Grace and Juniper snorted and nuzzled up, as if they recognized the name and shared her concern, but then Lizzie butted in between them and knocked Graces head away from Carlas petting hand. She gave the hand a nip for good measure, and Carla had to spend some time scolding her.
Up until three years ago Carla never really looked at mobile homes. She didnt call them that, either. Like her parents, she would have thought "mobile home" pretentious. Some people lived in trailers, and that was all there was to it. One trailer was no different from another. When Carla moved in here, when she chose this life with Clark, she began to see things in a new way. After that she started saying "mobile home" and she looked to see how people had fixed them up. The kind of curtains they had hung, the way they had painted the trim, the ambitious decks or patios or extra rooms that had been built on. She could hardly wait to get at such improvements herself.
Clark had gone along with her ideas, for a while. He had built new steps, and spent a lot of time looking for an old wrought-iron railing for them. He didnt make any complaint about the money spent on paint for the kitchen and bathroom or the material for curtains. Her paint job was hastyshe didnt know, at that time, that you should take the hinges off the cupboard doors. Or that you should line the curtains, which had since faded.
What Clark balked at was tearing up the carpet, which was the same in every room and the thing that she had most counted on replacing. It was divided into small brown squares, each with a pattern of darker brown and rust and tan squiggles and shapes. For a long time she had thought these were the same squiggles and shapes, arranged in the same way, in each square. Then when she had had more time, a lot of time, to examine them, she decided that there were four patterns joined together to make identical larger squares. Sometimes she could pick out the arrangement easily and sometimes she had to work to see it.
She did this when it was raining outside and Clarks mood weighted down all their inside space, and he did not want to pay attention to anything but the computer screen. But the best thing to do then was to invent or remember some job to do in the barn. The horses would not look at her when she was unhappy, but Flora, who was never tied up, would come and rub against her, and look up with an expression that was not quite sympathyit was more like comradely mockeryin her shimmering yellow-green eyes.
Flora had been a half-grown kid when Clark brought her home from a farm where he had gone to bargain for some horse tackle. The people there were giving up on the country life, or at least on the raising of animalsthey had sold their horses but failed to get rid of their goats. He had heard about how a goat was able to bring a sense of ease and comfort into a horse stable and he wanted to try it. They had meant to breed her someday but there had never been any signs of her coming into heat.
At first she had been Clarks pet entirely, following him everywhere, dancing for his attention. She was quick and graceful and provocative as a kitten, and her resemblance to a guileless girl in love had made them both laugh. But as she grew older she seemed to attach herself to Carla, and in this attachment she was suddenly much wiser, less skittishshe seemed capable, instead, of a subdued and ironic sort of humor. Carlas behavior with the horses was tender and strict and rather maternal, but the comradeship with Flora was quite different, Flora allowing her no sense of superiority.
"Still no sign of Flora?" she said, as she pulled off her barn boots. Clark had posted a Lost Goat notice on the Web.
"Not so far," he said, in a preoccupied but not unfriendly voice. He suggested, not for the first time, that Flora might have just gone off to find herself a billy.
Excerpted from Runaway by Alice Munro Copyright © 2004 by Alice Munro. Excerpted by permission of Knopf, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Blood at the Root
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