Lauren Groff is the author of the novel The Monsters of Templeton, shortlisted for the Orange Prize for New Writers, Delicate Edible Birds, a collection of stories, and Arcadia, a New York Times Notable Book, winner of the Medici Book Club Prize, and finalist for the L.A. Times Book Award.
Her third novel, Fates and Furies, came out in September 2015.
Her work has appeared in journals including the New Yorker, the Atlantic Monthly, Harper's, Tin House, One Story, McSweeney's, and Ploughshares, and in the anthologies 100 Years of the Best American Short Stories, The Pushcart Prize: Best of the Small Presses, PEN/O. Henry Prize Stories, and three editions of the Best American Short Stories.
She lives in Gainesville, Florida with her husband and two sons.
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What was your experience growing up in Cooperstown, New York? Did you always have a fascination with its history, or was that something that you came to later in life?
My family is not originally from Cooperstown, but I was born there, so I have always had a fierce, possessive pride in my town. I tried to mirror in my novel exactly the way I felt about Cooperstown: it's such a beautiful, rich place, though not without its irritations and drawbacks. I grew up in the heart of the town, about a block and a half from the Hall of Fame, right on the lakein a house named Averell Cottage, exactly the way I described it in the book, all haunted and wonkyat least to my overactive imagination as a child. I was a really shy, really bookish, easily frightened little girl with horrible eyesight, so when I awoke at night in my my creaky, drafty old house and the light from the window slanted a certain way, I really did see ghosts. Living in a house so old, one just feels as if one is living in layers upon layers of history. Also, in the basement of the house they actually did at one time find slave fetters, and that made a huge impression on meI wrote Hetty, in part, to try to rewrite what I knew about the house where I ...
Blood at the Root
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