In recent decades, an exciting new art movement has emerged in which artists utilize and illuminate the latest advances in science. Some of their provocative creations - a live rabbit implanted with the fluorescent gene of a jellyfish, a gigantic glass-and-chrome sculpture of the Big Bang (pictured on the cover) - can be seen in traditional art museums and magazines, while others are being made by leading designers at Pixar, Google's Creative Lab, and the MIT Media Lab. In Colliding Worlds, Arthur I. Miller takes readers on a wild journey to explore this new frontier.
Miller, the author of Einstein, Picasso and other celebrated books on science and creativity, traces the movement from its seeds a century ago - when Einstein's theory of relativity helped shape the thinking of the Cubists - to its flowering today. Through interviews with innovative thinkers and artists across disciplines, Miller shows with verve and clarity how discoveries in biotechnology, cosmology, quantum physics, and beyond are animating the work of designers like Neri Oxman, musicians like David Toop, and the artists-in-residence at CERN's Large Hadron Collider.
From NanoArt to Big Data, Miller reveals the extraordinary possibilities when art and science collide.
70 illustrations, 8 pages of color
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"Starred Review. Miller declares confidently that art and science will merge into a long-overdue third culture, opening the door to the 'next, as yet unimaginable, avant-garde.' " - Publishers Weekly
"Intriguing, especially for aficionados of the avant-garde." - Kirkus
"Arthur I. Miller understands the intersection of art and science better than anyone writing today. In Colliding Worlds, he brilliantly helps us expand our definitions of art and science while encouraging us to appreciate how both involve an intuitive feel for the beauty of the unseen." - Walter Isaacson, author of Steve Jobs
"Arthur I. Miller explores what happens when the brainwaves, objectivity and logic of science spark off the inspiration, subjectivity and wildness of art, and vice versa. After tracing out the contacts between these spheres of endeavor, Miller goes even further, suggesting that the boundaries between them are breaking down: science is redefining contemporary art to seed a third culture." - Roger Highfield, director of external affairs, Science Museum, London
"Colliding Worlds answers the age-old question of whether art and science can find common ground with a resounding YES! ...Miller's easygoing, anecdotal, and wide-ranging narrative shows how artists exploit cutting-edge advances in science and technology to alter dramatically the palette of artistic invention." - Mark Pagel, author of Wired for Culture
"Arthur I. Miller has the rare intellectual range to address the ways modern scientific discoveries have nourished the creativity of artists - and that's what he's done in this fine book." - Martin Rees, Astronomer Royal and author of From Here to Infinity
The information about Colliding Worlds shown above was first featured in "The BookBrowse Review" - BookBrowse's online-magazine that keeps our members abreast of notable and high-profile books publishing in the coming weeks. In most cases, the reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author of this book and feel that the reviews shown do not properly reflect the range of media opinion now available, please send us a message with the mainstream media reviews that you would like to see added.
Arthur I. Miller is a professor emeritus at University College London. He has published many critically acclaimed books, including Einstein, Picasso; Empire of the Stars; and 137. He lives in London.
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