Excerpt from The Gardens of Kyoto by Kate Walbert, plus links to reviews, author biography & more

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The Gardens of Kyoto

A Novel

by Kate Walbert

The Gardens of Kyoto by Kate Walbert X
The Gardens of Kyoto by Kate Walbert
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  • First Published:
    Apr 2001, 288 pages
    Mar 2002, 288 pages

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Anyway, Rita and Betty paid him little mind. They followed Mother and Daddy in to find Sterling and we were left, quite suddenly, alone. Randall shrugged as if I had proposed a game of cards and asked if I wanted to see his room. No one seemed much concerned about us, so I said sure. We went down a water-stained hallway he called the Gallery of Maps, after some hallway he had read about in the Vatican lined with frescoes of maps from before the world was round. Anyway, he stood there showing me the various countries, pointing out what he called troublespots.

I can still picture those fingers, tapering some, and the palest white at the tips, as if he had spent too long in the bath.

We continued, passing one of those old-fashioned intercom contraptions they used to have to ring servants. Randall worked a few of the mysterious oiled levers and then spoke, gravely, into the mouthpiece. "I have nothing to offer but blood, toil, tears, and sweat," he said. Churchill, of course, though at the time I had no idea. I simply stood there waiting, watching as Randall hung up the mouthpiece, shrugged again, and opened a door to a back staircase so narrow we had to turn sideways to make the corner.

"They were smaller in the old days," Randall said, and then, perhaps because I didn't respond, he stopped and turned toward me.

"Who?" I said.

"People," he said.

"Oh," I said, waiting. I had never been in the dark with a boy his age.

"Carry on," he said.

We reached a narrow door and pushed out, onto another landing, continuing down a second, longer hallway. The house seemed comprised of a hundred little boxes, each with tiny doors and passages, eaves to duck under, one-flight stairways to climb. Gloomy, all of it, though Randall didn't appear to notice. He talked all the while of how slaves had traveled through here on the underground railway from Louisiana, and how one family had lived in this house behind a false wall he was still trying to find. He said he knew this not from words but from knowing. He said he saw their ghosts sometimes -- there were five of them -- a mother and a father and three children, he couldn't tell what. But he'd find their hiding place, he said. He had the instinct.

I'm not sure whether I was more interested in hearing about slaves in secret rooms or hearing about their ghosts. This was Maryland, remember, the east side. At that time, if you took the ferry to Annapolis, the colored sat starboard, the whites port, and docking felt like the flow of two rivers, neither feeding the other. In Pennsylvania colored people were colored people, and one of your grandfather's best friends was a colored doctor named Tate Williams, who everybody called Tate Billy, which always made me laugh, since I'd never heard of a nickname for a surname.

Anyway, Randall finally pushed on what looked like just another of the doors leading to the next stairway and there we were: his room, a big square box filled with books on shelves and stacked high on the floor. Beyond this a line of dormer windows looked out to the oaks, or walnuts. I could hear my sisters' muffled shouts below and went to see, but we were too high up and the windows were filthy, besides. Words were written in the grime. Copacetic, I still recall. Epistemological, belie.

"What are these?" I said.

"Words to learn," Randall said. He stood behind me.

"Oh," I said. This wasn't at all what I expected. It felt as if I had climbed a mountain only to reach a summit enshrouded in fog. Randall seemed oblivious; he began digging through his stacks of books. I watched him for a while, then spelled out HELP on the glass. I asked Randall what he was doing, and he told me to be patient. He was looking for the exact right passage, he said. He planned to teach me the art of "dramatic presentation."

Isn't it funny? I have no recollection of what he finally found. And though I can still hear him telling me they were smaller then, ask me what we recited in the hours before we were called to the table, legs up, in his window seat, our dusty view that of the old trees, their leaves a fuzzy new green of spring, of Easter, and I will say I have no idea. I know I must have read my lines with the teacher's sternness I have never been able to keep from my voice; he with his natural tenderness, as if he were presenting a gift to the very words he read by speaking them aloud. I know that sometimes our knees touched and that we pulled away from one another, or we did not. I wish I had a picture. We must have been beautiful with the weak light coming through those old dormers, our knees up and backs against either side of the window seat, an awkward W, books in our hands.

Copyright © 2001 by Kate Walbert

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