What do readers think of Charles Jessold, Considered as a Murderer by Wesley Stace? Write your own review.

Once I started this book I could not stop reading. I liked it and was intrigued by the story, enough so that I finished the book in one sitting. I have to say that I did not see the twist in the story coming at all, so in that sense, it was surprisingly refreshing -- it had a storyline quite different than anything I've read recently. My only problem with this book is that the music speak was a bit tedious at times, and I found myself skimming to get back to the story once in a while, which I can overlook because of the strange and twisted story the author has laid out here. Otherwise, there was a clear sense of time and place, which is important in a good novel, and the characters were so pathetic that the author did his job well in creating them. I'd recommend it to people interested in historical fiction, or to people who enjoy a good twisty plot. Fans of Stace's other books will also like this one.

I had a hard time getting through this book. If you know Opera, and like it, maybe it is more interesting and meaningful. Unfortunately for me, I only felt indifference toward all the main characters.

Wesley Stace is no newcomer to music. He has composed 15 albums under the name John Wesley Harding, music of sardonic rock mixed with covers of British ballads. In his third novel, he turns to early the 20th century music scene of the pastoral music and the atonal avant-garde world of Schoenberg.

The novel opens with a report of a murder/suicide of a rising young composer: Charles Jessold, and the shooting of his wife. There are parallels to the life of homonymic (in name) Carlo Gesualdo, the Rennaissance composer. The first part of the book is the version of the police. The second part, "Post-Mortem,"gives a wholly different picture of the murder.

The story is told by Leslie Shepherd, a composer and patron who worked with Jessold on his latest opera. The narration is dry and witty, if a bit fusty and precious at times, but true to the period of the story. Very esoteric and scholarly. It helps if the reader is familiar with classical music and opera in order to fully appreciate the nuances of wit and mordancy.

I wanted to like it. I certainly enjoyed the erudite language, the plentiful allusions and the premise -"music-club" men collecting authentic English songs before they were lost to time. This was a slow read. I was hoping for a more engaging mystery and a bit quicker pace. Sometimes that clever language and reference-rich prose became tiresome.

If you find the opening first few chapters a bit tedious as you are not enraptured by English nuance and you aren't obsessed with the perfect opera, do not relinquish the pleasures this book offers if you stay till the end. I was totally engaged with the obsessive nature of the characters and apparent lack of conscience when art and genius come together. On a lighter note, I chuckled with the similarities picturing another group of English gentlemen(in this century) imbibing in mind altering substances, swapping bed partners, while obsessing about the perfect rock album. Somehow the earlier century affords these behaviors, respectability and mystery. Earnest, disciplined book clubs will enjoy the read.

A bit like the author, Wesley Stace, this book is a compilation of parts. Musical history, early twentieth century political and social history, and a history of a murder, the whole is indeed better than the description of its parts. Stace is the alter ego of composer and musician John Wesley Harding, a name itself created from that of a 19th century gunslinger. (John Wesley Hardin is perhaps better known to us in Texas.) Although there were some slow stretches, the period speech and detail are terrific and form the ribbon which wraps this witty and very clever tale. I shall have to avail myself of Hardings music along side Hardins legends after this roundabout.

I received this book with much excitement. However, I struggled to read it. The plot was slow to develop. The book was written in the manner of speaking of Victorian England. It also had many references to opera and music that although I am fairly versed in this subject, I still had to look up the references. Once the plot finally gelled, I began to enjoy the book. (I read the ARC. I expect a good editor will tighten the plot). However, I was able to anticipate the plot twist. This book is a fair first attempt at a mystery. Any opera lover would enjoy this book just to gain a feel of English opera in Victorian England. up the references. Once the plot finally gelled, I began to enjoy the book.

Unique combination of music and literature, with a little murder thrown in. All of the pieces are blended well. Interesting character development as people moved in and out of the scenes. Written from the perspective of a man who know Charles Jessold, warts and all.