Excerpt from N Is For Noose by Sue Grafton, plus links to reviews, author biography & more

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N Is For Noose

by Sue Grafton

N Is For Noose
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  • First Published:
    Apr 1998, 289 pages
    Apr 1999, 286 pages

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I reached Nota Lake (population 2,356, elevation 4,312) in slightly more than three hours. The town didn't look like much, though the setting was spectacular. Mountains towered on three sides, snow still painting the peaks in thick white against a sky heaped with clouds. On the shady side of the road, I could see leftover patches of snow, ice boulders wedged up against the leafless trees. The air smelled of pine, with an underlying scent that was faintly sweet. The chill vapor I breathed was like sticking my face down in a half-empty gallon of vanilla ice cream, drinking in the sugary perfume. The lake itself was no more than two miles long and a mile across. The surface was glassy, reflecting granite spires and the smattering of white firs and incense cedars that grew on the slopes. I stopped at a service station and picked up a one-page map of the town, which was shaped like a smudge on the eastern edge of Nota Lake.

The prime businesses seemed to be clustered along the main street in a five-block radius. I did a cursory driving tour, counting ten gas stations and twenty-two motels. Nota Lake offered low-end accommodations for the ski crowd at Mammoth Lakes. The town also boasted an equal number of fast-food restaurants, including Burger King, Carl's Jr., Jack in the Box, Kentucky Fried Chicken, Pizza Hut, a Waffle House, an International House of Pancakes, a House of Donuts, a Sizzler, a Subway, a Taco Bell, and my personal favorite, McDonald's. Additional restaurants of the sit-down variety were divided equally between Mexican, Bar-B-Que, and "Family" dining, which meant lots of screaming toddlers and no hard liquor on the premises.

The address I'd been given was on the outskirts of town, two blocks off the main highway in a cluster of houses that looked like they'd been built by the same developer. The streets in the area were named for various Indian tribes; Shawnee, Iroquois, Cherokee, Modoc, Crow, Chippewa. Selma Newquist lived on a cul-de-sac called Pawnee Way, the house a replica of its neighbors: frame siding, a shake roof, with a screened-in porch on one end and a two-car garage on the other. I parked in the driveway beside a dark Ford sedan. I locked the car from habit, climbed the two porch steps, and rang the bell--ding dong--like the local Avon representative. I waited several minutes and then tried again.

The woman who came to the door was in her late forties, with a small compact body, brown eyes, and short dark tousled hair. She was wearing a red-blue-and-yellow plaid blouse over a yellow pleated skirt.

"Hi, I'm Kinsey Millhone. Are you Selma?"

"No, I'm not. I'm her sister-in-law, Phyllis. My husband, Macon, was Tom's younger brother. We live two doors down. Can I help you?"

"I'm supposed to meet with Selma. I should have called first. Is she here?"

"Oh, sorry. I remember now. She's lying down at the moment, but she told me she thought you'd be stopping by. You're that friend of the detective she called in Carson City."

"Exactly," I said. "How's she doing?"

"Selma has her bad days and I'm afraid this is one. Tom passed away six weeks ago today and she called me in tears. I came over as quick as I could. She was shaking and upset. Poor thing looks like she hasn't slept in days. I gave her a Valium."

"I can come back later if you think that's best."

"No, no. I'm sure she's awake and I know she wants to see you. Why don't you come on in?"


I followed Phyllis across the entrance and down a carpeted hallway to the master bedroom. In passing, I allowed myself a quick glance into doorways on either side of the hall, garnering an impression of wildly over-decorated rooms. In the living room, the drapes and upholstery fabrics were coordinated to match a pink-and-green wallpaper that depicted floral bouquets, connected by loops of pink ribbon. On the coffee table, there was a lavish arrangement of pink silk flowers. The cut-pile wall-to-wall carpeting was pale green and had the strong chemical scent that suggested it had been only recently laid. In the dining room, the furniture was formal, lots of dark glossy wood with what looked like one too many pieces for the available space. There were storm windows in place everywhere and a white film of condensation had gathered between the panes. The smell of cigarette smoke and coffee formed a musky domestic incense.

Copyright © 1998 by Sue Grafton. Excerpted by permission of Henry Holt and Company, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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