"Us. Thom-us," says Ann. "Clarence Thomas."
"Yes," says Andrew with a clap. "What was the time on that?"
"Thirty seconds," says Tad.
"Well, I guess he's on the tip of everyone's tongue," says Therese's mother.
"I guess so," says Therese.
"It was interesting to see all those black people from Yale," says Therese's mother. "All sitting there in the Senate caucus room. I'll bet their parents were proud."
Ann did not get into Yale. "What I don't like," she says, "is all these black people who don't like whites. They're so hostile. I see it all the time in law school. Most white people are more than willing to sit down, be friendly and integrated. But it's the blacks who are too angry."
"Imagine that," says Ray.
"Yes. Imagine," says Therese. "Why would they be angry? You know what else I don't like? I don't like all these gay men who have gotten just a little too somber and butch. You know what I mean? They're so funereal and upset these days! Where is the mincing and high-spiritedness of yesteryear? Where is the gayness in gay? It's all so confusing and inconvenient! You can't tell who's who without a goddamn Playbill!" She stands up and looks at Ray. It is time to go. She has lost her judicial temperament hours ago. She fears she is going to do another pratfall, only this time she will break something. Already she sees herself carted out on a stretcher, taken toward the airport, and toward home, saying the final words she has to say to her family, has always had to say to her family. Sounds like could cry.
But first Ray must do his charade, which is Confucius. "Okay. I'm ready," he says, and begins to wander around the living room in a wild-eyed daze, looking as confused as possible, groping at the bookcases, placing his palm to his brow. And in that moment, Therese thinks how good-looking he is and how kind and strong and how she loves nobody else in the world even half as much.
Use of this excerpt from Birds of America may be made only for purposes of promoting the book, with no changes, editing, or additions whatsoever, and must be accompanied by the following copyright notice: Copyright © 1998 by Lorrie Moore. All rights reserved.
Blood at the Root
"A gripping, timely, and important examination of American racism."
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