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Book Summary and Reviews of Bring the House Down by Charlotte Runcie

Bring the House Down by Charlotte Runcie

Bring the House Down

A Novel

by Charlotte Runcie

  • Critics' Consensus (7):
  • Readers' Rating (1):
  • Published:
  • Jul 2025, 304 pages
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About this book

Book Summary

A theater critic at the Edinburgh Festival Fringe writes a vicious one-star review of a struggling actress he has a one-night stand with in this sharply funny, feminist tinderbox.

Alex Lyons always has his mind made up by the time the curtain comes down at a performance—the show either deserves a five-star rave or a one-star pan. Anything in between is meaningless. On the opening night of the Edinburgh Festival Fringe, he doesn't deliberate over the rating for Hayley Sinclair's show, nor does he hesitate when the opportunity presents itself to have a one-night stand with the struggling actress.

Unaware that she's gone home with the theater critic who's just written a career-ending review of her, Hayley wakes up at his apartment to see his scathing one-star critique in print on the kitchen table, and she's not sure which humiliation offends her the most. So she revamps her show into a viral sensation critiquing Alex Lyons himself—entitled son of a famous actress, serial philanderer, and by all accounts a terrible man. Yet Alex remains unapologetic. As his reputation goes up in flames, he insists on telling his unvarnished version of events to his colleague, Sophie. Through her eyes, we see that the deeper she gets pulled into his downfall, the more conflicted she becomes. After all, there are always two sides to every story.

A brilliant Trojan horse of a book about art, power, misogyny, and female rage, Bring the House Down is a searing, insightful, and often hilarious debut that captures the blurred line between reality and performance.

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Reviews

Media Reviews

"A smart novel that carefully considers the shifting sands of life." —Kirkus Reviews (starred review)

"A sharp, absorbing, thoroughly entertaining send-up of gender politics, the dynamic between critics and artists, and the struggle for women to balance careers and motherhood." —Booklist (starred review)

"[A clever] debut...Runcie takes a thought-provoking look at art's complex relationship with criticism and public outrage. This dramedy packs a punch." —Publishers Weekly

"Bring the House Down is sharp-witted, wise, and authentic—what a fierce, fantastically funny read." —Claire Lombardo, New York Times bestselling author of The Most Fun We Ever Had and Same As It Ever Was

"An astounding debut about the fraught relationship between artist and critic, truth and publicity, men and women. Bring the House Down reminds us how unwise it is to make easy judgments about people or art—which does not stop me from giving Charlotte Runcie five big stars." —Nathan Hill, New York Times bestselling author of Wellness and The Nix

This information about Bring the House Down was first featured in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.

Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.

Reader Reviews

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Labmom55

A whole new spin on the Me, Too situation
Bring the House Down takes a whole new spin on the Me, Too situation and does it brilliantly. Alex, a popular theatre critic, known for his savage reviews, writes a one star review of a one woman show at the Edinburgh Festival Fringe. Then he goes out for a meal, picks up the actor, has sex with her, all without ever telling her about his review which will show up in the newspaper the next morning. But she doesn’t just accept this. She revamps her show, exposing what he did and it’s a hit. More and more women come out of the woodwork, actors reveal how his reviews have hurt them. The man becomes a pariah.

The story is told from the perspective of Sophie, the “junior culture critic” also in attendance at the festival and sharing a flat with Alex. Through Sophie’s eyes, we are constantly reminded that there are two sides to each story. She raises some interesting points. “It’s not like with a bad review of a book or film, where the creative work is already out there in the world and done with, and the writer or the performer can just shrug it off and go onto the next thing. I can’t imagine what it must be like to get a bad review on the first night of your theatre run, and then have to get up again and keep going, putting yourself out there, knowing that people think you’re crap.”
I loved seeing Hayley, the actor, take matters into her own hands. But even she begins to wonder how everything will play out and what constitutes fairness.

The book lays out a lot of interesting points about creativity, acting and reviewing. It was a book that made me think, especially about to whom a reviewer owes their allegiance. And Alex has a point, no one wants to see a three star review. We are drawn to the dramatic. It would make for an interesting book club selection. Runcie knows whereof she speaks, having been an arts critic and columnist for The Daily Telegraph who frequently attended the Edinburgh Festival. And kudos to her for not taking the predictable way out with the ending.

I was less interested in Sophie’s personal story. She’s the typical working mom and there wasn’t much new there. It was a drag on the main plot.
My thanks to Netgalley and Doubleday for an advance copy of this book.

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Author Information

Charlotte Runcie

Charlotte Runcie was most recently The Daily Telegraph's radio critic and senior arts columnist. She has also written for magazines and newspapers including The Times and The Guardian, spending years in the culture trenches reviewing shows at the Edinburgh Festival. A graduate of Cambridge University, Charlotte was longlisted for the 2023 Lucy Cavendish Fiction Prize and the Bridport Prize, and was a Foyle Young Poet of the Year.

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