I am a novelist with 32 dogs.
I have gotten to this dubious position with absolutely no planning, and at no stage in my life could I have predicted it. But here I am.
My childhood was relentlessly normal. The middle of three brothers, loving parents, a middle-class home in Paterson, New Jersey. We played sports, studied sporadically. laughed around the dinner table, and generally had a good time. By comparison, "Ozzie and Harriet's" clan seemed bizarre.
I graduated NYU, then decided to go into the movie business. I was stunningly brilliant at a job interview with my uncle, who was President of United Artists, and was immediately hired. It set me off on a climb up the executive ladder, culminating in my becoming President of Marketing for Tri-Star Pictures. The movie landscape is filled with the movies I buried; for every "Rambo", "The Natural" and "Rocky", there are countless disasters.
I did manage to find the time to marry and have two children, both of whom are doing very well, and fortunately neither have inherited my eccentricities.
A number of years ago, I left the movie marketing business, to the sustained applause of hundreds of disgruntled producers and directors. I decided to try my hand at writing. I wrote and sold a bunch of feature films, none of which ever came close to being actually filmed, and then a bunch of TV movies, some of which actually made it to the small screen. It's safe to say that their impact on the American cultural scene has been minimal.
In 1995, my wife and I started the Tara Foundation, named in honor of the greatest Golden Retriever the world has ever known. We rescued almost 4,000 dogs, many of them Goldens, and found them loving homes. Our own home quickly became a sanctuary for those dogs that we rescued that were too old or sickly to be wanted by others. Right now they number 32, and they surround me as I write this. It's total lunacy, but it works, and they are a happy, safe group.
Unless otherwise stated, this interview was conducted at the time the book was first published, and is reproduced with permission of the publisher. This interview may not be reproduced or reprinted without permission in writing from the copyright holder.
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