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Critics' Opinion:
Readers' Opinion:
First Published:
Dec 2009, 384 pages
Paperback:
Sep 2010, 320 pages
Book Reviewed by:
Elena Spagnolie
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The Farmer’s Daughter is a memorable portrait of three decidedly unconventional American lives. With wit, poignancy, and an unbounded love for his characters, Jim Harrison has again reminded us why he is one of the most cherished and important authors at work today.
Jim Harrison’s fifteen works of fiction have established him as one of the most beloved and popular authors in American fiction. His last novel, The English Major, was a National Indie Bestseller, a New York Times Book Review notable, and a San Francisco Chronicle Best Book of the Year. Harrison’s latest collection of novellas, The Farmer’s Daughter, finds him writing at the height of his powers, and in fresh and audacious new directions.
The three stories in The Farmer’s Daughter are as different as they are unforgettable. Written in the voice of a home-schooled fifteen-year-old girl in rural Montana, the title novella is an uncompromising, beautiful tale of an extraordinary character whose youth intersects with unexpected brutality, and the reserves she must draw on to make herself whole. In another, Harrison’s beloved recurring character Brown Dog, still looking for love, escapes from Canada back to the States on the tour bus of an Indian rock band called Thunderskins. And finally, a retired werewolf, misdiagnosed with a rare blood disorder brought on by the bite of a Mexican hummingbird, attempts to lead a normal life but is nevertheless plagued by hazy, feverish episodes of epic lust, physical appetite, athletic exertions, and outbursts of violence under the full moon.
The Farmer’s Daughter is a memorable portrait of three decidedly unconventional American lives. With wit, poignancy, and an unbounded love for his characters, Jim Harrison has again reminded us why he is one of the most cherished and important authors at work today.
The Farmer's Daughter
Part I
Chapter 1
1986
She was born peculiar, or so she thought. Her parents had put some ice in her soul, not a rare thing, and when things went well the ice seemed to melt a bit, and when things went poorly the ice enlarged. Her name was Sarah Anitra Holcomb.
She was without self-pity never having learned how to administer it. Things were as they were. A certain loneliness was an overwhelming fact of her life. Her family had moved to Montana in 1980 when she was nine years old. They felt like pioneers striking out from Findlay, Ohio, but without the young man called Brother, then eighteen and the son of her father's first marriage, who chose to stay behind but then up and joined the marines, an insult because the marines were the core of her father Frank's unhappiness. Frank had seen no combat in Vietnam but as a graduate of Purdue had been in the Competitive Strategies (all unsuccessful) Office in Saigon. His very best friend Willy, also from Findlay, ...
I hoped for the sensual descriptions of the sweeping American Mid-West, and I wanted the landscape to actively contribute to the telling of the stories. And Harrison not only lives up to those expectations, he exceeds them. Though all three of his novellas are distinct from one another, they are joined by the exploration of isolation, displacement, raw sexuality, human connection... Each novella in The Farmer's Daughter is better than the last...continued
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(Reviewed by Elena Spagnolie).
In "Brown Dog Redux," the second novella in Jim Harrison's The Farmer's Daughter, an enigmatic quality surrounds the character of Charles Eats Horses. At Wounded Knee he sits alone in the moonlit cemetery, arms raised to the sky; the next morning he is found unmoving in a trance-like state; and throughout the story his peers carefully avoid eye contact with him. Though little else is given to explain these behaviors, Charles Eats Horses tells Brown Dog that "[The others] think I might be a wicasa wakan..."
As Harrison describes, a wicasa wakan is a "medicine man, often a somewhat frightening person like a brujo in Mexico," and is capable of great powers. In The Anthropological Papers of The American Museum of Natural History (1921, ...
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