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The Loss and Rediscovery of the Great Epic of Gilgamesh
by David Damrosch
Adventurers, explorers, kings, gods, and goddesses come to life in this riveting story of the first great epic--lost to the world for 2,000 years, and rediscovered in the nineteenth century.
Composed by a poet and priest in Middle Babylonia around 1200 bce, The Epic of Gilgamesh foreshadowed later stories that would become as fundamental as any in human history, The Odyssey and the Bible. But in 600 bce, the clay tablets that bore the story were lost--buried beneath ashes and ruins when the library of the wild king Ashurbanipal was sacked in a raid.
The Buried Book begins with the rediscovery of the epic and its deciphering in 1872 by George Smith, a brilliant self-taught linguist who created a sensation when he discovered Gilgamesh among the thousands of tablets in the British Museum's collection. From there the story goes backward in time, all the way to Gilgamesh himself. Damrosch reveals the story as a literary bridge between East and West: a document lost in Babylonia, discovered by an Iraqi, decoded by an Englishman, and appropriated in novels by both Philip Roth and Saddam Hussein. This is an illuminating, fast-paced tale of history as it was written, stolen, lost, and--after 2,000 years, countless battles, fevered digs, conspiracies, and revelations--finally found.
"Starred Review. Damrosch's fascinating literary sleuthing will appeal to scholars and lay readers alike as they ponder the intricacies of cuneiform, the abuses heaped on the Iraqi Rassam and the working-class Smith by the Victorian class system ...." - PW.
"Not quite an essential purchase, this lively and lucid work belongs in most academic and public libraries." - Library Journal.
"A graceful example of how rigorous scholarship and erudition can inform and animate popular history." - Kirkus.
This information about The Buried Book was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
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