Reviews of From Dawn To Decadence by Jacques Barzun

Media Reviews

National Review How many times in one's life does one get to welcome a masterpiece, which, without a doubt, this amazing work certainly is?

New York Times - William Safire [A] stunning five-century study of civilization's cultural retreat.

New York Times Book Review Though the ideas it explains are often complicated, the explanations it offers are limpidly clear, sparkling with biographical anecdote and counter-canonical observations. . . . From Dawn to Decadence, in short, is peerless.

Newsweek - David Gates From Dawn to Decadence will go down in history as one of the great one-man shows of Western letters, a triumph of maverick erudition like Johnson's Dictionary or Burton's 'Anatomy of Melancholy.'

Sacramento News & Review- Dan Wick Jacques Barzun is the Vladimir Nabokov of historians. Speak, History could be the subtitle of From Dawn to Decadence, analogous to Nabokov’s Speak, Memory. Like Nabokov, Barzun is incapable of writing a graceless sentence or an inconsequential paragraph. He brings us back to a time when scholars not only consulted the original texts but savored them.

At ninety-three, Barzun has not only read virtually everything worth reading (in the original languages) published in the last five hundred years but he has also mastered the relevant scholarly literature. In short, From Dawn to Decadence is a triumph of lovingly distilled erudition and critical insight. From Dawn to Decadence is a masterpiece of historical art, a work whose pleasures are legion and whose defects are negligible. It is a book to read at leisure and recollect in tranquillity.

Salon.com - Charles Taylor From Dawn to Decadence could wind up as unread as the untouched encyclopedias that gathered dust on many a family's bookshelf, but I fear its fate may be more insidious. People may wind up reading the book in the way that the American tourists in Godard's Band of Outsiders tour the Louvre in 12 minutes, as something to be gotten over with, an item to be checked off a to-do list. This enthralling and maddening book, as far-sighted as it is blinkered, deserves better than becoming to intellectual curiosity what Hamburger Helper is to chopped sirloin.

Booklist Starred Review. Others have written about the end of Western culture, but none with more cogent erudition than Barzun. With a poise borne of decades of distinguished scholarship, Barzun . . . advances his views with an intellectual capaciousness that will win admiration even from those who reject his conclusions. An impressive culmination to a lifetime of serious reflection.

Kirkus Reviews Starred Review. An extraordinary achievement by one of the glittering minds of our time. . . . [Barzun's] seemingly limitless learning, wit, and always distinctive views shine in every paragraph. . . . Few scholars combine erudition with such clarity and ease of expression as he does; few wear their learning so lightly or write so purposefully for the general reader. . . . This is no textbook it sparkles and courses through time and places like water in a clean-running brook. . . . In every way, this is a book to savour.

Library Journal Starred Review. Barzun's writing style is substantial but not abstruse, easily accessible enough for the general reader. Such a compelling synthesis is a remarkable achievement for any author, especially so for one in his 94th year.

Publishers Weekly Starred Review. Profound, eloquent, often witty . . . a book of enormous riches. . . . This is a book to be reckoned with.

 Alistair Cooke This astonishing and monumental work may fairly take its place alongside Gibbon, and for much the same array of qualities a majestic view of five hundred years of history, down in great style, with vast erudition and a continuously entertaining idiosyncrasy of judgment.

 Anne Fadiman, editor of The American Scholar Jacques Barzun was born to write this book, but he could not possibly have written it when he was fifty. It is a masterwork that required a master a man whose entire life has been spent acquiring the perspective that only wisdom, and not mere knowledge, can grant. Thank heaven he has lived long enough to complete a book no one else could even have begun.

 Anne Fadiman, editor of The American Scholar Jacques Barzun was born to write this book, but he could not possibly have written it when he was fifty. It is a masterwork that required a master a man whose entire life has been spent acquiring the perspective that only wisdom, and not mere knowledge, can grant. Thank heaven he has lived long enough to complete a book no one else could even have begun.

 Carl E. Schorske, Princeton University Emeritus Jacques Barzun has not just studied European culture; he has lived it, with rare intensity. This book is the summa of his historical teaching, for everyman. Four great eras since the Renaissance provide its frame. Within it, sustaining the themes of social and intellectual concerns that link the eras with each other, there throng the myriad creative individuals'artists and intellectuals'who have struggled to give shape and meaning to our restless, dynamic culture. Drawing on his personal encounters with them all in his life of learning, Barzun has created a vast number of miniature portraits which serve him as their many-hued stones served the mosaic artists of Byzantium to give vital substance and color to their grand designs. An extraordinary work.

 Carl E. Schorske, Princeton University Emeritus Jacques Barzun has not just studied European culture; he has lived it, with rare intensity. This book is the summa of his historical teaching, for everyman. Four great eras since the Renaissance provide its frame. Within it, sustaining the themes of social and intellectual concerns that link the eras with each other, there throng the myriad creative individuals'artists and intellectuals'who have struggled to give shape and meaning to our restless, dynamic culture. Drawing on his personal encounters with them all in his life of learning, Barzun has created a vast number of miniature portraits which serve him as their many-hued stones served the mosaic artists of Byzantium to give vital substance and color to their grand designs. An extraordinary work.

 Diane Ravitch, New York University This masterful, provocative, and highly readable assessment of the last half-millennium of Western culture is the perfect antidote to the dumbed-down consumerism of our own times. It is hard to imagine anyone other than Jacques Barzun as the writer of this engaging history. Reading it is akin to participating in a fast-paced seminar with one of the liveliest and best informed minds of the day.

 Eric Bentley, author of The Playwright as Thinker What has been the value, to the world, of the American Revolution of the 1770s? And of the French Revolution that began in 1789? Jacques Barzun has addressed these questions, and the questions which these questions raised, repeatedly--in an extraordinary series of books (not to mention his lectures, informal talks and conversations) over the course of half a century and more. As well he might. Born and brought up in France, he was young enough to enter Columbia College as a freshman in 1919. The rest is history. And a Department of History, that of Columbia. Many fine historians there, but none with Barzun's range, or style, or wit, none who could put together such a rich and diverse summing-up of everything as From Dawn to Decadence. (For some, this will be an annoying, even a maddening book. And that is something else the academic colleagues could never manage.)

 Eric Bentley, author of The Playwright as Thinker What has been the value, to the world, of the American Revolution of the 1770s? And of the French Revolution that began in 1789? Jacques Barzun has addressed these questions, and the questions which these questions raised, repeatedly--in an extraordinary series of books (not to mention his lectures, informal talks and conversations) over the course of half a century and more. As well he might. Born and brought up in France, he was young enough to enter Columbia College as a freshman in 1919. The rest is history. And a Department of History, that of Columbia. Many fine historians there, but none with Barzun's range, or style, or wit, none who could put together such a rich and diverse summing-up of everything as From Dawn to Decadence. (For some, this will be an annoying, even a maddening book. And that is something else the academic colleagues could never manage.)

 Gertrude Himmelfarb, author of One Nation, Two Cultures From Dawn to Decadence is a personal, witty, learned, bold, and above all wise retrospect of the past half-millennium. One will read it through with mounting interest, and then go back again and again to savor favorite parts of it.

 Gertrude Himmelfarb, author of One Nation, Two Cultures From Dawn to Decadence is a personal, witty, learned, bold, and above all wise retrospect of the past half-millennium. One will read it through with mounting interest, and then go back again and again to savor favorite parts of it.

 John Lukacs, author of Five Days in London, May 1940 Jacques Barzun's summa is the work of a very great historian and of a seer. The phrase from the Bible is apposite 'The hearing ear, and the seeing eye' is his great gift--and a gift to his readers.

 John Lukacs, author of Five Days in London, May 1940 Jacques Barzun's summa is the work of a very great historian and of a seer. The phrase from the Bible is apposite 'The hearing ear, and the seeing eye' is his great gift--and a gift to his readers.

 John Russell, author of Matisse Father & Son and London A conversational tour de force. . . . To every one of these pages Barzun brings a quiet good sense, a more than encyclopedic knowledge, and an unfailing indignation at opportunities lost and ideals betrayed. On almost every page he makes sure that other voices are heard, from Martin Luther, Erasmus and Montaigne to Marcel Duchamp, James Joyce, and Andy Warhol. . . . This book is what used to be called a 'liberal education,' and it should bring that phrase back into favor.

 John Russell, author of Matisse Father & Son and London A conversational tour de force. . . . To every one of these pages Barzun brings a quiet good sense, a more than encyclopedic knowledge, and an unfailing indignation at opportunities lost and ideals betrayed. On almost every page he makes sure that other voices are heard, from Martin Luther, Erasmus and Montaigne to Marcel Duchamp, James Joyce, and Andy Warhol. . . . This book is what used to be called a 'liberal education,' and it should bring that phrase back into favor.

 John Silber, Chancellor, Boston University This is an extraordinary book. Jacques Barzun's erudition is unrivalled in its comprehensiveness and penetration. No one else could have deployed such erudition over a half-millennium of history with such clarity, grace, narrative drive, and constant and illuminating insight. More than ever it is clear that Jacques Barzun is one of the greatest cultural treasures of our time.

 Noel Annan, author of The Dons To define Western culture is the most delicate and difficult of all operations. Jacques Barzun is one of the most cultivated exemplars of Western civilization and his book contains the experience and the reflection of a lifetime. He tells us not to judge past centuries by our standards and to recognize that, however different, those centuries have made us what we are.

 Noel Annan, author of The Dons To define Western culture is the most delicate and difficult of all operations. Jacques Barzun is one of the most cultivated exemplars of Western civilization and his book contains the experience and the reflection of a lifetime. He tells us not to judge past centuries by our standards and to recognize that, however different, those centuries have made us what we are.

Reader Reviews

b dawg
this book sucks
This book is out of date, contains the author's opinion, and hard to understand. Anonymous
Kelly Bob Anquoe
After meditating on the provocating thoughts stemming from the works within this book it becomes simpler to consider a wide variety of potential actions regarding the futures of our sometimes confounding American heritage. As an ...   Read More

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