Critics' Opinion:
Readers' rating:
Published Apr 2012
304 pages
Genre: Literary Fiction
Publication Information
Jeet Thayil's luminous debut novel completely subverts and challenges the literary traditions for which the Indian novel is celebrated. This is a book about drugs, sex, death, perversion, addiction, love, and god, and has more in common in its subject matter with the work of William S. Burroughs or Baudelaire than with the subcontinent's familiar literary lights. Above all, it is a fantastical portrait of a beautiful and damned generation in a nation about to sell its soul. Written in Thayil's poetic and affecting prose, Narcopolis charts the evolution of a great and broken metropolis.
Narcopolis opens in Bombay in the late 1970s, as its narrator first arrives from New York to find himself entranced with the city's underworld, in particular an opium den and attached brothel. A cast of unforgettably degenerate and magnetic characters works and patronizes the venue, including Dimple, the eunuch who makes pipes in the den; Rumi, the salaryman and husband whose addiction is violence; Newton Xavier, the celebrated painter who both rejects and craves adulation; Mr. Lee, the Chinese refugee and businessman; and a cast of poets, prostitutes, pimps, and gangsters.
Decades pass to reveal a changing Bombay, where opium has given way to heroin from Pakistan and the city's underbelly has become ever rawer. Those in their circle still use sex for their primary release and recreation, but the violence of the city on the nod and its purveyors have moved from the fringes to the center of their lives. Yet Dimple, despite the bleakness of her surroundings, continues to search for beauty - at the movies, in pulp magazines, at church, and in a new burka-wearing identity.
After a long absence, the narrator returns in 2004 to find a very different Bombay. Those he knew are almost all gone, but the passion he feels for them and for the city is revealed.
"Starred Review. Thayil's precision and economy distill what could be a sprawling and uneven saga into an elegant tapestry of beautifully observed characters and their complex lives." - Publishers Weekly
"...[Thayil] eschews saffron and temple bells for a more broadly cosmopolitan voice." - Library Journal
"Narcopolis is a blistering debut that can indeed stand proudly on the shelf next to Burroughs and De Quincey. Thayil is quoted as saying that he lost almost 20 years of his life to addiction, but on this showing the experience did not go to waste. We can celebrate that he emerged intact and gave us this book." - The Guardian (UK)
"The ingenuity of Thayil's novel lies in how he has squeezed this entire universe into an opium pipe." - The Independent (UK)
"[Thayil] melds the puke, the violence, the tawdry glamour, and the terrible beauty of the Narcopolis together and transmutes it into what smells like instant cult classic." - Hindustan Times
This information about Narcopolis was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Jeet Thayil was born in 1959 in Kerala, India. He was educated in Hong Kong, New York, and Bombay, cities where his father worked as an editor and writer. His four poetry collections include These Errors Are Correct and English, and he is the editor of The Bloodaxe Book of Contemporary Indian Poets. As a musician and songwriter, he is one half of the contemporary music project Sridhar/Thayil. Narcopolis is his first novel. He lives in Delhi.
The House on Biscayne Bay
by Chanel Cleeton
As death stalks a gothic mansion in Miami, the lives of two women intertwine as the past and present collide.
The Flower Sisters
by Michelle Collins Anderson
From the new Fannie Flagg of the Ozarks, a richly-woven story of family, forgiveness, and reinvention.
The Funeral Cryer by Wenyan Lu
Debut novelist Wenyan Lu brings us this witty yet profound story about one woman's midlife reawakening in contemporary rural China.
Your guide toexceptional books
BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.
