Rahel, on the other hand, was wide awake, fiercely vigilant and brittle with exhaustion from her battle against Real Life.
She noticed that Sophie Mol was awake for her funeral. She showed Rahel Two Things.
Thing One was the newly painted high dome of the yellow church that Rahel hadn't ever looked at from the inside. It was painted blue like the sky, with drifting clouds and tiny whizzing jet planes with white trails that crisscrossed in the clouds. It's true (and must be said) that it would have been easier to notice these things lying in a coffin looking up than standing in the pews, hemmed in by sad hips and hymnbooks.
Rahel thought of the someone who had taken the trouble to go up there with cans of paint, white for the clouds, blue for the sky, silver for the jets, and brushes, and thinner. She imagined him up there, someone like Velutha, barebodied and shining, sitting on a plank, swinging from the scaffolding in the high dome of the church, painting silver jets in a blue church sky.
She thought of what would happen if the rope snapped. She imagined him dropping like a dark star out of the sky that he had made. Lying broken on the hot church floor, dark blood spilling from his skull like a secret.
By then Esthappen and Rahel had learned that the world had other ways of breaking men. They were already familiar with the smell. Sicksweet. Like old roses on a breeze.
Thing Two that Sophie Mol showed Rahel was the bat baby.
During the funeral service, Rahel watched a small black bat climb up Baby Kochamma's expensive funeral sari with gently clinging curled claws. When it reached the place between her sari and her blouse, her roll of sadness, her bare midriff, Baby Kochamma screamed and hit the air with her hymnbook. The singing stopped for a "Whatisit? Whathappened?" and for a Furrywhirring and a Sariflapping.
The sad priests dusted out their curly beards with goldringed fingers as though hidden spiders had spun sudden cobwebs in them.
The baby bat flew up into the sky and turned into a jet plane without a crisscrossed trail.
Only Rahel noticed Sophie Mol's secret cartwheel in her coffin.
The sad singing started again and they sang the same sad verse twice. And once more the yellow church swelled like a throat with voices.
When they lowered Sophie Mol's coffin into the ground in the little cemetery behind the church, Rahel knew that she still wasn't dead. She heard (on Sophie Mol's behalf) the softsounds of the red mud and the hardsounds of the orange laterite that spoiled the shining coffin polish. She heard the dullthudding through the polished coffin wood, through the satin coffin lining. The sad priests' voices muffled by mud and wood.
We entrust into thy hands, most merciful Father,
The soul of this our child departed.
And we commit her body to the ground,
Earth to earth, ashes to ashes, dust to dust.
Inside the earth Sophie Mol screamed, and shredded satin with her teeth. But you can't hear screams through earth and stone.
Sophie Mol died because she couldn't breathe.
Her funeral killed her. Dus to dus to dus to dus to dus. On her tomb-stone it said A SUNBEAM LENT TO US TOO BRIEFLY.
Ammu explained later that Too Briefly meant For Too Short a While.
After the funeral Ammu took the twins back to the Kottayam police station. They were familiar with the place. They had spent a good part of the previous day there. Anticipating the sharp, smoky stink of old urine that permeated the walls and furniture, they clamped their nostrils shut well before the smell began.
Ammu asked for the Station House Officer, and when she was shown into his office she told him that there had been a terrible mistake and that she wanted to make a statement. She asked to see Velutha.
1997 Arundhati Roy All Rights Reserved.
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