Excerpt from Birds of America by Lorrie Moore, plus links to reviews, author biography & more

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Birds of America

by Lorrie Moore

Birds of America
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  • First Published:
    Sep 1998, 291 pages
    Paperback:
    Sep 1999, 291 pages

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"Famous person!" Everyone shouts it, though of course there is someone who shouts "Idiot" to be witty. This time, it is Therese's mother.

"Idiot!" she shouts. "Village idiot!"

But Therese's father has continued signaling the syllables, ignoring his wife, slapping the fingers of his right hand hard on his left sleeve. The famous person has three names. He is doing the first name, first syllable. He takes out a dollar bill and points to it.

"George Washington," shouts Ray.

"George Washington Carver!" shouts Therese. Therese's father shakes his head angrily, turning the dollar around and pointing at it violently. It bothers him not to be able to control the discourse.




"Dollar bill," says Therese's mother.

"Bill!" says Therese. At this, her father begins nodding and pointing at her psychotically. Yes, yes, yes. Now he makes stretching motions with his hands. "Bill, Billy, William," says Therese, and her father points wildly at her again. "William," she says. "William Kennedy Smith."

"Yes!" shouts her father, clapping his hands and throwing his head back as if to praise the ceiling.

"William Kennedy Smith?" Ann is scowling again. "How did you get that from just William?"

"He's been in the news." Therese shrugs. She does not know how to explain Ann's sourness. Perhaps it has something to do with Ann's struggles in law school, or with Therese's being a circuit court judge, or with the diamond on Ann's finger, which is so huge that it seems, to Therese, unkind to wear it around their mother's, which is, when one gets right down to it, a chip. Earlier this morning, Ann told Therese that she is going to take Tad's name, as well. "You're going to call yourself Tad?" Therese asked, but Ann was not amused. Ann's sense of humor was never that flexible, though she used to like a good sight gag.

Ann officiously explained the name change: "Because I believe a family is like a team, and everyone on the team should have the same name, like a color. I believe a spouse should be a team player."

Therese no longer has any idea who Ann is. She liked her better when Ann was eight, with her blue pencil case, and a strange, loping run that came from having one leg a quarter of an inch longer than the other. Ann was more attractive as a child. She was awkward and inquiring. She was cute. Or so she seemed to Therese, who was mostly in high school and college, slightly depressed and studying too much, destroying her already-bad eyes, so that now she wore glasses so thick her eyes swam in a cloudy way behind them. This morning, when she'd stood listening to Ann talk about team players, Therese had smiled and nodded, but she felt preached at, as if she were a messy, wayward hippie. She wanted to grab her sister, throw herself upon her, embrace her, shut her up. She tried to understand Ann's dark and worried nuptial words, but instead she found herself recalling the pratfalls she used to perform for Ann--Therese could take a fall straight on the face--in order to make Ann laugh.

Ann's voice was going on now. "When you sit too long, the bodices bunch up. . . ."

Therese mentally measured the length of her body in front of her and wondered if she could do it. Of course she could. Of course. But would she? And then suddenly, she knew she would. She let her hip twist and fell straight forward, her arm at an angle, her mouth in a whoop. She had learned to do this in drama club when she was fifteen. She hadn't been pretty, and it was a means of getting the boys' attention. She landed with a thud.

"You still do that?" asked Ann with incredulity and disgust. "You're a judge and you still do that?"

"Sort of," said Therese from the floor. She felt around for her glasses.

Use of this excerpt from Birds of America may be made only for purposes of promoting the book, with no changes, editing, or additions whatsoever, and must be accompanied by the following copyright notice: Copyright © 1998 by Lorrie Moore. All rights reserved.

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