Matthew Specktor was born in 1961 in Los Angeles. He received his Bachelor's Degree in creative writing and literature from Hampshire College in 1984, and holds an MFA in fiction writing from Warren Wilson College.
Specktor is the author of the novels American Dream Machine and That Summertime Sound, as well as a nonfiction book of film criticism. His writing has appeared or is forthcoming in The Paris Review, The Believer, Tin House, Black Clock, and other publications. He is a founding editor of the Los Angeles Review of Books.
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Matthew Specktor discusses American Dream Machine
American Dream Machine is set strongly in Los Angeles. It portrays the city in a way that's incredibly vivid--it looks like LA, it feels like LA, a city that is famously hostile to writers. What role does place play in your writing?
LA seems to have suffered over the years as the object of satire, derision, and hostility. In fact, with the possible exception of Chandler, it's hard to think of a great writer who's treated Los Angeles without pronounced ambivalence. Less Than Zero, The Day of the Locust, Play it As It Lays, The Player, What Makes Sammy Run. These books all organize themselves around a pretty jaundiced view of LA, or certainly of Hollywood. That's fair: they're all great books, and I think literature isn't where you go for false optimism. At the same time, I wanted to treat Los Angeles very differently. I grew up here, and I wanted to shower as much thoughtful affection upon it as I could, the way that Philip Roth did upon Newark or Saul Bellow did upon Chicago, etc. I wanted to paint a more comprehensive picture of this place in its warmer, and more human, dimensions. To address not just glamor and disillusion, but also the more ...
Blood at the Root
"A gripping, timely, and important examination of American racism."
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