Excerpt from Water for Elephants by Sara Gruen, plus links to reviews, author biography & more

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Water for Elephants

A Novel

by Sara Gruen

Water for Elephants
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  • First Published:
    May 2006, 335 pages
    Paperback:
    May 2007, 368 pages

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A rumble coursed through me as I approached, and it scared the hell out of me because it was on a register lower than noise. The ground was vibrating.

I staggered inside and met a wall of yak—a great expanse of curly-haired chest and churning hooves, of flared red nostrils and spinning eyes. It galloped past so close I leapt backward on tiptoe, flush with the canvas to avoid being impaled on one of its crooked horns. A terrified hyena clung to its shoulders.

The concession stand in the center of the tent had been flattened, and in its place was a roiling mass of spots and stripes—of haunches, heels, tails, and claws, all of it roaring, screeching, bellowing, or whinnying. A polar bear towered above it all, slashing blindly with skillet-sized paws. It made contact with a llama and knocked it flat—BOOM. The llama hit the ground, its neck and legs splayed like the five points of a star. Chimps screamed and chattered, swinging on ropes to stay above the cats. A wild-eyed zebra zigzagged too close to a crouching lion, who swiped, missed, and darted away, his belly close to the ground.

My eyes swept the tent, desperate to find Marlena. Instead I saw a cat slide through the connection leading to the big top—it was a panther, and as its lithe black body disappeared into the canvas tunnel I braced myself. If the rubes didn't know, they were about to find out. It took several seconds to come, but come it did—one prolonged shriek followed by another, and then another, and then the whole place exploded with the thunderous sound of bodies trying to shove past other bodies and off the stands. The band screeched to a halt for a second time, and this time stayed silent. I shut my eyes: Please God let them leave by the back end. Please God don't let them try to come through here.

I opened my eyes again and scanned the menagerie, frantic to find her. How hard can it be to find a girl and an elephant, for Christ's sake?

When I caught sight of her pink sequins, I nearly cried out in relief - maybe I did. I don't remember.

She was on the opposite side, standing against the sidewall, calm as a summer day. Her sequins flashed like liquid diamonds, a shimmering beacon between the multicolored hides. She saw me, too, and held my gaze for what seemed like forever. She was cool, languid. Smiling even. I started pushing my way toward her, but something about her expression stopped me cold.

That son of a bitch was standing with his back to her, red-faced and bellowing, flapping his arms and swinging his silver-tipped cane. His high-topped silk hat lay on the straw beside him.

She reached for something. A giraffe passed between us—its long neck bobbing gracefully even in panic—and when it was gone I saw that she'd picked up an iron stake. She held it loosely, resting its end on the hard dirt. She looked at me again, bemused. Then her gaze shifted to the back of his bare head.

"Oh Jesus," I said, suddenly understanding. I stumbled forward, screaming even though there was no hope of my voice reaching her. "Don't do it! Don't do it!"

She lifted the stake high in the air and brought it down, splitting his head like a watermelon. His pate opened, his eyes grew wide, and his mouth froze into an O. He fell to his knees and then toppled forward into the straw.

I was too stunned to move, even as a young orangutan flung its elastic arms around my legs.

So long ago. So long. But still it haunts me.



I DON'T TALK MUCH about those days. Never did. I don't know why—I worked on circuses for nearly seven years, and if that isn't fodder for conversation, I don't know what is.

Actually I do know why: I never trusted myself. I was afraid I'd let it slip. I knew how important it was to keep her secret, and keep it I did—for the rest of her life, and then beyond.

From Water For Elephants by Sara Gruen. © 2006 by Sara Gruen. Reprinted by permission of Algonquin Books of Chapel Hill.

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