From the New York Times bestselling author Lisa Scottoline, a novel of suspense and emotional justice.

On paper, Chris Brennan looks perfect. He's applying for a job as a high school government teacher, he's ready to step in as an assistant baseball coach, and his references are impeccable.

But everything about Chris Brennan is a lie.

Susan Sematov is proud of her son Raz, a high school pitcher so athletically talented that he's being recruited for a full-ride scholarship to a Division I college, with a future in major-league baseball. But Raz’s father died only a few months ago, leaving her son in a vulnerable place where any new father figure might influence him for good, or evil.

Heather Larkin is a struggling single mother who lives for her son Jordan's baseball games. But Jordan is shy, and Heather fears he is being lured down a dark path by one of his teammates, a young man from an affluent family whose fun-loving manner might possibly conceal his violent plans.

Mindy Kostis succumbs to the pressure of being a surgeon's wife by filling her days with social events and too many gin and tonics. But she doesn’t know that her husband and her son, Evan, are keeping secrets from her – secrets that might destroy all of them.

At the center of all of them is Chris Brennan. Why is he there? What does he want? And what is he willing to do to get it?

"Enthralling and suspenseful, One Perfect Lie is an emotional thriller and a suburban crime story that will have readers riveted up to the shocking end, with killer twists and characters you won’t soon forget.

"Scottoline keeps the pace relentless as she drops a looming threat into the heart of an idyllic suburban community, causing readers to hold their breath in anticipation." –Booklist

"Readers can be assured that the author nails the high school milieu, from athletic rivalries to sexting...they're in for one thrilling ride." –Kirkus Reviews

"Entertaining...This fast-paced read culminates in a daring chase that would play well on the big screen." –Publishers Weekly

Susan Wilson, the New York Times bestselling author of One Good Dog delivers another powerful novel of loyalty and love.

Single mom Skye Mitchell has sunk her last dime into a dream, owning the venerable, if run-down LakeView Hotel in the Berkshire Hills. It’s here where she believes she’ll give her fourteen-year-old daughter Cody a better life. But being an innkeeper is more challenging than she imagined, and Cody still manages to fall in with the wrong crowd. In addition, Cody is keeping an earth-shattering secret that she’s terrified to reveal. The once loving, open girl has now become completely withdrawn, and Skye is both desperate and helpless to reach her.

When Adam March and his pit bull Chance check into the hotel, it becomes the first of many visits. Here in these peaceful mountains he finds an unexpected relief from his recent bereavement. He and the beleaguered innkeeper form a tentative friendship. Adam knows the struggles of raising a difficult teenager and Skye understands loneliness.

And then there is Mingo, a street kid with a pit bull dog of his own. When Cody discovers an overdosed Mingo, Adam takes the boy’s dog not just for safekeeping, but to foster and then rehome. But the dog isn’t the only one who needs saving. A makeshift family begins to form as four lost people learn to trust and rely on each other, with the help of two good dogs.

“Tense and evocative . . . . Despite its powerful social critique, Vengeance is cautious and prismatic, openly troubled by its own claims to authority.” ?Katy Waldman, The New Yorker

As the narrator attempts to sort out what happened in King’s life?paying visits to his devoted mother, his estranged young daughter and her mother, his girlfriend, his brother, and his cousin?the writer’s own sense of identity begins to feel more and more like a fiction. He is one of the “free people” while Kendrick, who studies theology and philosophy, will never get his only wish, expressed plainly as “I just need to get out of here.” The dichotomy between their lives forces the narrator to confront the violence in his own past, and also to reexamine American notions of guilt and penance, racial bias, and the inherent perversity of punitive justice.

It is common knowledge that we have an incarceration crisis in our country. Vengeance, by way of vivid storytelling, helps us to understand the failure of empathy and imagination that causes it.

With their signature wit, sly plotting, and gloriously offbeat characters, Martha Grimes’s New York Times bestselling Richard Jury mysteries are “utterly unlike anyone else’s detective novels” (Washington Post). In the latest series outing, The Knowledge, the Scotland Yard detective nearly meets his match in a Baker Street Irregulars-like gang of kids and a homicide case that reaches into east Africa.

Robbie Parsons is one of London’s finest, a black cab driver who knows every street, every theater, every landmark in the city by heart. In his backseat is a man with a gun in his hand?a man who brazenly committed a crime in front of the Artemis Club, a rarefied art gallery-cum-casino, then jumped in and ordered Parsons to drive. As the criminal eventually escapes to Nairobi, Detective Superintendent Richard Jury comes across the case in the Saturday paper.

Two days previously, Jury had met and instantly connected with one of the victims of the crime, a professor of astrophysics at Columbia and an expert gambler. Feeling personally affronted, Jury soon enlists Melrose Plant, Marshall Trueblood, and his whole gang of merry characters to contend with a case that takes unexpected turns into Tanzanian gem mines, a closed casino in Reno, Nevada, and a pub that only London’s black cabbies, those who have “the knowledge,” can find. The Knowledge is prime fare from “one of the most fascinating mystery writers today” (Houston Chronicle).

Riveting and disquieting, After Anna is a groundbreaking domestic thriller, as well as a novel of emotional justice and legal intrigue. New York Times bestselling author Lisa Scottoline keeps readers on their toes until the final shocking page.

Nobody cuts deeper than family...

Dr. Noah Alderman, a widower and single father, has remarried a wonderful woman, Maggie Ippolitti, and for the first time in a long time, he and his young son are happy. Despite her longing for the daughter she hasn’t seen since she was a baby, Maggie is happy too, and she’s even more overjoyed when she unexpectedly gets another chance to be a mother to the child she thought she'd lost forever, her only daughter Anna.

Maggie and Noah know that having Anna around will change their lives, but they would never have guessed that everything would go wrong, and so quickly. Anna turns out to be a gorgeous seventeen-year-old who balks at living under their rules, though Maggie, ecstatic to have her daughter back, ignores the red flags that hint at the trouble brewing in a once-perfect marriage and home.

Events take a heartbreaking turn when Anna is murdered and Noah is accused and tried for the heinous crime. Maggie must face not only the devastation of losing her daughter, but the realization that Anna's murder may have been at the hands of a husband she loves. In the wake of this tragedy, new information drives Maggie to search for the truth, leading her to discover something darker than she could have ever imagined.

Praise for Lisa Scottoline:

"A deliciously distracting thriller...Scottoline illuminat[es] the landing strip of revelations and truths in a deliciously slow and intense way." ?The Washington Post on After Anna

"Scottoline keeps the pace relentless as she drops a looming threat into the heart of an idyllic suburban community, causing readers to hold their breath in anticipation." ?Booklist on One Perfect Lie

"Readers can be assured that the author nails the high school milieu, from athletic rivalries to sexting...they're in for one thrilling ride." ?Kirkus on One Perfect Lie

"Entertaining...This fast-paced read culminates in a daring chase that would play well on the big screen." ?Publishers Weekly

Chris Offutt is an outstanding literary talent, whose work has been called “lean and brilliant” (New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He’s been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark is a taut, compelling novel set in rural Kentucky from the Korean War to 1970.

Tucker, a young veteran, returns from war to work for a bootlegger. He falls in love and starts a family, and while the Tuckers don’t have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves. It reintroduces the vital and absolutely distinct voice of Chris Offutt, a voice we’ve been missing for years.

NAMED A MOST ANTICIPATED BOOK OF 2018 BY Buzzfeed • The Boston Globe •  The Millions • InStyle • Southern Living • Vogue • Popsugar

“With his unerring eye for nuance and unsparing sense of irony, Rumaan Alam’s second novel is both heartfelt and thought-provoking.”
   — Celeste Ng, author of Little Fires Everywhere

From the celebrated author of Rich and Pretty, a novel about the families we fight to build and those we fight to keep

Like many first-time mothers, Rebecca Stone finds herself both deeply in love with her newborn son and deeply overwhelmed. Struggling to juggle the demands of motherhood with her own aspirations and feeling utterly alone in the process, she reaches out to the only person at the hospital who offers her any real help—Priscilla Johnson—and begs her to come home with them as her son’s nanny.

Priscilla’s presence quickly does as much to shake up Rebecca’s perception of the world as it does to stabilize her life. Rebecca is white, and Priscilla is black, and through their relationship, Rebecca finds herself confronting, for the first time, the blind spots of her own privilege. She feels profoundly connected to the woman who essentially taught her what it means to be a mother. When Priscilla dies unexpectedly in childbirth, Rebecca steps forward to adopt the baby. But she is unprepared for what it means to be a white mother with a black son. As she soon learns, navigating motherhood for her is a matter of learning how to raise two children whom she loves with equal ferocity, but whom the world is determined to treat differently.

Written with the warmth and psychological acuity that defined his debut, Rumaan Alam has crafted a remarkable novel about the lives we choose, and the lives that are chosen for us.

The powerful second novel in Tim Pears's acclaimed West Country trilogy. Two teenagers, bound by love yet divided by fate, forge separate paths in England before World War I.

1912. Leo Sercombe is on a journey. Aged thirteen and banished from the secluded farm of his childhood, he travels through Devon, grazing on berries and sleeping in the woods. Behind him lies the past, and before him the West Country, spread out like a tapestry. But a wanderer is never alone for long, try as he might--and soon Leo is taken in by gypsies, with their wagons, horses, and vivid attire. Yet he knows he cannot linger, and must forge on toward the western horizon.

Leo's love, Lottie, is at home. Life on the estate continues as usual, yet nothing is as it was. Her father is distracted by the promise of new love and Lottie is increasingly absorbed in the natural world: the profusion of wild flowers in the meadow, the habits of predators, and the mysteries of anatomy. And of course, Leo is absent. How will the two young people ever find each other again?

In The Wanderers, Tim Pears's writing, both transcendent and sharply focused, reaches new heights, revealing the beauty and brutality that coexist in nature. Timeless, searching, charged with raw energy and gentle humor, this is a delicately wrought tale of adolescence; of survival; of longing, loneliness, and love.

“One of the finest writers of her generation” (Brad Watson), and author of three previously acclaimed novels, Elizabeth H. Winthrop delivers a brave new book that will launch her distinguished career anew. An incisive, meticulously crafted portrait of race, racism, and injustice in the Jim Crow era South that is as intimate and tense as a stage drama, The Mercy Seat is a stunning account of one town’s foundering over a trauma in their midst.

On the eve of his execution, eighteen year old Willie Jones sits in his cell in New Iberia awaiting his end. Across the state, a truck driven by a convict and his keeper carries the executioner’s chair closer. On a nearby highway, Willie’s father Frank lugs a gravestone on the back of his fading, old mule. In his office the DA who prosecuted Willie reckons with his sentencing, while at their gas station at the crossroads outside of town, married couple Ora and Dale grapple with their grief and their secrets.

As various members of the township consider and reflect on what Willie’s execution means, an intricately layered and complex portrait of a Jim Crow era Southern community emerges.  Moving from voice to voice, Winthrop elegantly brings to stark light the story of a town, its people, and its injustices. The Mercy Seat is a brutally incisive and tender novel from one of our most acute literary observers.

The reader knows by page one of Queen for a Day that Mimi Slavitt’s three-year-old son is autistic, but if anyone told her, she wouldn’t listen, because she doesn’t want to know—until at last Danny's behavior becomes so strange even she can’t ignore it. After her son’s diagnosis Mimi finds herself in a world nearly as isolating as her son’s. It is a world she shares only with mothers like herself, women chosen against their will for lives of sacrifice and martyrdom. Searching for miracles, begging for the help of heartless bureaucracies while arranging every minute of every day for children who can never be left alone, they exist in a state of perpetual crisis, normal life always just out of reach. In chapters told from Mimi’s point of view and theirs, we meet these women, each a conflicted, complex character totally unsuited for sainthood and dreaming of the day she can just walk away. Taking its title from the 1950s reality TV show in which the contestants, housewives living lives filled with pain and suffering, competed with each other for deluxe refrigerators and sets of stainless steel silverware, Queen for a Day portrays a group of imperfect women living under enormous pressure. Rosaler tells their story in ironic, precise and vivid prose, with dark humor and insight born of first-hand experience.

One of the world’s oldest and best-loved tales, now retold and illustrated in thrilling detail for readers of all ages.

Rama pulled the splendid arrow out of his quiver. It had been given to him long ago by the sage Agastya who had told him that he could use it only once and only for a great enemy. The incomparable arrow held the wind in its feathers, the sun and the moon in its shining tip, the earth in its shaft and the power of the doomsday fire in its flight.

Ramayana—an unforgettable tale of love, adventure, flying monkeys and god acting in the world of humans—has been treasured by readers around the world for thousands of years. Now in an authoritative, gripping retelling by the renowned Ramayana scholar Arshia Sattar, readers have a new chance to explore this classic’s riches.

Rama is a brave young prince who is forced into exile. His brother Lakshmana and his wife, the beautiful princess Sita, loyally follow him into the depths of the mysterious forest, where they encounter strange and dangerous creatures. None is as terrifying as Ravana, the ten-headed demon king who kidnaps Sita and takes her to a fortified city in the middle of the ocean. To rescue her, Rama enlists the help of hundreds of thousands of magical monkeys and bears to fight the demon army and win her back. Even the gods gather to witness the harrowing battle. Will Rama and his friends prevail, and will Sita return to him? Only these captivating pages will tell…

SOON TO BE A MAJOR MOTION PICTURE

His Scandal
Her Secret

From New York Times bestselling author Alafair Burke, a stunning domestic thriller in the vein of Behind Closed Doors and The Woman in Cabin 10—in which a woman must make the impossible choice between defending her husband and saving herself.

When Angela met Jason Powell while catering a dinner party in East Hampton, she assumed their romance would be a short-lived fling, like so many relationships between locals and summer visitors. To her surprise, Jason, a brilliant economics professor at NYU, had other plans, and they married the following summer. For Angela, the marriage turned out to be a chance to reboot her life. She and her son were finally able to move out of her mother’s home to Manhattan, where no one knew about her tragic past.

Six years later, thanks to a bestselling book and a growing media career, Jason has become a cultural lightning rod, placing Angela near the spotlight she worked so carefully to avoid. When a college intern makes an accusation against Jason, and another woman, Kerry Lynch, comes forward with an even more troubling allegation, their perfect life begins to unravel. Jason insists he is innocent, and Angela believes him. But when Kerry disappears, Angela is forced to take a closer look—at both the man she married and the women she chose not to believe.

This much-anticipated follow-up to Burke’s Edgar-nominated The Ex asks how far a wife will go to protect the man she loves: Will she stand by his side, even if he drags her down with him?

Mark Kurlansky's first global food history since the bestselling Cod and Salt; the fascinating cultural, economic, and culinary story of milk and all things dairy--with recipes throughout.

According to the Greek creation myth, we are so much spilt milk; a splatter of the goddess Hera's breast milk became our galaxy, the Milky Way. But while mother's milk may be the essence of nourishment, it is the milk of other mammals that humans have cultivated ever since the domestication of animals more than 10,000 years ago, originally as a source of cheese, yogurt, kefir, and all manner of edible innovations that rendered lactose digestible, and then, when genetic mutation made some of us lactose-tolerant, milk itself.

Before the industrial revolution, it was common for families to keep dairy cows and produce their own milk. But during the nineteenth century mass production and urbanization made milk safety a leading issue of the day, with milk-borne illnesses a common cause of death. Pasteurization slowly became a legislative matter. And today milk is a test case in the most pressing issues in food politics, from industrial farming and animal rights to GMOs, the locavore movement, and advocates for raw milk, who controversially reject pasteurization.

Profoundly intertwined with human civilization, milk has a compelling and a surprisingly global story to tell, and historian Mark Kurlansky is the perfect person to tell it. Tracing the liquid's diverse history from antiquity to the present, he details its curious and crucial role in cultural evolution, religion, nutrition, politics, and economics.

"A lovely slender volume that packs in entire worlds with complete mastery. Speak No Evil explains so much about our times and yet is never anything less than a scintillating, page-turning read."—Gary Shteyngart

"A wrenching, tightly woven story about many kinds of love and many kinds of violence. Speak No Evil probes deeply but also with compassion the cruelties of a loving home. Iweala’s characters confront you in close-up, as viscerally, bodily alive as any in contemporary fiction."—Larissa MacFarquhar

In the long-anticipated novel from the author of the critically acclaimed Beasts of No Nation, a revelation shared between two privileged teenagers from very different backgrounds sets off a chain of events with devastating consequences.

On the surface, Niru leads a charmed life. Raised by two attentive parents in Washington, D.C., he’s a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer—an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders—and the one person who seems not to judge him.

When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine. Neither will escape unscathed.

In the tradition of Junot Diaz’s The Brief Wondrous Life of Oscar Wao and Chimamanda Ngozi Adichie’s Americanah, Speak No Evil explores what it means to be different in a fundamentally conformist society and how that difference plays out in our inner and outer struggles. It is a novel about the power of words and self-identification, about who gets to speak and who has the power to speak for other people. As heart-wrenching and timely as his breakout debut, Beasts of No Nation, Uzodinma Iweala’s second novel cuts to the core of our humanity and leaves us reeling in its wake.

A 2018 Indie Next Pick | One of The Millions’ Most Anticipated Books of 2018 | One of Bustle’s 35 Most Anticipated Fiction Books Of 2018 | One of Paste's 25 Most Anticipated Books of 2018 | One of The Boston Globe’s 25 Books We Can’t Wait to Read in 2018

“Pure Hollywood is pure gold.”?Ottessa Moshfegh

The sensational new story collection from one of our sharpest, most original, and daringly cinematic stylists, National Book Award finalist and O Henry Prize winner Christine Schutt.

In one eponymous novella and ten stories, Pure Hollywood brings us into private worlds of corrupt familial love, intimacy, longing, and danger. From an alcoholic widowed actress living in desert seclusion to a young mother whose rejection of her child has terrible consequences, from a newlywed couple who ignore the violent warnings of a painter burned by love to an eerie portrait of erotic obsession, each story is an imagistic snapshot of what it means to live and learn, love and hurt. 

With Pure Hollywood Christine Schutt gives us sharply suspenseful and masterfully dark interior portraits of ordinary lives, infused with her signature observation and surprise. Timeless, incisive, and precise, these tales are a rush of blood to the head, portals through which we open our eyes and see the world anew.   

“Call Me By Your Name meets Evelyn Waugh in a gorgeous novel about the generations-long aftershocks of a youthful tryst.” —Esquire

From the winner of the Man Booker Prize, a masterly novel that spans seven transformative decades as it plumbs the complex relationships of a remarkable family.
 
In 1940, David Sparsholt arrives at Oxford to study engineering, though his sights are set on joining the Royal Air Force. Handsome, athletic, charismatic, he is unaware of his powerful effect on others—especially on Evert Dax, the lonely and romantic son of a celebrated novelist who is destined to become a writer himself. With the world at war, and the Blitz raging in London, Oxford exists at a strange remove: a place of fleeting beauty, of secret liaisons under the cover of blackouts. A friendship develops between David and Evert that will influence their lives for decades to come.
 
Alan Hollinghurst's sweeping new novel evokes across three generations the intimate relationships of a group of friends brought together by art, literature, and love.  We witness shifts in taste and morality through a series of vividly rendered episodes: a Sparsholt holiday in Cornwall; eccentric gatherings at the Dax family home; the adventures of David's son Johnny, a painter in 1970s London. Richly observed, emotionally charged, this dazzling novel of fathers and sons, of family and legacy, explores the social and sexual revolutions of the past century, even as it takes us straight to the heart of our current age.

Two brothers are exposed to the brutal realities of life and the seductive cruelty of power in this riveting debut novel—a story of savagery and race, injustice and honor, set in the untamed frontier of 1880s Australia—reminiscent of Philipp Meyer’s The Son and the novels of Cormac McCarthy.

An epic tale of revenge and survival, Only Killers and Thieves is a gripping and utterly transporting debut, bringing to vivid life a colonial Australia that bears a striking resemblance to the American Wild West in its formative years.

It is 1885, and a crippling drought threatens to ruin the McBride family. Their land is parched, their cattle starving. When the rain finally comes, it is a miracle that renews their hope for survival. But returning home from an afternoon swimming at a remote waterhole filled by the downpour, fourteen-year-old Tommy and sixteen-year-old Billy meet with a shocking tragedy.

Thirsting for vengeance against the man they believe has wronged them—their former Aboriginal stockman—the distraught brothers turn to the ruthless and cunning John Sullivan, the wealthiest landowner in the region and their father’s former employer. Sullivan gathers a posse led by the dangerous and fascinating Inspector Edmund Noone and his Queensland Native Police, an infamous arm of British colonial power charged with the "dispersal" of indigenous Australians to "protect" white settler rights. As they ride across the barren outback in pursuit, their harsh and horrifying journey will have a devastating impact on Tommy, tormenting him for the rest of his life—and will hold enduring consequences for a young country struggling to come into its own.

Recreating a period of Australian and British history as evocative and violent as the American frontier era, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer’s The Son, the atmospheric beauty of Amanda Coplin’s The Orchardist, and the raw storytelling power of Ian McGuire’s The North Water.

“Explores emotional danger with relentless, surgical accuracy.”
?Tana French, New York Times bestselling author of The Trespasser and Into the Woods

David and Caroline Connolly are swimming successfully through their marriage’s middle years?raising two children; overseeing care for David’s ailing mother; leaning into their careers, both at David’s university teaching job, where he’s up for an important promotion, and at the ad agency where Caroline has recently returned to work after years away while the children were little. The recent stresses of home renovation and of a brief romantic betrayal (Caroline’s) are behind them. The Connollys know and care for each other deeply.

Then one early fall afternoon, a student of sublime, waiflike beauty appears in David’s university office and says, “I think you might be my father.” And the fact of a youthful passion that David had tried to forget comes rushing back. In the person of this intriguing young woman, the Connollys may have a chance to expand who they are and how much they can love, or they may be making themselves vulnerable to menace. They face either an opportunity or a threat?but which is which? What happens when their hard-won family happiness meets a hard-luck beautiful girl?

Fascinating patient stories and dynamic exercises help you connect to healing emotions, ease anxiety and depression, and discover your authentic self.
 
Sara suffered a debilitating fear of asserting herself. Spencer experienced crippling social anxiety. Bonnie was shut down, disconnected from her feelings. These patients all came to psychotherapist Hilary Jacobs Hendel seeking treatment for depression, but in fact none of them were chemically depressed. Rather, Jacobs Hendel found that they’d all experienced traumas in their youth that caused them to put up emotional defenses that masqueraded as symptoms of depression. Jacobs Hendel led these patients and others toward lives newly capable of joy and fulfillment through an empathic and effective therapeutic approach that draws on the latest science about the healing power of our emotions.
 
Whereas conventional therapy encourages patients to talk through past events that may trigger anxiety and depression, accelerated experiential dynamic psychotherapy (AEDP), the method practiced by Jacobs Hendel and pioneered by Diana Fosha, PhD, teaches us to identify the defenses and inhibitory emotions (shame, guilt, and anxiety) that block core emotions (anger, sadness, fear, disgust, joy, excitement, and sexual excitement). Fully experiencing core emotions allows us to enter an openhearted state where we are calm, curious, connected, compassionate, confident, courageous, and clear.
 
In It’s Not Always Depression, Jacobs Hendel shares a unique and pragmatic tool called the Change Triangle—a guide to carry you from a place of disconnection back to your true self. In these pages, she teaches lay readers and helping professionals alike
 
• why all emotions—even the most painful—have value.
• how to identify emotions and the defenses we put up against them.
• how to get to the root of anxiety—the most common mental illness of our time.
• how to have compassion for the child you were and the adult you are.
 
Jacobs Hendel provides navigational tools, body and thought exercises, candid personal anecdotes, and profound insights gleaned from her patients’ remarkable breakthroughs. She shows us how to work the Change Triangle in our everyday lives and chart a deeply personal, powerful, and hopeful course to psychological well-being and emotional engagement.

New York Times Bestseller

In this new holiday-themed novel from the #1 New York Times bestselling author of The Mistletoe Promise and The Walk, a man receives the best Christmas present he could ask for: the chance to re-write the past.

Bestselling romance author Jacob Churcher hasn't been home for almost twenty years—not since his mentally ill mother kicked him out of the house when he was just sixteen. When a lawyer calls, days before Christmas, to inform him that his estranged mother has passed away and left her house to him, Jacob returns not just to settle the estate but to try and reconcile with the past and the pain and abuse he experienced as a child. Also, maybe cleaning out her house will be slightly less depressing than spending the holidays alone, watching re-runs of Christmas classics.

But as it turns out, the house holds more than just difficult memories, Jacob’s mother had become a hoarder and he must excavate through two decades worth of clutter. As Jacob digs through the detritus, like an archaeologist, he uncovers many puzzling items including a diary left by someone named Noel, a young woman he has no recollection of, who stayed with Jacob’s family during her pregnancy. That’s not the only echo from the past. Jacob has an unexpected visitor, Rachel, a woman looking for the mother who put her up for adoption thirty years before. United by their quest to make sense of the past and rewrite their futures, Jacob and Rachel begin a search for Noel. Along the way they find more than they possibly imagined, including grace, forgiveness and a chance at love.

Shortlisted for the 2017 Center for Fiction First Novel Prize

“Simeon Marsalis’s As Lie Is to Grin is not a satire meant to teach us lessons, nor a statement of hope or despair, but something more visionary?a portrait of a young man’s unraveling, a depiction of how race shapes and deforms us, a coming-of-age story that is also a confrontation with American history and amnesia. The book achieves more in its brief span than most books do at three times the length.” ?Zachary Lazar, author of I Pity the Poor Immigrant

David, the narrator of Simeon Marsalis’s singular first novel, is a freshman at the University of Vermont who is struggling to define himself against the white backdrop of his school. He is also mourning the loss of his New York girlfriend, whose grandfather’s alma mater he has chosen to attend. When David met Melody, he lied to her about who he was and where he lived, creating a more intriguing story than his own. This lie haunts and almost unhinges him as he attempts to find his true voice and identity.

On campus in Vermont, David imagines encounters with a student from the past who might represent either Melody’s grandfather or Jean Toomer, the author of the acclaimed Harlem Renaissance novel Cane (1923). He becomes obsessed with the varieties of American architecture “upon land that was stolen,” and with the university’s past and attitudes as recorded in its newspaper, The Cynic. And he is frustrated with the way the Internet and libraries are curated, making it difficult to find the information he needs to make connections between the university’s history, African American history, and his own life.

In New York, the previous year, Melody confides a shocking secret about her grandfather’s student days at the University of Vermont. When she and her father collude with the intent to meet David’s mother in Harlem?craving what they consider an authentic experience of the black world?their plan ends explosively. The title of this impressive and emotionally powerful novel is inspired by Paul Laurence Dunbar’s poem “We Wear the Mask” (1896): “We wear the mask that grins and lies . . .”

"The word “collage” implies something static and finally fixed, but the beauty of “Reservoir 13” is in fact rhythmic, musical, ceaselessly contrapuntal . . . A remarkable achievement [and a] subtle unravelling of what we think of as the conventional project of the novel." ?James Wood, The New Yorker

"Fiercely intelligent. . . . [An] astonishing new novel . . . strange, daring, and very moving. . . . The book is a rare and dazzling feat of art." ?George Saunders, The Paris Review Daily

Midwinter in an English village. A teenage girl has gone missing. Everyone is called upon to join the search. The villagers fan out across the moors as the police set up roadblocks and a crowd of news reporters descends on what is usually a place of peace. Meanwhile, there is work that must still be done: cows milked, fences repaired, stone cut, pints poured, beds made, sermons written, a pantomime rehearsed.

As the seasons unfold and the search for the missing girl goes on, there are those who leave the village and those who are pulled back; those who come together and those who break apart. There are births and deaths; secrets kept and exposed; livelihoods made and lost; small kindnesses and unanticipated betrayals. An extraordinary novel of cumulative power and grace, Reservoir 13 explores the rhythms of the natural world and the repeated human gift for violence, unfolding over thirteen years as the aftershocks of a tragedy refuse to subside.

Former Suffolk County cop Gus Murphy returns to prowl the meaner streets of Long Island's darkest precincts, with a Russian mercenary at his back, in the stunning second installment of Reed Farrel Coleman's critically acclaimed series, now in paperback.

Gus Murphy and his girlfriend Magdalena are put in harm's way when Gus is caught up in the distant aftershocks of heinous crimes committed decades ago in Vietnam and Russia. Gus's ex-priest pal, Bill Kilkenny, introduces him to a wealthy businessman anxious to have someone look more deeply into the brutal murder of his granddaughter. Though the police already have the girl's murderer in custody, they have been unable to provide a reason for the killing. The businessman, Spears, offers big incentives if Gus can supply him with what the cops cannot—a motive.

Later that same day, Gus witnesses the execution of a man who has just met with his friend Slava. As Gus looks into the girl's murder and tries to protect Slava from the executioner's bullet, he must navigate a mine field populated by hostile cops, street gangs, and a Russian mercenary who will stop at nothing to do his master's bidding. But in trying to solve the girl's murder and save his friend, Gus may be opening a door into a past that was best left forgotten. Can he fix the damage done, or is it true that what you break you own...forever?

“Like The Year of Magical Thinking by Joan Didion, Beyond the High Blue Air is a spare, sharp memoir about the speed with which a comfortable existence can be blighted by grief.” ?Bee Wilson, The Sunday Times

Lu Spinney’s memoir Beyond the High Blue Air is at once a portrait of the fearlessness of familial love and the profound dilemma posed by modern medicine. When Spinney’s twenty-nine-year-old son, Miles, flies up on his snowboard, “he knows he is not in control as he is taken by force up the ramp,” writes his mother, “skewing sideways as his board clips the edge and then he is hurtling, spinning up, up into the free blue sky ahead . . .” He lands hard on the ice and falls into a coma.

Thus begins the erratic loss? Miles first in a coma and then trapped in a fluctuating state of minimal consciousness?that unravels over the next five years. Spinney, her husband, and three other children put their lives on hold to tend to Miles at various hospitals and finally in a care home. They hold out hope that he will be returned to them. With blunt precision, Spinney chronicles her family’s intimate experience.

And yet, as personal a book as this is, it offers universal meaning, presenting an eloquent and piercing description of what it feels to witness an intimate become unfamiliar. This is a story about ambiguous loss: the disappearance of someone who is still there. Three quarters of the way through, however, Spinney’s story takes a turn. The family and, to the degree that he can communicate, Miles himself come to view ending his life as the only possible release from the prison of his body and mind. Spinney, cutting her last thread of hope, wishes for her son to die. And yet, even as she allows this difficult revelation to settle, she learns that this is not her decision to make. Because Miles is diagnosed as being in a “minimally conscious state” rather than a “persistent vegetative state,” there is no legal way to bring about his death, a bewildering paradox that Spinney navigates with compassion and wisdom. This profound book encompasses the lyrical revelations of a memoir like Jean-Dominique Bauby’s The Diving Bell and the Butterfly as well as the crucial medical and moral insights of a book such as Atul Gawande’s Being Mortal.

Award-winning scientist Richard Fortey, upon his retirement, purchased four acres of ancient woodland in the Chiltern Hills of Oxfordshire, England. The Wood for the Trees is the joyful, lyrical portrait of what he found there. Fortey leads us through the seasons over the course of a year, as he fells trees in winter, admires bluebells in spring, and hunts moths in June and mushrooms in September. Along the way he reconstructs the geology and history of the area, tracing the rich variety of plants, animals, and people who have shaped it, from Neolithic hunters to Tudor gentry to present-day Russian oligarchs. The result is evocative and illuminating: an exuberant biography of a small patch of land and the miraculous web of life that it sustains.

From the breathtaking beaches of Thailand to the barely tamed wilds of colonial Australia, The Pearl Sister is the next captivating story in New York Times bestselling author Lucinda Riley’s epic series about two women searching for a place to call home.

CeCe D’Aplièse has always felt like an outcast. But following the death of her father—the reclusive billionaire affectionately called Pa Salt by the six daughters he adopted from around the globe—she finds herself more alone than ever. With nothing left to lose, CeCe delves into the mystery of her familial origins. The only clues she holds are a black and white photograph and the name of a female pioneer who once traversed the globe from Scotland to Australia.

One hundred years earlier, Kitty McBride, a clergyman's daughter, abandoned her conservative upbringing to serve as the companion to a wealthy woman traveling from Edinburgh to Adelaide. Her ticket to a new land brings the adventure she dreamed of…and a love that she had never imagined.

When CeCe reaches the searing heat and dusty plains of the Red Centre of Australia, something deep within her responds to the energy of the area and the ancient culture of the Aboriginal people, and her soul reawakens. As she comes closer to finding the truth of her ancestry, CeCe begins to believe that this untamed, vast continent could offer her what she’s always yearned for: a sense of belonging.

Just as The Shadow Sister was an “engaging and mesmerizing story of self-discovery and love” (Library Journal, starred review), The Pearl Sister is your next “perfect curl-up-in-an-armchair read” (Daily Mail, UK) from Lucinda Riley.

In House Witness, the twelfth novel in the Joe DeMarco series, Mike Lawson puts his likable protagonist on the trail of a different kind of fixer?one whose job is to influence, and sometimes disappear, witnesses in seemingly airtight criminal cases.

Minority Leader of the House and DeMarco’s long-time employer John Mahoney has kept more than one secret from his wife over the years, but none so explosive as this: He has a son, and that son has just been shot dead in a bar in Manhattan. Mahoney immediately dispatches DeMarco to New York to assist prosecutor Justine Porter, but with five bystanders willing to testify against the killer?rich-boy Toby Rosenthal?the case seems like a slam-dunk. That is, until Porter begins to suspect that someone is interfering with those witnesses, and that this may be connected to a pattern of cases across the country. Is there someone who is getting witnesses out of the way when the fate of a wealthy defendant is on the line?

With the help of Porter’s intern, as outrageously smart as she is young, DeMarco becomes determined to follow that question through to its violent resolution in what turns out to be this series’ most unexpected plot yet.

With Iris Johansen’s trademark adventure, intrigue, and explosive energy, Mind Game is a propulsive thriller that’s impossible to put down.

Scotland holds a treasure that Jane MacGuire has been hunting for years. But as she scours the Highlands in search of it, she’s plagued by dreams of a girl in danger?dreams she can’t ignore no matter how hard she tries. Who is this girl, and what is she trying to tell Jane? And will Jane figure it out before it’s too late?for her and the mysterious young woman?

Things are further complicated when Seth Caleb comes back into Jane’s life. Their history is volatile to say the least. This time Jane finds herself pulled unexpectedly into his world as she fights to save him. But Caleb isn’t the only person sweeping her up into startling developments. When Eve Duncan surprises Jane with news of her own, Jane comes face to face with stunning changes in the lives of those she loves most.

TheEve Duncan novels are:

“No-holds-barred…Gripping.”?Publishers Weekly

“Thrilling, emotional, and downright riveting!”?RT Book Reviews

“Enough to keep readers hooked all night long.”?San Francisco Book Review

An extraordinary debut novel, Freshwater explores the surreal experience of having a fractured self. It centers around a young Nigerian woman, Ada, who develops separate selves within her as a result of being born "with one foot on the other side." Unsettling, heartwrenching, dark, and powerful, Freshwater is a sharp evocation of a rare way of experiencing the world, one that illuminates how we all construct our identities.

Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. A traumatic assault leads to a crystallization of her alternate selves: As?ghara and Saint Vincent. As Ada fades into the background of her own mind and these selves?now protective, now hedonistic?move into control, Ada's life spirals in a dark and dangerous direction.

Narrated from the perspective of the various selves within Ada, and based in the author's realities, Freshwater explores the metaphysics of identity and mental health, plunging the reader into the mystery of being and self. Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.

“It would be difficult to overstate the wonder I felt while reading this novel. It’s among the most beautiful books I’ve ever read about longing?for beauty, for sex, for God, for a coherent life.”?Garth Greenwell, author of What Belongs to You

Maggie is entirely devoted to her husband Thomas, their two beautiful children, and to God?until what begins as a platonic intellectual and spiritual exchange between writer Maggie and poet James transforms into an erotically-charged bond that challenges Maggie’s sense of loyalty and morality, drawing her deeper into the darkness of desire.

A daring debut novel of obsession, lust, and salvation by the highly lauded author of the story collection, I Want To Show You More, Fire Sermon is a tour de force that charts with bold intimacy and immersive sensuality the life of a married woman in the grip of a magnetic affair.

“Lights On, Rats Out is unlike anything I’ve ever read?a powerfully, staggeringly honest book that is excruciating in places, and also completely haunting. LeFavour’s intimate account of her relationship with her psychiatrist is intensely compelling, forthright, and brave. Did he overstep? Was he somehow pulled in by her beyond what was therapeutically appropriate or helpful? This is a fascinating memoir in a category of its own.”?Dani Shapiro

As a young college graduate a year into treatment with a psychiatrist, Cree LeFavour began to organize her days around the cruel, compulsive logic of self-harm: with each newly lit cigarette, the world would drop away as her focus narrowed on the blooming release of pleasure-pain as the burning tip was applied to an unblemished patch of skin. Her body was a canvas of cruelty; each scar a mark of pride and shame.

In sharp and shocking language, Lights On, Rats Out brings us closely into these years. We see the world as Cree did?turned upside down, the richness of life muted and dulled, its pleasures perverted. The heady thrill of meeting with her psychiatrist, Dr. Adam N. Kohl?whose relationship with Cree is at once sustaining and paralyzing?comes to be the only bright spot in her days.

Lights On, Rats Out describes a fiercely smart and independent woman’s charged attachment to a mental health professional and the dangerous compulsion to keep him in her life at all costs.

“Tuck’s prose is elegant.” ? New York Times Book Review

Lily Tuck’s critically-lauded, bestselling I Married You for Happiness was hailed by the Boston Globe as “an artfully crafted still life of one couple’s marriage.” In her singular new novel Sisters, Tuck gives a very different portrait of marital life, exposing the intricacies and scandals of a new marriage sprung from betrayal.

Tuck’s unnamed narrator lives with her new husband, his two teenagers, and the unbanishable presence of his first wife?known only as she. Obsessed with her, our narrator moves through her days presided over by the all-too-real ghost of the first marriage, fantasizing about how the first wife lives her life. Will the narrator ever equal she intellectually, or ever forget the betrayal that lies between them? And what of the secrets between her husband and she, from which the narrator is excluded? The daring and precise build up to an eerily wonderful denouement is a triumph of subtlety and surprise.

With Sisters, Lily Tuck delivers riveting psychological portrait of marriage, infidelity, and obsession; charting with elegance and insight love in all its phases.

Leo Maxwell is no ordinary attorney. He spends as much time tracking corrupt politicians and gangland leaders across the Bay area to piece together the facts of a crime as he does crafting courtroom rhetoric. But Leo has never quite recovered from discovering his mother’s murdered corpse as a child, or from growing up in the shadow of his brilliant older brother.

In Wolf’s Revenge, the fifth novel in Lachlan Smith’s Shamus Award-winning series, attorney-detective Leo Maxwell seeks an exit strategy from his family’s deepening entanglement with a ruthless prison-based gang. Caught between the criminals and the FBI, Leo charts his own path in defending a young woman who was manipulated into brazenly murdering a member of the Aryan Brotherhood in San Francisco’s Tenderloin neighborhood. When the consequences strike heartbreakingly close to home, Leo, his brother Teddy, and the rest of the family are forced into a winner-takes-all confrontation with men who don’t care how many innocents they harm in achieving their goals. As Leo’s world collapses, long-held secrets are revealed, transforming his perspective on the aftermath of the tragedy that derailed his childhood and fractured his family twenty-one years ago.

Leo comes to realize there’s no such thing as fair play in the battle against a prison gang that’s already being punished to the full extent of the law. The question then becomes who will get revenge first?the Maxwells or the sadistic gang leader who pursues them?

In the tradition of The Hours and Revolutionary Road, an “exquisite meditation on motherhood, marriage, and the meaning of home” (The New York Times Book Review), set in England, Australia, and India in the early 1960s.

The only thing harder than losing home is trying to find it again.

Cambridge, 1963. Charlotte is struggling. With motherhood, with the changes brought on by marriage and parenthood, with never having the time or energy to paint. Her husband, Henry, cannot face the thought of another English winter. A brochure slipped through the mailbox—Australia brings out the best in you—gives him an idea.

Charlotte is too worn out to resist, and before she knows it they are traveling to the other side of the world. But upon their arrival in Perth, the southern sun shines a harsh light on the couple and gradually reveals that their new life is not the answer either was hoping for. Charlotte barely recognizes herself in this place where she is no longer a promising young artist, but instead a lonely housewife venturing into the murky waters of infidelity. Henry, an Anglo-Indian, is slowly ostracized at the university where he teaches poetry. Subtle at first, the ostracism soon invades his entire sense of identity.

Trapped by nostalgia, Charlotte and Henry are both left wondering if there is any place in this world where they truly belong. Which of them will make the attempt to find out? Who will succeed?

“An exquisite and clear-eyed story of the ambiguities of love and creativity, motherhood and migration…It’s a thing of beauty and honesty, as big as the whole unmoored world, and as particular as a family’s moments and moods,” says Ashley Hay, author of The Railwayman’s Wife.

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