He was a fright, I won’t pretend he wasn’t. For although he was a young man and had therefore often walked the earth and seen the sun, he seemed, at that moment, like one of those transparent creatures they say live in rivers far below the earth. His hair was fine as silk, and long and white, not like the English but the Swedes. His forehead was very tall, and so white and smooth it seemed as if it must be carved from ivory. He had pale projecting eyebrows, and eyes like water. “Now put it down,” he said.
“What?” I asked, having heard him perfectly.
“Put down the filthy pot,” he pleaded, “on the stinking floor.”
I saw no reason to be afraid of such a nervous creature, but when I obeyed he gave me an awful cuff across the head and took me by the ear and twisted it.
“If you ever leave me waiting again,” he whispered, “I will come out the hard way”—that was how he put it—“and Piggott don’t want that. Smell it,” he cried, his voice cracking. “Smell.”
He meant his room. I looked above his shoulder and saw he was like all men who work with black ink and white paper. That is, his printed sheets were as clean as sawn timber and his narrow bed was tightly made. He shared his snug space with a guillotine and the first iron hand press I ever saw. He was all hunched over, his arms were long and thin and he held them across his chest in a way that made me think of the roots of a pot-bound tree. I could not make out how tall he was.
It would be many years, on the other side of the world, before I understood that Piggott’s house had been designed by Nicholas Owen, a clever fellow who had devised the many hiding places for priests in the reign of Elizabeth I. Whether Piggott had inherited or purchased the property, I still don’t know. At the time, of course, I did not care, for while it had been easy enough to crawl along the tiny passageway, it was quite another matter to return, nudging and sliding the sloshing chamber pot. Gently, gently catchee monkey. This was now my job— penny both ways, a fortune—to bring Mr. Algernon Watkins his sandwiches and take away his slops three times a day and if I was ever to breathe so much as a word to anyone, then I would be murdered and my body bricked up inside the house. “That’s an exaggeration,” my father said.
Excerpted from Parrot and Olivier in America by Peter Carey. Copyright © 2010 by Peter Carey. Excerpted by permission of Knopf. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Blood at the Root
"A gripping, timely, and important examination of American racism."
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