1942 novel whose eminent Hungarian expatriate author (b. 1900) committed suicide, while living in the US, in his 89th year. . . . Mesmerizing. . . . A major rediscovery, arguably comparable to those of Bruno Schulz, Leo Perutz, and Joseph Roth. A small, beautifully fashioned masterpiece.
With the triumph of a two hundred page novel, twentieth-century literature--which we thought was finally dead and buried--has received the posthumous gift of a new master whom in the future we will rank with Joseph Roth, Stefan Zweig, Robert Musil and even our other lost demigods, Thomas Mann and Franz Kafka. His name is Sándor Márai.
Márai is in the almost unique position of having attained posthumous best-sellerdom (in country after country) because he distills plot and description to a magic essence of atmosphere, empathy and narrative tension that no European writer has achieved since Joseph Roth.
A novel that pares all superfluous detail away from plot and character to achieve maximum tension. Hemingway goes Habsburg!
A literary master lays bare the essentials---what is truth, what are the questions we ask, what is the meaning of life itself---and lets them explode into action. His philosophy is profound but hardly leaves a footprint and is virtuoso in its clear-sighted precision. This novel is a literary rediscovery of the first rank.
This major European novelist not only anatomizes--brilliantly--one triangular relationship from the old Austro-Hungarian Empire, he also captures the pandemonium of all human relationships the smoldering embers of our feelings, of lust, love, revenge and hate. It is wonderful, and a masterpiece.
Recent Reader Reviews
Rated of 5
It is really a very human book about human condition.
In this spellbinding novel, written in Albania and smuggled into France a few pages at a time in the 1980s, Kadare denounces with rare force the machinery of the dictatorial regime, drawing us back to the ancient roots of Western civilization and tyranny.
Brilliant and utterly enthralling in its depiction of childhood, love and war, England and class. At its center this is a profoundand profoundly movingexploration of shame, forgiveness and the difficulty of absolution.
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