Slowly, carefully, his heart going like a trip hammer, he edged forward and peeked around the corner. There he was, late thirties, white male, hair thinning, watching the TV with rapt attentionit was a horror movie, the scream must have come from thatand sipping Miller Lite beer from an aluminum can. His face was content and in no way aroused. He'd probably been through that, Dominic thought. And right in front of himJesus!was a butcher knife, a bloody one, on the coffee table. There was blood on his T-shirt, as if sprayed. From a little girl's throat.
"The trouble with these mutts is that they never resist," an instructor had told his class at the FBI Academy. "Oh, yeah, they're John Wayne with an attitude when they have little kids in their hands, but they don't resist armed copsever. And, you know, that's a damned shame," the instructor had concluded.
You are not going in to jail today. The thought entered Caruso's mind seemingly of its own accord. His right thumb pulled back the spurless hammer until it clicked in place, putting his sidearm fully in battery. His hands, he noted briefly, felt like ice.
Just at the corner, where you turned left to enter the room was a battered old end table. Octagonal in shape, atop it was a transparent blue glass vase, a cheap one, maybe from the local Kmart, probably intended for flowers, but none were there today. Slowly, carefully, Caruso cocked his leg, then kicked the table over. The glass vase shattered loudly on the wooden floor.
The subject started violently, and turned to see an unexpected visitor in his house. His defensive response was instinctive rather than reasonedhe grabbed for the butcher knife on the coffee table. Caruso didn't even have time to smile, though he knew the subject had made the final mistake of his life. It's regarded as holy gospel in American police agencies that a man with a knife in his hand less than twenty-one feet away is an immediate and lethal threat. He even started to rise to his feet.
But he never made it.
Caruso's finger depressed the trigger of his Smith, sending the first round straight through the subject's heart. Two more followed in less than a second. His white T-shirt blossomed in red. He looked down at his chest, then up at Caruso, total surprise on his face, and then he sat back down, without speaking a word or crying out in pain.
Caruso's next action was to reverse direction and check out the house's only bedroom. Empty. So was the kitchen, the rear door still locked from the inside. There came a moment's relief. Nobody else in the house. He took another look at the kidnapper. The eyes were still open. But Dominic had shot true. First he disarmed and handcuffed the dead body, because that was how he'd been trained. A check of the carotid pulse came next, but it was wasted energy. The guy saw nothing except the front door of hell. Caruso pulled his cell phone out and speed-dialed the office again.
"Dom?" Ellis asked when he got the phone.
"Yeah, Sandy, it's me. I just took him down."
"What? What do you mean?" Sandy Ellis asked urgently.
"The little girl, she's here, dead, throat cut. I came in, and the guy came up at me with a knife. Took him down, man. He's dead, too, dead as fuckin' hell."
"Jesus, Dominic! The county sheriff is just a couple of minutes out. Stand by."
"Roger, standing by, Sandy."
Not another minute passed before he heard the sound of a siren. Caruso went out on the porch. He decocked and holstered his automatic, then he took his FBI credentials out of his coat pocket, and held them up in his left hand as the sheriff approached, his service revolver out.
"It's under control," Caruso announced in as calm a voice as he could muster. He was pumped up now. He waved Sheriff Turner into the house, but stayed outside by himself while the local cop went inside. A minute or two later, the cop came back out, his own Smith & Wesson holstered.
Reprinted from The Teeth of the Tiger by Tom Clancy by permission of G.P. Putnam's Sons, a member of Penguin Putnam Inc. Copyright © 2003, Tom Clancy. All rights reserved. This excerpt, or any parts thereof, may not be reproduced in any form without permission.
Blood at the Root
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