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Lauren Willig's That Summer is a good read. Since I am an artist, it encouraged me to research the Pre-Raphaelite movement of the time period of the novel, 1848-1850. The novel goes between this time period and modern-day England. It travels between the two very gracefully and pulls it all together at the end with a genuine surprise or two. Willig's attention to detail from both time periods is excellent. Fans of historical fiction, artist or not, will enjoy the ride.

First off, the premise is intriguing. Who wouldn't want to inherit an old mansion in England filled with hidden treasures? I really enjoyed having two women in different time periods narrating the story; although I felt the present day was better written and had more background about the characters. I never understood the husband's actions and his coldness since his background was never discussed. The ending was what you expected, (and I would have been disappointed if it hadn't happened exactly as it did. It was an easy and enjoyable read. This would be perfect on a summer vacation to read.

I've always harbored a secret dream of inheriting an old house filled with treasures ( not likely!), so I quite enjoyed the fact of Julia having to go through all that was left to her by her aunt...turns out there were discoveries dating back to 1839 , including finding the bones of Julia's probable great great grandfather! There is that story and more but I will leave it to the reader to find out. It is an easy book to read, but also
enjoyable!

I was excited to receive the book, That Summer, by Lauren Willig because I love her Pink Carnation series. Also, this book is my favorite kind of novel--a mystery portrait by a possibly new Pr-Raphaelite artist, an old house that protagonist Julia Conley almost remembers, and maybe even a ghost. Plus one of the characters is a descendent of Miles Dorrington! (Although he didn't inherit the charm). The part of the book set in the present was well done, the characters believable and the house was so well done that I could have recognized it if I woke up in it. I really felt for Julia, depressed and alone, trying to decide if her new acquaintances are really trying to help her or rob her. However, the scenes in the past were less intense, especially the main character. I just didn't feel her husband was explained well enough to believe his final actions; although it was said that he was cold and unloving, it didn't really appear that way to me. He just wasn't developed, just a one-dimensional character. I couldn't reconcile his last acts with his character throughout the rest of the book--he just didn't seem to care enough about his wife to do what he did. And some of the clues discovered in the search for the missing artist were just left hanging, such as the tickets for 3 to New York. I did mostly enjoy the book, I just expected more characters like in the Pink Carnation series--distinct personalities, the subtle charm and wit of the women, and the dare-devil actions of the (oh so handsome) men.

I began reading this book last weekend and immediately got hooked with the parallel stories during two markedly different time periods....it was hard to put down and kept my interest late into the night! The characters were complex and I enjoyed getting to know them through their stories and wish their stories could have gone on longer to keep the history of the house and the women flowing. The ending was less than satisfying (but I feel that way about many books!)....but all in all, a good read that I will recommend to others.

I really liked the themes of That Summer - the inheritance an old English mansion full of antiques and family secrets, and the Pre-Raphaelite art movement. (A quick search on Wikipedia helps to understand the movement and to visualize the paintings of this group of artists.) The main characters are likeable and the story interesting. I think it's a good choice for a summer vacation.

I started reading That Summer and promptly got hooked, finishing it in just a couple of days. The story is told through the eyes of two different women, both living in the same house but in two different time periods. Julia inherits the house in England in 2009 from her deceased mother's aunt, and since she is between jobs, she decides to spend the summer checking it out. Imogene, the other character, moves into the house in 1849 when she marries a widower, following a short courtship and the death of her father.

Both of these women are likable, believable people, not your usual impossibly perfect and beautiful heroines. I thoroughly enjoyed watching them as they go went through the necessary and sometimes painful process of coming into their own. The book engages the reader all the way to an ending that perhaps could have profited by a little more explanation. If you like a mix of mystery, romance, and history, with a soupcon of art thrown in for good measure, then you will enjoy this book.

I really enjoyed this book, and probably could have read it in one sitting. I enjoyed the alternating stories so many years apart. However, it seemed to end abruptly and was a little unsatisfying after spending so much time with these characters. I wanted to know more about the generations after Imogen. I wanted to know more about what happened in that house through the years since it played such an important role in the book. A book club might enjoy discussing the different lifestyles, status of women, and morals of the two periods.