Set in 1960s Israel, this is a hypnotic meditation on the ever-changing boundaries of love and need etched in a wartime Mideast as shifting and dangerous and mysterious as the Israeli desert.
Edges is set in a pre-1967 Israel, during the Cold War. Liana Bialik is fourteen years old when the suicide of her American father forces her family to return to her mother's native Jerusalem. A chance meeting with a runaway American diplomat's son in the forest draws Liana into an odyssey of borders, loss, and love. After witnessing the accidental death of a young Arab boy caught in a crossfire between snipers, Liana is impelled to confront her conflicts about identity and culpability. She must choose between following the paths of darkness that have kept her bound to her grieving and engulfing mother and her own sexual self-discovery . Characters are drawn from Israel's long-forgotten past, members of the 1940's Haganah and Jewish underground who find themselves displaced amidst the chaotic and complex tensions of an Israel just beginning to modernize and expand. Liana learns about her mother's childhood in the ancient city, and her past in the wars. Places and dates eventually yield to timeless truths as she is able to use this heritage as her own mystical starting point.
May 2009: Hamilton Stone Editions, Ltd. will be publishing an expanded version of Edges as The Fragile Mistress - a movie movie tie-in version for the feature film now in development with Triboro Pictures, and currently part of the Cannes Film Festival's Producer's Development Lab.
"I flicked on the passenger light above my head.
By my wristwatch it was only three thirty-seven p.m., New York time, but, when I gazed out the plane window, the sky was full of coal-like clouds.
"Want some chocolate?" My mother held an 18-ounce duty-free bar of Hershey's almond chocolate under my nose. "It's seven more hours until we reach Tel Aviv, will you survive?"
"No," I said.
That summer, Jordan had given the few Israeli descendants of the ancient city permission to dig up the graves on the Mount of Olives and transport the souls and skeletons of their lost ones to the other side of the border.
My mother, my sister, Ivy and I sat on a packed El Al plane on our way to Jerusalem to participate in a ceremony for an uncle I had never met.
Dot Elizar had been buried, my mother said, in the mixed cemetery among the Arab and Jewish war heroes before the ...
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