"Your flight's at ten?" I asked.
"Don't worry about it. I'm eight minutes from the airport. We have at least an hour. May I offer you coffee? I'm having mine in here."
"No, thanks. I've had two cups this morning and that's my limit most days."
Fiona moved to the right and I followed in her wake, crossing a broad expanse of bare cement. I said, "When do the floors go in?"
"These are the floors."
I said, "Ah," and made a mental note to quit asking about matters far beyond my ken.
The interior of the house had the cool, faintly damp smell of plaster and fresh paint. All the walls in range were a dazzling white, the windows tall and stark, unadorned by any curtains or drapes. A sly glance behind me revealed what was probably the dining room on the far side of the entryway, empty of furniture, subdivided by rhomboids of clear morning light. The echo of our footsteps sounded like a small parade.
In the living room, Fiona gestured toward one of two matching armchairs, chunky and oversized, upholstered in a neutral-toned fabric that blended with the gray cement floor. A large area rug showed a densely woven grid of black lines on gray. I sat when she did, watching as she surveyed the space with the practiced eye of an aesthete. The furnishings were striking: light wood, tubular steel, stark geometric shapes. An enormous round mirror, resting in a crescent of chrome, hung above the fireplace. A tall silver and ivory coffeepot, with a matching creamer and sugar bowl, sat on a silver tray on the beveled-glass coffee table. She paused to refill her cup. "Are you a fan of art deco?"
"I don't know much about it."
"I've been collecting for years. The rug's a Da Silva Bruhns. This is Wolfgang Tumpel's work, if you're familiar with the name," she said, nodding at the coffee service.
"Beautiful," I murmured, clueless.
"Most of these pieces are one of a kind, created by craftsmen who were masters in their day. I'd go on rattling the names off, but I doubt they'd mean much if you're not acquainted with the period. I built this as a showcase for my collection, but as soon as the house is finished, I'll probably sell it and move on. I'm impatient by nature and far too restless to stay here long." She had strong features: thinly arched brows and dark, smudged eyes, with pronounced streaks of weariness descending from the inner corners. She took a sip of coffee and then paused to extract a cigarette from a pack sitting on the table. The lighter she used was one of those small gold items and made very little sound when she flipped the cover back and thumbed the striker wheel. She held the lighter in her palm and drew deeply on her cigarette, clearly savoring the relief. She tilted her head toward the ceiling and blew the smoke out in a stream. I figured I could always drop my blazer at the cleaners on the way home.
She said, "I don't think I mentioned this when we chatted the other day, but Dana Glazer suggested I get in touch with you. I believe she was Dana Jaffe when you were acquainted with her."
"Really. How do you know her?"
"I'm helping her redecorate her home. She's now married to one of Dow's associates, Joel Glazer, whose first wife died. Do you know Joel? He's a partner in a company called Century Comprehensive that owns a chain of nursing homes among other things."
"I know the name Glazer from the papers. I've never met him," I said. Her call was beginning to make sense, though I still wasn't sure how I could be of service. Dana Jaffe's first husband, Wendell, had disappeared in 1979, though the circumstances--on the surface--were very different from the current case. Wendell Jaffe was a self-made real estate tycoon who'd faked his own death, showing up in Mexico shortly after his "widow" had collected half a million dollars in life insurance benefits. Wendell was facing jail time after a Ponzi scheme he'd cooked up threatened to unravel, exposing his chicanery. The "pseudocide" was his attempt to avoid the inevitable felony conviction. He might have pulled it off, but he'd been spotted in Mexico by a former acquaintance, and I'd been dispatched by the insurance company, who wanted their money back. I wondered if Fiona suspected her ex-husband had pulled a fast one as well.
From P Is for Peril, by Sue Grafton. June 4, 2001, Putnam Pub Group used by permission.
Blood at the Root
"A gripping, timely, and important examination of American racism."
- PW Starred Review
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