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Cathryn Conroy
Extraordinary, Lyrical Writing, but a Dark and Desolate Story That Is Just So Very Sad
Oh, this book is dark. Very, very dark. It is about dying and grief—grief in the myriad ways that the deaths of those we love bruise the human psyche. Adding to the complexity of the story, the death in question is a suicide, which means the "why" will never be answered and that question will forever niggle in the hearts of those left to pick up the pieces.
The story, which takes place primarily in a small town outside Dublin, Ireland, is narrated by 39-year-old Veronica, who has just learned that her beloved brother, Liam, who was a scant 11 months older than she, committed suicide by walking into the sea with stones in his pocket. Veronica and Liam are two of 12 children in a troubled and dysfunctional Irish family—so troubled that at one point in their childhoods, Veronica, Liam, and their younger sister Kitty were sent to live with their grandmother for a year. It was during that time that something horrific happened to Liam, which most likely leads to his subsequent alcoholism and eventual suicide. But that is only the surface of the story. It is Veronica's colorful and often bizarre memories, including many about her grandparents that she freely admits she makes up as a way to comfort herself, as well as her intense grief for Liam's life and death that is the crux of this 2007 Man Booker Award-winning novel by Anne Enright.
This is a story about the indelible ties of family, the heartbreak of death and the forever separation it causes, the healing power as well as the shame and futility of sex, the inherent wounds of old secrets, the ongoing scourge of abuse, and most of all how these all merge together like modeling clay to shape and form us into our very selves.
While the writing is extraordinary with some sentences so lyrical that they demand to be read over again, the story is just so incredibly sad and desolate I found it difficult to keep reading at times.