In a comparison of Emily St. John Mandel's previous book, STATION ELEVEN, with THE GLASS HOTEL, the subject matter and the type of story differ but her writing style is the same. Although both books are good, I had to read a few chapters of them before I got used to her style. It came across at first as haphazard.

Right from the initial chapter of THE GLASS HOTEL, you know that Vincent (female) falls overboard and is drowning. Most of the rest of the book is flashback, starting when Vincent is 12 years old. It seems at first that her half-brother Paul will play a major role in her story. He is a drug addict/musician who needs her when she is in her early 20s. They work at the same hotel, but then he mostly disappears until much later.

Vincent is a bartender at the hotel. That's where she meets Jonathan, the owner of the hotel and a financial manager. Of course, he's wealthy, and gorgeous Vincent becomes his pretend wife. In the 3 years they are together, she never knows how he really comes by his wealth. She doesn't know because she doesn't want to know.

Now we also see how the lives of some of Jonathan's clients are changed when his secret is revealed. And we also see what happens to several of his employees who have been in on the scheme.

Obviously, Vincent drowns, and now we see how that comes about. She is working as a cook on a ship, where she went to escape land and the people she didn't want to see. Was her death accidental, or was she pushed?

You should know that this book has a lot of characters to keep track of. Pay attention to each, even those who don't seem to matter; their names will come up later. I find it easiest to mark each name with highlighter the first time it appears. That way I can more easily leaf back to find the name if I need a reminder of who is who. Unfortunately, my copy of THE GLASS HOTEL was a library book, and I only mark in books I own.

Lisa Scottoline is a popular author; many of you have read most her books. But if you haven't read her EVERY FIFTEEN MINUTES, do. It's not her latest, but it's one of her better books.

Maybe the biggest reason for that is all Scottoline's careful research. For example, the main character, Eric, is a psychiatrist. His various cases were researched so their descriptions are according to real science. Not only that, but the psychiatrist himself was researched, how he thinks and acts. EVERY FIFTEEN MINUTES is a novel, but so much of it, including the legalities of a hospital system, sociopathy, police procedures, and criminal law, is authentic.

Eric is the chief of the Psychiatric Unit at a hospital. More awful things happen to him than many people could deal with. His marriage has failed, the wife of a patient in his department has threatened to sue him, a medical student has accused him of sexual harassment, etc. But he also has another issue that has to do with one of his private patients, a teenage boy, Max, who Eric has met with only three times. Yet, throughout the book Eric acts as if he knows him and what he is capable of. This does not seem real to me. Especially unreal are the lengths Eric will go to for Max's sake, all based on knowing him for those three hours.

In spite of that, I truly enjoyed EVERY FIFTEEN MINUTES. That's because of, as I said, Scottoline's research. But the other big reason is simply the way she writes dialog. First, as in all her books, this is full of dialog rather than one paragraph after another of description, a problem with so many other author's books. And I like the dialog in this book because Eric usually says just the right thing, his lawyer always says just the right thing, and I learned so much about all the characters through their dialog, alone.

If you are familiar with Karin Slaughter’s Grant County series, then you know Lena Adams. She’s a police detective in Grant County. She’s in the small town where she grew up with her blind sister and her addict uncle. This is where most of the story takes place, not Grant County this time.

Jeffery Tolliver, the police chief of Grant County, has come to Lena’s rescue as she sits in a jail cell, suspected of murder. Jeffrey has brought Sarah, his wife, with him. You should also be familiar with these two characters, who have also been part of the Grant County series.

Of course, Jeffrey and Sarah get themselves involved in Lena‘s troubles. They begin with her uncle, who has been trying to clean himself up. But the meth business has been going on for too long in the small Georgia town. And they got him again.

Who has been involved with this awful business, and who is willing to murder to keep it going? Everyone in this town is suspect.

Again, Slaughter has written a thrilling story of secrets and lies and good guys and bad guys. This series is so well written that you’ll even enjoy it if you read it out of order.

I must admit, though, I had a little trouble, at first, understanding that Lena’s chapters occurred before Jeffrey’s and Sarah‘s. Don’t be confused. Lena's chapters explain how she came to be in jail.

Jane Harper’s THE LOST MAN is one of the best mystery/suspense novels I have ever read. If you read and loved THE DRY, one of her previous books, you’ll love THE LOST MAN. If you haven’t read THE DRY, you’ll want to after you read THE LOST MAN.

Nathan, the eldest of three brothers, discovers the body of Cameron, another one of the brothers, in the outback desert. There begins the mystery: how did he end up in this predicament when his car is loaded with supplies to sustain him? Was this suicide or was it murder? If murder, who had cause to hate him this much?

You would expect that a Harper book would take place in Australia. But her descriptions of the outback, in particular, where the brothers and the rest of the family live and work, made me actually see its vastness and feel the desolation, danger, and heat they dealt with.

Here is a book you won’t want to end. When I got there, it felt too soon.

Although Rebecca Serle did not intend IN FIVE YEARS to be a young adult novel, it still has a YA feel to it. The main characters, although adults in their late 20s, early 30s, refer to each other in YA terms (e.g., "best friends,” "besties"), and their circumstances almost always concern their love lives (also very YAish). That may put off some adult readers.

The real problem with this book is what, at first, seems like a good thing because it sparks your interest and draws you in.

Dannie has a dream that seems very real. Probably nothing will come of it, but maybe it was a premonition. So the entire book leads up to that particular day. And for the entire book you will be expecting an explanation of the dream/premonition. If it is a premonition, how and why did it happen?

That, alone, kept me interested in this story. Otherwise, IN FIVE YEARS is just a typical live-with-her-boyfriend-for-five-years-and-look-forward-to-marrying-him YA book. But there is that dream/premonition that sets it apart.

In the end, though, the story is unsatisfying. I still have questions and don’t feel like anything was explained.

If you aren't familiar with Lee Child's books, as I wasn't, you should know that his stories involve Jack Reacher, a former army officer who went to West Point, a big man who now, apparently, doesn't own a home, a car, a cell phone, anything. Heck, he even buys clothes, wears them until they're dirty, then gets rid of them. He's a hard man to find, and he travels light.

But Jack Reacher is our hero.

In ONE SHOT Reacher comes to Indiana when he learns that a former soldier he knew in the army is accused of the mass murder of five people there who were leaving a DMV building. He finds out that all is not as simple as that, though, and he stays longer than he intended. (By the way, he wears the same $45 pants and shirt throughout the book.)

I had always avoided Lee Child's books just because I assumed they were cheap fiction, the kind I see dozens of at used book sales. So ONE SHOT was my first because I was curious and because I got the book for free.

Turns out, I enjoyed ONE SHOT. It's not literature, but it's a good thriller.

DEAR EDWARD refers to a boy who used to go by “Eddie.” He was Eddie before he was the lone survivor out of 191 passengers on a jet that crashed in Colorado. While he is in the hospital and after he comes to live with his aunt and uncle, he decides to go by ”Edward," instead. The accident is the dividing line: one life before, another after.

Ann Napolitano does a fabulous job describing how Edward deals with his new life. But I don’t think of this as a single story. Rather, this is many stories, all Edward’s.

Most of those stories involve Shay, the girl who lives next door to Edward‘s new home. Shay keeps him sane right from his first night there. And she helps him read and respond to all the letters that the other passengers‘ families send to him (thus the "dear” before “Edward" in the title).

In spite of its sad beginning, DEAR EDWARD turns out to be a story of kindness.

Although its subtitle implies that THE BOYS IN THE BOAT is about the American eight-oar rowing crew in the 1936 Olympics, the book is more than that. It's mostly about what led to the formation of the crew. Also, the story is made personal by its concentration on one of the boys, Joe Rantz.

If THE BOYS IN THE BOAT was fiction, I wouldn't have enjoyed it. That's because the whole thing is so unlikely: Joe overcame such odds in his personal life. None of the boys came from money when they suddenly emerged from Seattle, a city few were familiar with then, to beat the prestigious Eastern schools (e.g., Yale and Harvard). The boat and the boys dealt with several disadvantages in Germany, both before and during their races, only to beat their competition. None of this story would be believable if I didn't know it was true.

Throughout this book, juxtaposed against Joe's and the boys' story, is Hitler's creation of the fictional Germany that he wanted to present to the world during the Olympics there. As he hides the real Germany, the US ignores him, and the boys and other athletes just work on getting there.

When the story was over, I didn't want it to be over. So I read the end notes. You'll probably do that, too.

ACROSS MANY MOUNTAINS: A TIBETAN FAMILY'S EPIC JOURNEY FROM OPPRESSION TO FREEDOM by Yangzom Brauen is made up of descriptions of one Tibetan family’s progression through different cultures, beginning in Tibet before the Chinese invasion and ending in Switzerland until they do a complete circle and return to Tibet many years later after the Chinese allow them back in. Each culture the family moves to is more technologically advanced than the last. This book is about their ability to cope in each new culture and how they view Tibet on their return. At least, that’s what I thought Brauen intended.

Actually, only two members of the family, the mother and daughter, make it all the way. The daughter’s daughter, Brauen, did not make the journey as the title and cover picture imply. She was born and raised in Switzerland but likes to call both Switzerland and Tibet her countries. Although she did go to Tibet with her mother, brother, grandmother, and Swiss father many years later, their return wasn’t permanent.

But the book doesn’t end there. Maybe it ought to. Instead, it continues. Notice, I say the book continues, not the story. That is because my impression was that the continuation was another story, that of Brauen’s protests against oppression of Tibet and her hope that Tibet not be forgotten.

I have a problem with books that have no dialog, with unemotional, impersonal descriptions of people and things. That’s how this book is, especially in its first half. It contains so many details it drags. Details should enhance a story. But here they mostly don’t because the author tries to cover too much.

This is the risk I find in most nonfiction. Although I prefer nonfiction over fiction, most nonfiction fails for me because most authors don’t know how to write it other than to state the facts.

Although the second half of this book is better than the first, it, too, is made up of many impersonal descriptions. I was never made angry, sad, touched, or happy for anyone.

This book has received many favorable reviews on amazon.com and goodreads.com. Maybe you should believe them and not me. Maybe you will be able to manage to keep your mind from wandering. But I think that will be a trick.

After reading three undesirable books in a row, I hit gold with Alice LaPlante's TURN OF MIND. It's not a happy book. It may even break your heart. But it's well written, and its subject matter, at least some of it, hit home and should concern anyone who has a mother.

TURN OF MIND is such a unique literary thriller. It is told from the point of view of Dr. Jennifer White, a 64-year-old orthopedic doctor who specialized in hand surgery. White is now unlicensed because she is suffering from dementia. (Sixty-four seems like early onset to me, but what do I know?) Some days are better than others, but it's getting progressively worse, horrifyingly worse.

White's good friend and neighbor, Amanda, has been murdered. Also, for some reason, four of her fingers have been removed in a surgically precise way. Of course, this points to White. But two other members of White's family, her son Mark and daughter Fiona, both adults, also may have had reason to murder Amanda.

Throughout TURN OF MIND, we learn more and more, through White's sporadic remembrances, about Amanda, Mark, and Fiona. Who is guilty of Amanda's murder, and why did they do it? Why were her fingers removed? Does White ever remember?

More than that, the reader sees the story as a dementia victim, one who is getting progressively worse, would see it. White's remembrances are always confused, and she can never articulate them, at least not so they are understandable.

What will become of White?

My only criticism of this book is its lack of quotation marks. There is no good reason for this. LaPlante italicizes when someone other than White is speaking. It was sometimes difficult for me to tell whether White was speaking or thinking. In my opinion, quotation marks add to a book's readability, and it is rude for an
author not to use them.

TURN OF MIND is LaPlante's first. She wrote it a few years ago, so you may have already read it. If not, do.

WE NEED TO TALK ABOUT KEVIN is not what I was expecting. I expected a book about a teenager who committed a mass school shooting. But WE NEED TO TALK ABOUT KEVIN is also about life with an evil child.

This is the mother’s tale told from the beginning—the very beginning—of that child. She writes it as a series of letters to her husband. So, throughout the book, the reader is kept guessing about where her husband is now.

But the mother’s story isn’t just descriptions of life with Kevin. Each of her letters is long on psychology and philosophy, too.

The mother’s big question: whose fault was it? Certainly, the reader has to wonder whether the mother’s own attitude contributed to Kevin’s evil nature. But it seems to me that the father was even more at fault. I think, as a matter of fact, he was a big part of the problem.

And then there’s Celia. She doesn’t appear until later in the book, but she serves to emphasize Kevin’s God-awful evil.

WE NEED TO TALK ABOUT KEVIN is probably a five-star book. I give it only four stars, though, because the evil is so difficult to read that I had to put the book down often.

EVERYONE BRAVE IS FORGIVEN is about bravery. Most of the book takes place in England at the start of World War II and before the United States joins them.

Mary wants to join the war effort right away so is assigned teaching duties. Later she joins her friend Hilda as an ambulance driver. London is a dangerous place to live, and they choose to volunteer for even greater danger.

At first I found these chapters to be too young adultish, especially those about Mary's romance with Tom, a school administrator. But the chapters about Tom's roommate, Alistair, after he joins the army are excellent. These kept me going for about 100 pages, until I loved it all. (That is in spite of Mary's strange family. They are very rich. Mary's father never appears. Her mother seems untouched by the war. Neither parent seems to care much about Mary. Sometimes she lives with them, sometimes not. That doesn't seem to concern them, even when she is only 18.)

EVERYONE BRAVE IS FORGIVEN shows us the hardships of the beginning of World War II not only to the English military but also to English citizens. What a relief it is to them when the US arrives.

UNBECOMING is a novel I forgot I had among my many to-read piles until I came across it at a used book sale. Then I remembered going to see Rebecca Scherm at an author event in Ann Arbor, Michigan, in 2016. So, better late than never, I read this novel and am so pleased.

Grace is a troubled girl who befriended and fell in love with Riley when they were still in grade school. She found, in his family, a family for herself to love and, more importantly, to love her. Grace particularly loved, and loved being loved by, Riley‘s mother.

As Grace grows older, she finds she is attracted, more and more, to deviant behavior, stealing. By the time she and Riley are in their 20s, because he loves her so much, she eventually pulls him in, too. When the two of them concoct a scheme to steal millions of dollars worth of items from a historic home in their Tennessee town, it is their plan for Grace to move overseas, where Riley will later join her. At the same time, though, she plans to meet Riley‘s friend overseas. And what a tangled web she weaves!

There is a lot more to the story, but I hope I haven’t already told you too much. Scherm leads you to conclusions you will not expect and may not even like. But you sure should like the story better because she does.

This makes me anxious to read another book by Scherm. But I searched the Internet and could find no information about her since 2016. I finally did find a sentence and some book ratings she wrote in 2020 on Goodreads.com. I hope that means she’s coming out of hiding.

Five stars again for Chris Bohjalian. I have read nearly all his books, and most are five-star, some four. This one, THE LAW OF SIMILARS, is a book he wrote nearly 20 years ago.

Leland is a deputy state prosecutor. He is also a widower with a four-year-old daughter. For what appears to me to be psychological reasons, he develops a sore throat that just won’t go away. This leads him to Carissa, a homeopath.

In short order (ridiculously short order, in my opinion), Leland falls in love with Carissa (or maybe mistakes sexual attraction for love). He is so overwhelmed by this love (attraction) that he ignores all ethics of his profession when she is investigated for the murder of one of her other patients.

For a book to merit five stars, it must be unputdownable, and this one is. Even though I say that Leland doesn’t think with his brain, it’s still a darn good read.

While many people will feel THE EXILES is a five-star book and while I would have felt the same several years ago, my taste has evolved. I didn’t love it. I liked it, but I don’t have the heart to give it just three stars. It was such a nice, if somewhat predictable, story.

After Evangeline’s father dies, she becomes a governess in early 19th-century London. But after she has an affair with the adult son of the household, she ends up pregnant and in Newgate prison. From there, she is shipped with other prisoners to Australia.

On board, Evangeline meets Hazel, a midwife and herbalist. It is Hazel, not Evangeline, who plays the largest part in this story.

But this book is also about a third female, Mathinna. She is an Aboriginal child, taken on a whim to live among white people.

I read that this is to be made into a TV series. It is sure to make great television.

DAISY JONES & THE SIX may take some getting used to at first. It is not in a novel's usual format. Taylor Jenkins Reid's intention was to write a novel that comes across as a documentary. But understand: this is a novel, fiction. It took me about a quarter of the book to decide I liked it.

Something else that may lead to misunderstanding is the cover. That is a picture of Daisy Jones, but the book is really about the whole band, including Daisy. It would have been nice to see, instead, the back cover of their hit album.

Every band member, including Daisy, tells their story. A few others, such as the writer for ROLLING STONE and The Six's manager, also chime in.

Daisy is a fabulous singer. The Six is a fabulous band. But, until they get together, neither has a hit song much less a hit album. Together they are magic.

But just about everyone in the band, especially Daisy, has problems they deal with. Probably, their biggest problem is all their drinking and drugging. They tell us about what they accomplish in spite of the problems and what brings them down because of them.

Somehow, Reid made me like this story a lot in spite of its format that I didn't like at first. I would suggest, though, that she include at the front of the book a list of characters with who each is.

If a book doesn’t grab you by page 50, you shouldn’t feel bad for abandoning it. But SO BRAVE, YOUNG, AND HANDSOME should grab you right away with Leif Enger's typical writing style. However, I found that this book doesn’t live up to its promise.

Monte Becket is an author. He has written a bestseller, and everyone is anticipating what comes next. But he doesn’t have it in him, whatever “it” is. So he leaves his ever loving wife and child to join his neighbor, Glendon Hale, who is headed for Mexico. Glendon wants to apologize to the wife he left there many years before, and Monte wants to find "it."

What follows are chapter upon chapter upon chapter of unlikely events. This is how Monte gets from here to there, and the heck with his wife and child, who want him home. He ends up in California, where Glendon‘s wife has remarried and settled with her new husband. (It doesn’t spoil the story to tell you that.)

The book bored me to tears. I did not care about any one character. The whole thing is just plain silly. It felt like reading a comic book.

Read THE FALLING WOMAN. I enjoyed it, and so should you.

A jet with 123 people on board has experienced turbulence and crashed. Only one person survives, the unknown and unaccounted for ”Falling Woman," who somehow survived the fall of several miles to earth and walked away.

But this book is only partly about her. THE FALLING WOMAN is also about Charlie, the National Transportation Safety Board investigator assigned to find “The Falling Woman.”

"The Falling Woman” is Erin. She is dying of pancreatic cancer and wants the rest of her life to remain private. So she goes into hiding.

We read about Charlie’s frustrations and Erin's misgivings. We follow both their stories and, on the one hand, want Charlie to locate Erin and learn her identity while, on the other hand, we root for Erin and her wish for privacy.

How can both of them get what they want?

Lisa Jewell is one of my go-to authors. In other words, I can trust I will like her books before I even know a thing about them. In the case of WATCHING YOU, though, I was initially afraid I made a mistake, that it was just going to be another MY DARK VANESSA by Kate Elizabeth Russell, a book I did not enjoy.

But I should have known better. Yes, it does involve a handsome, charismatic male teacher. And, yes, there is the suspicion that he preys upon young girls. But this is a murder mystery, a who-done-it.

The story begins before the text begins, with a picture of an actual diary entry of a student who states she is in love with her teacher. Then the text begins with a murder investigation on March 24 and interviews with various suspects/witnesses on March 25. But most of the book is flashback beginning in January.

The flashbacks continue moving forward to March 25. Who had reason to commit the murder? Lots of people. So who did it? It’s possible that you’ll guess it before the end but not likely.

Two of the suspects/witnesses are a crazy lady and a lonely boy, who watched the neighbors the whole time. Thus the comparisons to “Rear Window” (although I would compare it to THE WOMAN IN THE WINDOW.) And thus the title.

Although I was pretty sure I would disagree with the majority of other readers who said that THE NIGHTINGALE by Kristin Hannah is an excellent book, I can now honestly tell you to believe it. I had read two other books by Hannah and was not impressed, so I doubted that she had it in her to write like this. I was wrong.

This book has been reviewed so much already, it is sufficient to say that it is a piece of historical fiction that highlights the remarkable women of France when the Germans occupied that country during World War II. The story concentrates on two sisters, one based on an actual person, the other based on the lives of many women in France at that time.

So many books have been written about World War II, you may tend to avoid reading more. But this is one you don't want to miss.