Summary | Excerpt | Reviews | Read-Alikes | Genres & Themes | Author Bio
Critics' Opinion:
Readers' Opinion:
First Published:
May 2000, 224 pages
Paperback:
Jun 2001, 224 pages
Tells a most unconventional life story. "Original, acid, and wild" --said the Los Angeles Times. Written as 17 autobiographical essays.
"As far as I was concerned, the French could be cold or even openly hostile. They could burn my flag or pelt me with stones, but if there were taxidermied kittens to be had then I would go and bring them back to this, the greatest country on earth."
David Sedaris's new collection, Me Talk Pretty One Day, tells a most unconventional life story. It begins with a North Carolina childhood filled with speech-therapy classes ("There was the lisp, of course, but more troubling than that was my voice itself with its excitable tone and high, girlish pitch") and unwanted guitar lessons taught by a midget. From budding performance artist ("The only crimp in my plan was that I seemed to have no talent whatsoever") to "clearly unqualified" writing teacher in Chicago, Sedaris's career leads him to New York (the sky's-the-limit field of furniture moving) and eventually, of all places, France.
Sedaris's move to Paris poses a number of challenges, chief among them his inability to speak the language. Arriving a "spooky man-child" capable of communicating only through nouns, he undertakes language instruction that leads him ever deeper into cultural confusion. Whether describing the Easter bunny to puzzled classmates, savoring movies in translation (It Is Necessary to Save the Soldier Ryan), or watching a group of men play soccer with a cow, Sedaris brings a view and a voice like none other. "Original, acid, and wild" --said the Los Angeles Times to every unforgettable encounter.
Chapter One
Go Carolina
ANYONE WHO WATCHES EVEN THE SLIGHTEST amount of TV is familiar with the scene: An agent knocks on the door of some seemingly ordinary home or office. The door opens, and the person holding the knob is asked to identify himself. The agent then says, "I'm going to ask you to come with me."
They're always remarkably calm, these agents. If asked "Why do I need to go anywhere with you?" they'll straighten their shirt cuffs or idly brush stray hairs from the sleeves of their sport coats and say, "Oh, I think we both know why."
The suspect then chooses between doing things the hard way and doing things the easy way, and the scene ends with either gunfire or the gentlemanly application of handcuffs. Occasionally it's a case of mistaken identity, but most often the suspect knows exactly why he's being taken. It seems he's been expecting this to happen. The anticipation has ruled his life, and now, finally, the wait is over. You're sometimes led to believe ...
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