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   Summary and Book Reviews

The Narrows: Summary and book reviews of The Narrows by Michael Connelly, plus links to an excerpt from The Narrows and a biography of Michael Connelly.

The Narrows

The Narrows
A Harry Bosch Novel
by Michael Connelly
Hardcover: May 2004,
416 pages.
Paperback: Mar 2005,
456 pages.

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Critics' Opinion:   very good
Readers' Rating:  Not Rated
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BOOK SUMMARY

FBI agent Rachel Walling finally gets the call she's dreaded for years: the one that tells her the Poet has returned. Years ago she worked on the famous case, tracking down the serial killer who wove lines of poetry into his hideous crimes. Rachel has never forgotten Robert Backus, the killer who called himself the Poet - and apparently he has not forgotten her either.

Harry Bosch gets a call, too. The former LAPD detective hears from the wife of an old friend who has recently died. The death appeared natural, but this man's ties to the hunt for the Poet make Harry dig deep - and lead him into a terrifying, bewildering situation.

So begins the most compelling, frightening, and masterful novel Michael Connelly has ever written. The Narrows places Harry Bosch in league with Rachel Walling, at odds with the FBI and squarely in the path of the most ruthless and ingenious murderer in Los Angeles's history. What follows is a taut and tantalizing mystery that has Harry Bosch racing from the hostile vistas of the Nevada desert to the glittering Las Vegas strip to the dark corners of Los Angeles.

Through it all, Bosch works at his newfound life as father to a young daughter, balancing the deepest love he has ever felt with his own sense of mission and his profound awareness of evil. This spectacularly dramatic and shocking novel will have Michael Connelly's readers desperately hungry for the next novel from "one of America's best writers"

BOOK REVIEWS

Very Good BookBrowse
The sheer number and range of reviews for The Narrows gives an indication of Connelly's literary weight. Below you'll see reviews from the popular press and heavy weights such as the New York Times. This is particularly impressive as The Narrows is the 10 in the Harry Bosch series, and usually by this point in a series review coverage can be difficult to get.

The Narrows is a sequel to Connelly's first stand-alone book, The Poet (1996). For those interested in such things, it's also interesting to note that The Poet and The Narrows are the only two of Connelly's books to be written in the first and third person.  

Media Reviews

Very Good  Publishers Weekly
There's a gravitas to the mystery/thrillers of Michael Connelly, a bedrock commitment to the value of human life and the need for law enforcement pros to defend that value, that sets his work apart and above that of many of his contemporaries.

Good  Janet Maslin - The New York Times
The Narrows takes its name from a dangerous part of the Los Angeles River and prompts the requisite metaphorical warnings. (Stay out of the narrows.) Like City of Bones, it's a title with more quiet eloquence than may first be apparent. That's the way Mr. Connelly works in a style so simple, blunt and knowing that its impact is almost subconscious. But sleepless readers of The Narrows will know why Harry Bosch is said to have seen-it-all-twice eyes.

Good  Wall Street Journal
...Mr. Connelly's terrific 14th novel...a suspenseful book marked by flashes of insight and moments of pathos, as well as by dry wit and graceful prose.

Good  Denver Post
Michael Connelly gives life to a fictional matchup that is the stuff of his readers' dreams.

Good  The News-Press
Not only is The Narrows one of Connelly's most energized novels to date, it ranks as one of his best lean, measured and paced like the first work of an artist ascending to the next level.

Good  USA Today
...no one emulates Chandler better than Michael Connelly...Just as Connelly neatly draws his cast together, he cleverly connects the dots between Los Angeles, Las Vegas and The Poet's hideout.

Very Good  Orlando Sentinel
The Narrows is Connelly at his best, producing the creepy, cunning killer he is famed for and, at the same time, weaving into the story line plausible human drama, such as Bosch's poignant attempts to bond with his newly discovered daughter.

Very Good  The Clarion-Ledger
The Narrows is clean, precise, neatly executed and thrilling. It reads like an out-of-control locomotive you keep refusing to set aside, even though the hour's way past late and your eyes have been burning for the last 40 minutes. ...Hold on tight and stay up late. The Narrows is crime fiction at its gutsy best.

Very Good  People
Connelly's latest shamus-versus-serial-killer thriller mixes the cool noir vibe of Raymond Chandler with the freaky head games of Thomas Harris. ...the crooked-haloed Bosch remains one of the most complex crime fighters around.

Very Good  Sun - Sentinel
Intricately plotted, The Narrows excels in creating an interlocked structure that perfectly melds two of Connelly's works. The taut suspense is matched only by the surprises that Connelly pulls out, beginning with the jaw-dropping first three chapters.

Very Good  San Jose Mercury News
This is a high point among Connelly novels as he reconfirms his status as one of the best and most reliable of mystery writers... This is an excellent mystery in classic and modern senses.

Very Good  The Globe and Mail - Peter Robinson
The Narrows is an intelligent, tautly written thriller, and should only serve to heighten Connelly's already exalted stature as one of today's leading crime writers.

Very Good  Entertainment Weekly - Stephen King
This is scarifying in a big way—a Thomas Harris kind of scary, which is high praise indeed.

Very Good  Los Angeles Times
...it will reaffirm the belief of Bosch's ever-increasing fan base that the complex hero stands at the epicenter of the well-thought-out, disturbingly moody universe the author has created.

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