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Excerpt from Billy Straight by Jonathan Kellerman, plus links to reviews, author biography & more

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Billy Straight

by Jonathan Kellerman

Billy Straight by Jonathan Kellerman X
Billy Straight by Jonathan Kellerman
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  • First Published:
    Dec 1998, 467 pages

    Paperback:
    Oct 1999, 428 pages

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In the park you see things.

But not what I saw tonight.

God, God ...

I wanted to be dreaming but I was awake, smelling chili meat and onions and the pine trees.

First, the car drove up to the edge of the parking lot. They got out and talked and he grabbed her, like in a hug. I thought maybe they were going to kiss and I'd watch that.

Then all of a sudden, she made a weird sound - surprised, squeaky, like a cat or dog that gets stepped on.

He let go of her and she fell. Then he bent down next to her and his arm started moving up and down really fast. I thought he was punching her, and that was bad enough, and I kept thinking should I do something. But then I heard another sound, fast, wet, like the butcher at Stater Brothers back in Watson chopping meat - chuck chuck chuck.

He kept doing it, moving his arm up and down.

I wasn't breathing. My heart was on fire. My legs were cold. Then they turned hot-wet.

Pissing my pants like a stupid baby!

The chuck chuck stopped. He stood up, big and wide, wiped his hands on his pants. Something was in his hand and he held it far from his body.

He looked all around. Then in my direction.

Could he see me, hear me - smell me?

He kept looking. I wanted to run but knew he'd hear me. But staying here could trap me - how could he see anything behind the rocks? They're like a cave with no roof, just cracks you can look through, which is the reason I picked them as one of my places.

My stomach started to churn around, and I wanted to run so badly my leg muscles were jumping under my skin.

A breeze came through the trees, blowing up pine smell and piss stink.

Would it blow against the chili-burger's wrapping paper and make noise? Would he smell me?

He looked around some more. My stomach hurt so bad.

All of a sudden he jumped ran back to the car, got in, drove away.

I didn't want to see when he passed under the lamp at the corner of the parking lot, didn't want to read the license plate.

PLYR 1.

The letters burned into my mind.

Why did I look?

Why?




I'm still sitting here. My Casio says 1:12 a.m.

I need to get out of here, but what if he's just driving around and comes back - no, that would be stupid, why would he do that?

I can't stand it. She's down there, and I smell like piss and meat and onions and chili. Real dinner from the Oki-Rama on the Boulevard, that Chinese guy who never smiles or looks at your face. I paid $2.38 and now I want to throw it up.

My jeans are starting to get sticky and itchy. Going over to the public bathroom at the other end of the lot is too dangerous ... that arm going up and down. Like he was just doing a job. He wasn't as big as Moron, but he was big enough. She trusted him, let him hug her ... what did she do to make him so mad ... could she still be alive?

No way. Impossible.

I listen carefully to see if she's making any sounds. Nothing but the freeway noise from across the east side of the park and traffic from the Boulevard. Not much traffic tonight. Sometimes, when the wind blows north, you hear ambulance sirens, motorcycles, car honks. The city's all around. The park looks like the country, but I know the difference.

Who is she? - forget that, I don't want to know.

What I want is to put tonight on rewind.

That squeaky sound - like he took the air right out of her. For sure she's ... gone. But what if she isn't?

Even if she isn't, she will be soon, all that chucking. And what could I do for her, anyway? Breathe into her mouth, put my face in her blood?

What if he comes back while I'm doing it?

Use of this material may be made only for the purpose of promoting Billy Straight by Jonathan Kellerman with no editing - except for length - or additions whatsoever, and must be accompanied by the following copyright notice: Copyright © 1998 by Jonathan Kellerman. All rights reserved.

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