Novelist, biographer, and poet Peter Ackroyd was born in London on October 5, 1949.
He graduated from Clare College, Cambridge, and studied at Yale University as a Mellon Fellow, where he completed Notes for a New Culture: An Essay on Modernism, published in 1976. On his return from Yale, he worked for The Spectator magazine in London as literary editor (1973-7), then as joint managing editor (1978-82) and film critic. He is chief book reviewer for The Times newspaper and a regular broadcaster on radio. He has been a Fellow of the Royal Society of Literature since 1984.
Equally acclaimed for both his inventive biographies and his formally diverse fiction, Ackroyd blends past and present, fact and fiction in his writing.
He also displays a genius for literary impersonation, both in his biography and fiction, notably in The Last Testament of Oscar Wilde (1983), written as Wilde's autobiography and winner of a Somerset Maugham Award. Similarly, Ackroyd was forced to employ new methods of writing biography in T. S. Eliot (1984), winner of the Whitbread Biography Award and the Heinemann Award, when he was prevented from quoting extensively from Eliot's poetry and unpublished correspondence. His mammoth and controversial biography of Charles Dickens was published in 1990, while his biography of William Blake, published in 1995, avoided the two traditional views of Blake as either a madman or enlightened visionary. His biography of Henry VIII's friend and chancellor, Thomas More, whose refusal to ratify Henry's marriage to Anne Boleyn led to his own execution, was published in 1998.
Ackroyd's first novel, The Great Fire of London (1982), is a reworking of Dickens' Little Dorrit. The book set a formal pattern for many of his later novels, including Hawksmoor (1985) and The House of Doctor Dee (1993) by interpolating historical segments with present-day narratives. Hawksmoor was winner of both the Whitbread Novel Award and the Guardian Fiction Prize. Chatterton (1987) is a complex, layered novel which explores plagiarism and forgery. His most recent novel is The Casebook of Victor Frankenstein (2008), written in the voice of Victor Frankenstein himself.
His other novels include First Light (1989), an original distillation of English landscape and history; English Music (1992), which shifts dramatically in time to focus on events in English history; The House of Doctor Dee (1993), which epitomises Ackroyd's fascination for the sense of history and place which lurk in the hidden corners of London; Dan Leno and the Limehouse Golem (1994), which brings together a series of grisly East End murders; and Milton in America (1996), in which Ackroyd creates an imaginary life for the poet who travels to New England and founds a Puritan community.
The Plato Papers (1999) is set 2000 years in the future where the citizens of London look back on the Mouldwarp era, a dismal time in history which spanned 1500 to 2300 A.D. The Clerkenwell Tales, a story of adventure and suspense set in the late medieval world, was published in 2003, followed by The Lambs of London, in 2004, and The Fall of Troy (2006).
Ackroyd's published poetry consists of three collections, and he is also the author of works of literary criticism, as well as a book about the history of transvestism. London: The Biography (2000) is a history of the city that has exerted a powerful influence on his writing and was awarded the South Bank Show Annual Award for Literature. The Collection: Journalism, Reviews, Essays, Short Stories, Lectures (2001), brings together essays on literature and film. His television series on London for the BBC was screened in autumn 2003, accompanied by the tie-in book, Illustrated London (2003), which was shortlisted for the 2003 British Book Awards Illustrated Book of the Year. His latest book about London is Thames: Sacred River (2007).
Ackroyd's first play, The Mystery of Charles Dickens, was first performed in London in 2000 by the actor Simon Callow, in a production directed by Patrick Garland. Dickens: Public Life and Private Passion was published in spring 2002 to accompany a three-part BBC TV series.
Albion: The Origins of the English Imagination, a cultural history of England from the Anglo-Saxon period to the present, was published in September 2002. Ackroyd is also working on a series of biographies for Chatto & Windus entitled Brief Lives, the first of which - Chaucer - was published in 2004. He is also writing a series of non-fiction children's books for Dorling Kindersley entitled Voyages through Time.
Recent works include The English Ghost (2010); The Death of King Arthur (2010); and Foundation: The History of England Volume 1 (2011). In 2012 his new biography, Wilkie Collins, was published.
Ackroyd lives in London. He was awarded a CBE for services to literature in 2003.
This biography was last updated on 01/11/2014.
A note about the biographies
We try to keep BookBrowse's biographies both up to date and accurate. However, with over 2500 lives to keep track of it's inevitable that some won't be as current or as complete as we would like. So, please help us - if the information about a particular author is out of date, inaccurate or simply very short, and you know of a more complete source, please let us know. Authors and those connected with authors: If you wish to make changes to your bio, please send your complete biography as you would like it displayed so that we can replace the old with the new.
"The Casebook of Victor Frankenstein"
It is of course obviously true that Frankenstein is a wonderful story, and I was
eager to see if I could extend it in other directions. It is a myth and a
history, an allegory and a nightmare. I wanted to see if it was possible to
maintain all those elements in a re-interpretation of the original text.
I had been greatly impressed by Mary Shelleys original, but I was eager to tease out some of her assumptions and themes.
I had always been interested in the Romantic movement of English poetry, in the early nineteenth century, and the story of Victor Frankenstein allowed me to explore all the possible meanings of romantic in that context. This also meant that I could discuss the worship of electricity and new science in the period. But it also allowed me to introduce the real characters of Byron and others into the plot. I wanted to set the story in London, as a way of re-imagining and re-creating the nineteenth -century city. I also wanted to see if I could recreate the language and texture of the period so that the reader would feel connected in an intimate way with a culture and civilization that have now disappeared.
Members review books pre-publication. Read their opinions in First Impressions
Win 5 books, each week in July!
Solve this clue:
and be entered to win..
Visitors can view some of BookBrowse for free. Full access is for members only.
Your guide toexceptional books
BookBrowse seeks out and recommends books that we believe to be best in class. Books that will whisk you to faraway places and times, that will expand your mind and challenge you -- the kinds of books you just can't wait to tell your friends about.