This was a kind of message younger people had lost, but Treadway was attuned to every line and nuance. There were words for each movement of a duck, and Treadway had learned all of the words from his father. People five years younger than he knew only half the words, but Treadway knew them all, in his speech and in his body. This was how he lived, by the nuances of wild birds over land and water, and by the footprints and marks of branches in snow on his trapline, and the part of him that understood these languages detested time in houses. Clocks ticked, and doilies sat on furniture, and stagnant air rushed into his pores and suffocated him. It was not air at all, but suffocating gauze crammed with dust motes, and it was always too warm. If the women dreaming of life without their husbands could know how he felt, they would not imagine themselves single with such gaiety. Treadway did not tell this to other men, laughing over broken buns of hot bread and pots of coffee, but he dreamed it nonetheless. He dreamed living his life over again, like the life of his great-uncle Gaetan Joseph, who had not married but who had owned a tiny hut one hundred miles along the trapline, equipped with hard bread, flour, split peas, tea, a table made out of a spruce stump with two hundred rings, a seal-hide daybed, and a tin stove. Treadway would have read and meditated and trapped his animals and cured pelts and studied. Gaetan Joseph had studied Plutarch and Aristotle and Pascals Pensées, and Treadway had some of his old books in his own trappers hut, and he had others besides that he read deep into the nights when he was blessed with the solitude of his trapline. A lot of trappers did this. They left home, they trapped, and they meditated and studied. Treadway was one of them, a man who studied not just words but pathways of wild creatures, pulsations of the northern lights, trajectories of the stars. But he did not know how to study women, or understand the bonds of family life, or achieve any kind of real happiness indoors. There were times he wished he had never been seduced by the pretty nightgowns Jacinta wore, made of such blowy, insubstantial ribbons and net that they would not have enough strength to hold the smallest ouananiche. The closest thing to these nightgowns in his world outdoors was the fizz of light that hung in a veil around the Pleiades. He had a Bible in his trappers library, and he remembered his wifes loveliness when he read the lines Who can bind the sweet influence of the Pleiades, or loose the bands of Orion? He read these lines on his hard daybed when he had been away from her for months, and they made him remember her loveliness. But did he ever tell her this? He did not.
Home from the trapline, recovered from all loneliness, Treadway loved his wife because he had promised he would. But the centre of the wilderness called him, and he loved that centre more than any promise. That wild centre was a state of mind, but it had a geographical point as well. The point was in an unnamed lake. Canadian mapmakers had named the lake but the people who inhabited the Labrador interior had given it a different name, a name that remains a secret. From a whirlpool in the centre of that lake, river water flows in two directions. It flows southeast down to the Beaver River and through Hamilton Inlet and past Croydon Harbour into the North Atlantic, and another current flows northwest from the centre, to Ungava Bay. The whirling centre was the birthplace of seasons and smelt and caribou herds and deep knowledge that a person could not touch in domesticity. Treadway left this place at the end of the trapping season and faithfully came back to his house, which he had willingly built when he was twenty, but he considered the house to belong to his wife, while the place where waters changed direction belonged to him, and would belong to any son he had.
Excerpted from Annabel by Kathleen Winter. Copyright © 2011 by Kathleen Winter. Excerpted by permission of Grove Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Blood at the Root
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