With careful strokes Harume shaved bare her pubic area, brushing the cut black strands onto the floor. Then she set aside the razor and lifted the knife.
Reiko, her face still concealed beneath the white headdress, lifted the sake cup to her lips and drank. The process was repeated three times. Then the attendants refilled the cup and passed it to Sano. He drank his three drafts, imagining that he felt the transient warmth of his bride's dainty fingers on the polished wood and tasted the sweetness of her lip rouge on the rim: their first, albeit indirect, touch.
Would their marriage be, as he hoped, a union of kindred souls as well as sensual satisfaction?
A collective sigh passed through the assembly. The san-san-ku-do-- the "three-times-three-sips" pledge that sealed the marriage bond-- never failed to arouse poignant emotion. Sano's own eyes burned with unshed tears; he wondered if Reiko shared his hopes. The attendant set aside the cup and filled the second one. This time Sano drank first, three times, then Reiko did. After the third, largest cup was passed and the liquor sipped, the flute and drum music resumed. Joy nearly overwhelmed Sano. He and Reiko were now joined in wedlock. Soon he would see her face again...
Touching the knife's sharp blade to her tender, shaved skin, Harume flinched at the coldness of the steel. Her heart thudded; her hand trembled. She put the knife down and took another drink. Then, closing her eyes, Harume summoned the image of her lover, the memory of his caresses. The incense smoke steeped her lungs in the scent of jasmine. Ardor flooded her with daring. When she opened her eyes, her body was still, her mind calm. She took up the knife again. On her pubis she slowly cut the first stroke, just above the cleft of her womanhood.
Crimson blood welled. Harume let out a sharp hiss of pain; tears stung her eyes. But she wiped away the blood with the end of her sash, took another drink, and cut the next stroke. More pain; more blood. Eleven more strokes, and Harume sighed in relief. The worst part was done. Now for the step that would bind her irrevocably to her lover.
Harume opened the lacquer jar. The stopper was fitted with a bamboo-handled brush, its soft bristles saturated with gleaming black ink. Carefully she brushed the ink onto the cuts, enjoying its cool wetness, balm to her pain. With her bloody sash she blotted up the excess ink and stoppered the bottle. Then, sipping more sake, she admired her work.
The complete tattoo, the size of her thumbnail, etched in black lines, now adorned her private place: an indelible expression of fidelity and devotion. Until the hair grew back, she hoped she could keep herself covered, hiding her secret from the other concubines, the palace officials, the shogun. But even after the tattoo was safely obscured, she would know it was there. As would he. They would treasure this symbol of the only marriage they would ever celebrate. Harume poured herself another cup of sake, a private toast to eternal love.
But when she drank, she couldn't swallow; the sake leaked from her mouth, running down her chin. A strange tingling began in Harume's lips and tongue; her throat felt strangely thick and numb, as if packed with cotton. An eerie, cold sensation crept across her skin. Dizziness washed over her. The room spun; the lamp flames, unnaturally bright, whirled before her eyes. Frightened, she dropped the cup. What was happening to her?
Sudden nausea gripped Harume. Doubling over, hands pressed against her stomach, she retched. Hot, sour vomit clogged her throat, shot up her nose, and spewed onto the floor. She wheezed and coughed, unable to get enough air. In a panic, Harume rose and started for the door. But the muscles of her legs had gone weak; she stumbled, scattering incense burners, razor, knife, and ink bottle. Lurching and limping, all the while struggling to breathe, Harume managed to reach the door and open it. A hoarse cry burst from her numb lips.
Reproduced from the Concubine's Tattoo by Laura Joh Rowland. © 1997 by Laura Joh Rowland, used by permission of the publishers - St Martin's Press.
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