I told her the pig's name.
"That's adorable," she said, laughing.
"He's the best," I said. "Dirty Harry. Fistful of Dollars. The Outlaw Josey Wales. The Good, the Bad and the Ugly."
"He's a very good actor."
"Yes. Mister Eastwood is a first-class thespian."
Clint Eastwood trotted into the ocean for his morning bath then, leaving us alone, side-by-side in the sand. I looked to make sure Ma wasn't watching me from the office window. I explained how Clint Eastwood loves the ocean at low tide, the wet sand like a three-kilometer trough of mud. The girl sat up on her elbows, watched the pig, a waterlogged copy of The Portrait of a Lady at her side. She'd just gone for a swim and the beads of water on her navel seemed so close that for a moment I thought I might faint if I did not look away.
"I'm Elizabeth. Lizzie."
"Nice to meet you, Miss Elizabeth," I said. "I like your bikini."
She threw back her head and laughed. I admired the shine of her tiny, perfectly even rows of teeth, the gleam of that soft, rose-colored tongue quivering between them like the meat of some magnificent mussel.
"Oh my," she said, closing that mouth, gesturing with her chin. "I think your pig is drowning."
Clint Eastwood was rolling around where the ocean meets the sand, chasing receding waves, running away from oncoming ones. It's a game he plays every morning, scampering back and forth across the water's edge, and he snorted happily every time the waves knocked him into the foam.
"He's not drowning," I said. "He's swimming."
"I didn't know pigs could swim."
"Clint Eastwood can."
She smiled, a close-mouthed grin, admiring my pig at play, and I would've given anything in the world to see her tongue again, to reach out and sink my fingers into the hollows of her collarbone, to stare at that damp, beautiful navel all day long.
"I have an idea, Miss Elizabeth," I said, getting up, brushing the sand from the seat of my shorts. "This may seem rather presumptuous, but would you like to go for an elephant ride with me today?"
Ma doesn't want me bonking a farang because once, long ago, she had bonked a farang herself, against the wishes of her own parents, and all she got for her trouble was a broken heart and me in return. The farang was a man known to me only as Sergeant Marshall Henderson. I remember the Sergeant well, if only because he insisted I call him by his military rank.
"Not Daddy," I remember him saying in English, my first and only language at the time. "Sergeant. Sergeant Henderson. Sergeant Marshall. Remember you're a soldier now, boy. A spy for Uncle Sam's army."
And during those early yearsbefore he went back to America, promising to send for usthe Sergeant and I would go on imaginary missions together, navigating our way through the thicket of farangs lazing on the beach.
"Private," he'd yell after me. "I don't have a good feeling about this, Private. This place gives me the creeps. We should radio for reinforcements. It could be an ambush."
"Let 'em come, Sergeant! We can take 'em!" I would squeal, crawling through the sand with a large stick in hand, eyes trained on the enemy. "Those gooks'll be sorry they ever showed their ugly faces."
One day, the three of us went to the fresh market by the Island's southern pier. I saw a litter of pigs there, six of them squeezed into a small cardboard box amidst the loud thudding of butchers' knives. I remember thinking of the little piglets I'd seen skewered and roasting over an open fire outside many of the Island's fancier restaurants.
I began to cry.
"What's wrong, Private?"
"I don't know."
"A soldier," the Sergeant grunted, "never cries."
This is the complete text of 'Farangs', one of seven short stories collected in Sightseeing. Copyright © 2005 by Rattawut Lapcharoensap. Reprinted with permission from Grove Atlantic, Inc. All rights reserved. No part of this book maybe reproduced without written permission from the publisher.
Blood at the Root
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