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The Secret History

by Donna Tartt

The Secret History
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  • Published in USA  Sep 1992
    524 pages
    Genre: Novels

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Power Reviewer Cloggie Downunder (04/03/16)

a compelling read
“…people never seemed to notice at first how big Henry was. Maybe it was because of his clothes, which were like one of those lame but curiously impenetrable disguises from a comic book (why does no one ever see that ‘bookish’ Clark Kent, without his glasses, is Superman?). Or maybe it was a question of his making people see. He had the far more remarkable talent of making himself invisible – in a room, in a car, a virtual ability to dematerialise at will – and perhaps this gift was only the converse of that one: the sudden concentration of his wandering molecules rendering his shadowy form solid, all at once, a metamorphosis startling the viewer.”

The Secret History is the first novel by American author, Donna Tartt. At the age of nineteen, Richard Papen goes to Hampden College in Vermont, primarily to get away from his parents and his depressingly boring hometown of Plano, CA. Having done two years of study in Ancient Greek, he jumps at the opportunity to join an exclusive class of five students studying The Classics under the very selective Julian Morrow.

Richard is somewhat dazzled by his fellow students: Henry Winter, dark-suited, stiff, aloof and extremely intelligent; Francis Abernathy, angular and elegant; the beautiful twins, Charles and Camilla Macaulay, and Bunny Corcoran, loud and cheery. Never does he dream that within a few months, one of their number will be dead.

At the centre of this book, both figuratively and literally, is a murder. The narrative is split into two: what led up to the murder, and the aftermath. The story is told by Richard some nine years after he went to Vermont. Tartt advances her story at a slow and careful pace; her characters, flawed and not necessarily appealing, develop as Richard gets to know them; her descriptive prose expertly evokes the atmosphere of the New England college.

So naturally do events lead into one another that the reader occasionally needs to step back and think: this is murder they are so matter-of-factly discussing. Black humour relieves the tension: the twins, upbraided for their failure to plan a meal, retort “Well, if you wake up intending to murder someone at two o’clock, you hardly think what you’re going to feed the corpse for dinner”.

As well as giving the reader plenty to think about (the value of life, self-preservation, friendship any loyalty), there is a plot with a few interesting turns and a quite unexpected climax. Tartt combines the story-telling talent of Stephen King with prose worthy of Wallace Stegner: the result is a compelling read that will stay with the reader long after the last page is turned.
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